Indianapolis Times, Volume 41, Number 312, Indianapolis, Marion County, 10 May 1930 — Page 6

PAGE 6

LYRIC WILL CELEBRATE ITS BIRTHDAY WITH BIG PARTY

Six-Act Anniversary Program and a Feature Movie, ‘Those Who Dance,’ With Monte Blue and Lila Lee, Will Be on View Here. ANNIVERSARY WEEK is the big event at the Lyric, starting today. A birthday party has been arranged as a sort of a "thank you" to local theatergoers who have made the last year a most successful and pleasant one for the new management and policy at this theater. Just one year ago thus week the new management introduced to the amusement fans of this locality a popular-priced combination of stage and screen entertainment which has proven to be one of the most liked policies yet inaugurated in any local theater They first transformed the Lyric into anew and modern playhouse, and then combined the pick of Radio-Keith-Orpheum vaudeville with Vitaphone and Movietone talking p‘ ctures - t a : 4-^

A glance back over the list of stage attractions which have been shown at the Lyric and one finds many real stage and screen names. Heads the Six Act Anniversary Week stage show is a unique and original musical and dancing spectacle called “'lropical Nights” in which the agile stars of terpsichore Gracella and Theodor together with a company of seven singers and daners prsnt what has bn trmd a brilliant act. A timely travesty called “On the Curb” is the offering which brings back to the variety stage two well known comedians, Joe Morris and Winn Shaw. Foster and his clever pal “Peggy” claimed to be one of the world's most intelligent canine actors, present an offering quite out of the ordinary in their line. Fayne and De Costa are fourth in mention offering their musical revue, called “Lots of Melod The pair present a parade w .arious musical instruments with several vocal solos by Miss De Costa. Victoria and Lorenz are two acrobatic stars who offer a cleverly staged oddity. One other Radio-Keith-Orpheum act completes the stage show. One of the most notable of all star casts is that w’hich has been assembled in the new all-talking Vitaphone picture, “Those Who Dance," which is the chief screen event for Annivvcrsary week. It is a melodrama of crook plotting and detective work, and boasts of such well-known screem names as Betty Compson, Monte Blue, Lila Lee and William Boyd. The picture was directed by William Beaudine and the story adapted from an original story by George Kibbe Turner.

Sunday School Lesson

The International Uniform Sunday School Uesson for May 11. Making Christ Our King. Matt. 21:1-11. BY WM. E. GILROY, I>. I). Editor of The Congregationalist THE late Edward Everett Hale once suggested that one who had not been born in a democracy could not quite understand the New Testament conception of the Kingdom of God. One thing is certain: when we speak of that Kingdom and when we speak of Jesus as king, there is a great difference between the heavenly ideal of the kingdom and kingship and the earthly ideal. The earthly ideal is one of prestige and power, of domination and Yet Jesus emphasized inn all His authority meekness and llowliness. instead of asserting His |right to the service of others He Jrointed the way of service. He said .£> His disciples: ‘ I am among you one that serveth." He declared *at the one who would serve would % the greatest of all, and upon one fasion He even took a basin of |er and washed the disciples’ feet ' .ft He might give them an ex*t%4ile in lowly and menial service. His True Authority We could hardly conceive of things of that sort being done by an earthly kind, and yet, the fact is that the more we consider the life of Jesus and His teachings, the more we are convinced of the propriety and rightness of calling Him a icing. He is a king—a king of power and a king of authority, because it was in these very unkingly factors, or at least unkingly from an earthly standpoint, that He asserts His true authority and His right to command the souls of men. He would not dominate us with His power, but he would rule us with His love and truth. That Jesus might have been an earthly king, exercising much the same sort of power that other earthly kings have wielded, seems apparent from our lesson and from its associated passages. The people were ready to acclaim Him, the situation was favorable for one who with earthly ambition and military aggressiveness would dare to rouse the people against their Roman conquerors. Perhaps the temptation to lead speh a movement of revolt and set himself up as an earthly ruler with the acclaim and support of the people was what underlay the temptation in which Jesus was shown all the kingdoms of the world and was assured that all these might be His if He would worship the power of evil. That temptation found its meaning in what was going on within His own soul—the temptation to turn from the way of spiritual duty and spiritual triumph to the immediate and more tangible pow’er of an earthly scepter. It is significant that this triumphal procession of Jesus with the

MUTUAL A 2y 2 -Hour Standard BURLESQUE CHANGE YOUR TREND OF THOUGHT SEE A GOOD SNAPPY SHOW IN THE FLESH s LID-LIFTERS With Lots of Wise-Cracking Comedians \ Snappy Dancing Girls PONT GET THOSE STAY-AT-HOME BLUES SPECIAL MIDNITE SHOW SAT. NITE

Ladies to Be Guests at Dance Lyric Ballroom Plans to Have Flowers as Gifts. LADIES will have the edge on men at the Lyric ballroom next week, inasmuch as two special nights have been planned for their special benefit by E. W. Mushrush, manager. Tuesday night ladies will be given favors of flowers from the Community Flower Shop, 407 East Sixteenth street. Special dance contests and prizes are being arranged. Thursday night Richard Kootz, florist, will present each lady with flowers as favors. This night is to be featured with contests and stunts of interest to all. Each Monday, Wednesday and Friday night are featured as Waltz nights in the Lyric ballroom. Free dance instructions are given on Tuesday and Friday ngihts. New Feature in Production "Manslaughter,” in which Claudette Colbert will play her first featured role on the west coast, has just gone into production at the Paramount Hollywood studios under the direction of George Abbott. Others in the cast are Emma Dunn, Hilda Vaughn. Natalie Moorehead, Stanley Fields, G. Pat Collins, Arnold Lucy, Ivan Simpson. Brooks Benedict and Irving Mitchell.

populace acclaiming Him as king came so near to the scenes of His triumphant sacrifice. It helps us at least to grasp the real nature of His greatness and His kingship. Had we been in Jerusalem at that time we might have been impressed with this journey from Bethphage and the Mount of Olives into the city. That spectacle might have loomed so large in our eyes that the succeeding events in Gethsemane and Calvary might easily have been obscured. or we might have regarded these events as a serious anticlimax. But looking now from the standpoint of all that has happened in the world since that day, the greatness of the influence that Jesus has spread and the depth and power of that influence in many lives, we are able to see that that triumphal entrance into Jerusalem had its significance irnthe spiritual events that were bringing Christ to Jerusalem. The triumphal entrance was on the last stage of His earthly life when His kingdom and His power were to be revealed in the completeness of His sacrifice and in the sublime courage of His endurance on the cross. The Inner Triumph Three centuries later a military commander on the eve of a great battle was reported by tradition to have seen a cross in the sky with the legend, "In hos signo vince,” in this sign conquer. It was traditionally in obedience to that sign followed by victory that Constantine established Christianity as the religion of the Roman empire. It was the outward triumph of Jesus over the power that crucified Him: but that outward triumph was as nothing to the inner triumph of Jesus as a spiritual king. The cross became the throne and the crown of thorns the symbol of the eternal power of the sacrificial Christ. It is of that realm of love and sacrifice that Jesus is king, and those who would be his true subjects must realize the nature of the kingdom to which He calls them and of the privileges that He bestows upon them.

Dawgs Seventy-nine dogs reported for work at the Paramount Hollywood studios yesterday. Eighty-four were checked out at the close of the day s work on Moran and Mack’s "Anybody’s War.” The five extra dogs were born on the set during the shooting of sequences. Two of the offspring of Sniper, a white mongrel, were pure black and were christened by Renne Renfro, owner, as "Amos and Willie,” or collectively, “The Two Black Crows.”

AMUSEMENTS

Men Will Sing Here Monday Claire Dux to Be Soloist With Maennerchor in Concert. npHE Indianapolis Maennerchor will give another program next Monday with Claire Dux, soprano, as the guest artist, at the Academy of Music. In the past few years, Claire Dux had practically given up her professional career, emerging only to sing on one or two gala musical occasions. For next season, however, the soprano has reconsidered her decision and will devote six weeks to the public which has constantly clamored for her return. Half of this time is already pledged to concert on the Pacific coast. Few artists succeeded in impressing the American public from so many points of view as did Claire Dux, who established herself here as well as abroad as one of the great international personnages in the operatic and concert fields. Miss Dux was born on Polish territory, and her ancestry represents several nationalities. Both of her parents were musical, her mother being related to the famous Clara Schumann, wife of the great composer. Miss Dux began to sing as a child, and after a few years of study made her operatic debut !n Germany, after which she was leading soprano with almost all of the great opera houses of the world. She sang leading roles at La Scala, in Milan, and made her debut at the Royal Opera, in Berlin, with Enrico Caruso, singing Mimi to his Rodolfo. On this occasion Caruso stepped out of his role to lead the applause for the younger singer after her aria in the first act—an unusual tribute even for the bighearted tenor, and one which helped to establish Miss Dux as a reigning favorite. Subsequently Miss Dux sang at Covent Garden, London, where she won the admiration of no less than Dame Nellie Melba, who wrote her a letter of praise and said that in hearing Miss Dux she had had “her first singing lesson.” Prior to her first American visit, Miss Dux sang at the Royal Operas in Stockholm and Copenhagen, where she proved again that she had’only to sing for an audience to win it. Miss Dux’s triumphs here with the Chicago Civic Opera Company were equaled by her success in recital and she proved herself supreme in her various American tours. tt tt tt GREAT PIANIST WILL BE HERE Coming here in the interest of greater appreciation of fine music. Mme. Sturkow-Ryder, internationally known composer and pianist, will appear in this city in several recitals the week of May 18. Mme. Ryder has played return engagements with some of the largest and most famous orchestras in the world, including the New York Symphony orchestra under Walter Damrosch; the Chicago Symphony orchestra, with Frederick Stock conducting; the Russian Symphony orchestra and the Minneapolis Symphony orchestra, Emil Oberhofer conducting. She has been engaged at great expense by the Grigsby-Grunow Company as its first national exclusive Majestic artist and is scheduled for a forty weeks’ tour that between Sept. 1 and next June will have taken her into every one of the forty-eight states. One of the features of Mme. Sturkow-Ryder’s Majestic appearances is her world premier of the use of the radio-phonograph in connection with her appearance at the piano. One part of her most interesting performance includes the playing of a special record t>y a twenty-two-piece orchestra in which the piano part has been omitted, Mme. Ryder supplying the piano herself on ti e stage. This accomplished pianist will also play a duet with herself—onehalf of the duet having been recorded by her on a special Majestic record, the other half to be played by her before the audience. tt tt tt MRS. LEWIS TO TO APTEAR TUESDAY On Tuesday evening, May 13, Mrs. Florence Keepers Louis, pupil of Arthur G. Monninger of the faculty of the Arthur Jordan Conservatory of Music, will give a recital at the Odeon at 8:15 o'clock. She will give the following program, assisted by Miss Kathryn Bowlby, pupil of Glenn Friermood, also of the faculty of the Conservatory. i \ "Sarabande” J. S. Bach "Gieue" Mozart II •'Ballade. G minor” Grieg 111 •'Care Selve” Handel •'La Violette” Scarlatti i “June" Beach IV “Pavane” Ravel •'Arabesaue'' Moszkowski “Clair d'Lime" Debussev “Espenlaub" Sauer V “Mazurka. A flat. op. 59 No. 2”.. .Choptn' “Scherzo. C sharp minor" Chopin Lucile Wagner, accompanist. On Sunday afternoon, May 11, Hugh McGibeny of the violin department of the Arthur Jordan Conservatory of Music will present his pupils in a recital at the Odeon at 3:30 p. m. The program has appeared in these columas last week. Earl Howe Jones of the piano faculty of the Arthur Jordan Conservatory of Music, is studying with Albino Gomo, dean of the Cincin- ; nati College of Music, making week- ' ly trips to the neighboring city. Edwin Jones and Frances Wishard. teacher in the violin and piano departments of the Arthur Jordan Conservatory of Music, will present their advanced pupils in a joint recital on Thursday evening, May 15, at the Odeon at 8:15 p. m. The following will take part: Violet Albors. Ann Lois McMullen, Betty Kreutsiir'r Lisadell O’Neal, Ann Aufderhe.ic, Mary Livingston, Mucile Clark. Thelma Tingle, Dorosmy Olsen, Maryeha Julian, Lois Le

. THE INDIANAPOLIS TIMES

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1— Gracella and Theodor appear in “Tropical Nights” as the vaudeville feature of the new bill at the Lyric. ~ 2 Lore! Starkey will make parachute jumps at Riverside park, Sunday afternoon.

Saulnier, Helen Myers, Sarah Olinger, Marthana Davis, Fred Lutz and Georgia Bauman. a tt STUDENTS TO GIVE RECITAL On Friday, May 16, at the Odeon at 8:15 p. m., the junior advanced recital will be held. Kathleen Rigsbee, will play Serenado and Papillons by Olson: Simon Gold will give “Cantlaue d’Amour by Liszt. Bvron Hollett will give the “Allegro” from de Deriot’s seventh concerto. Ollene Nance will play a "Valse Improptu,” by Raff and Caprice by Schliedor. Vera Sudbrook will sing “Who yvill Buy Mv Birds.” an old Italian song; Moon Marketing.” by Weaver, and "Rain, by Curran. Jean Chanowoth will play Mozart s “Sonata in A major.” Florence Swartz and Mary Helen Seal will give “Ritmo” by infants, for two pianos. Lois Lo Sculnior will play Capriecio.” by Ten Bave. Sarah Olinger will play “Gavotte,” by Gluck-Brahms. and “Prelude in G minor, by Rachmaninoff. Mary Carman will sing ‘‘De Puis le Jour” from “Louise.” Clara Meek will play “Les Sylvainee,” by Chaminade. A string auartet of Jean Chenoweth. William Schneider. Alonzo Brown and Wayne Van Osdol will play the Presto from Haydn’s “Quartet No. 2.” Teachers of these students are: Allie Eggleton, Eleanora Beauchamp, Donn Watson, Blanche Brown, Lillian Flickinger, Stanley Horris, Lucille Wagner, Edwin Jones and Leone Richman. Janet Morris, pupil of Frances Beik of the Arthur Jordan Conservatory of Music has been made head of the Dramatic Department of the College of Music in Newcastle, Ind. Fletcher Woodbury, pupil also of Frances Deik leaves shortly for Winnipeg, Canada for a twelve weeks season in Chateauqua.

Art Institute

The art institute is showing during May an interesting collection of prints pertaining to the theater. They have been sent by the Theater Arts Magazine and include designs for costumes and stage sets, portraits of actors, caricatures and illustrations for old ballads andbroadsides. Among the most famous of the etchers and engravers represented are the great French realist, Callot, who was producing his biting and sardonic art in the first part of the seventeenth century, and the great English satirists, Rowlandson and Cruickshank, who worked 200 years later in England. A group of photographs of modern stage productions is also shown. Gordon Craig, Robert Edmund Jones, Lee Simonson and many other well-known stage designers of both this country and abroad are represented. In connection with these prints and photographs from the Theater Arts Magazine several miniature stage sets made under the direction of Oakley Richey, instructor of interior decoration and stage design in the art school, are shown. Powell Is Still Very Busy William Powell, who has lately been busy on the screen, either evading the law or bringing evildoers to justice, is to make still another change in his extra-legal characterizations with his next picture, "For * the Defense.” He will depict a former district attorney who ends an innocent man to the chair and then turns his talents to the defense of criminals.

New Play The Theatre Guild has acquired anew play tentatively called “In the Meantime” and written by Paul and Claire Sifton. Sifton wrote "The Belt,” which the New Playwrights’ theater produced several years ago, and is on the editorial staff of the New York World.

AMUSEMENTS

RIVERSIDE OPEN EVERY NIGHT BALLOON ASCENSION SUNDAY AFTERNOON Daring Lorel Starkey Will Thrill Thousands With Her Death-Defying Parachute Leaps RIVERSIDE—CAPITAL CITY OF

Ballroom Has a New Schedule Tom Devine Puts Into Effect a Summer Program. 'T'OM DEVINE, manager of the Indiana roof ballroom, announces anew summer policy, starting next Tuesday. Dancing will be discontinued on Tuesday and Thursday evenings throughout the warm weather. With the exception of this change, the ballroom policy will remain the same. The nights to be featured are Sunday, Syncopation night; Wednesday, Waltz night; Friday, Collegiate night, and Saturday, Mardi Gras night. Devine also announces anew ballroom stunt, known as a “Derby Race.” He states that persons viewing this miniature race during the coming week will experience all the fun and thrills of a Kentucky Derby. Six cutout horses are stabled in the ballroom lobby, where they can be viewed by patrons of the roof, before they pick their favorites. After a patron has made his choice for winner of the Derby he is given a slip on which his favorite’s number is stamped. As the slips are turned in, an attendant posts “betting” odds, as at a regular track. A large chart of squares, permitting twenty-four progressive moves for each of the six miniature horses attached to the chart, is placed on the orchestra stage inside the ballroom. Three girls roll three huge dice simultaneously on the stage. The three horses bearing the numbers turned up by the dice are advanced one square. The girls continue to roll the dice until a horse has completed twenty-four moves.

Back Again James B. Donovan and Marie Lee are back again. This very welcome reunion between the “King of Ireland” and the “Dancing Butterfly” was effected this very week. A protracted illness has kept this ever-popular dance and comedy team from the RKO stages for several months. They’re welcome back again. They open in New York within a week or so.

AMUSEMENTS

Dayton Westminster Choir COLISEUM STATE FAIR GROUNDS WEDNESDAY, May 14, 8:30 P.M, Tickets on Sale Now Daylight Corner Washington and Meridian Streets SEATS 50c and SI.OO

COLONIAL ILLINOIS AND NEW YORK WEEK STARTING TODAY Geo. (Buttons) Fares AND HIS OWN BURLESQUE A SPLENDID CAST CHORUS ON RUNWAY ON THE SCREEN FIRST TIME SHOWN IN CITY “THE SWELLHEAD'’ ALL-TALKING FEATURE Midnight Frolic 11 O’clock Tonight

3—Mrs. A. H. Fiske of Indianapolis mounted on “Kappa Lady,” one of the entries in the Indianapolis Junior League horse show to be given at the coliseum at the state fair grounds, starting May 20.

ROUNDING ROUND THEATERS D. Ith mCKMAN

AGAIN managers of the legitimate theater are asking what is wrong with the stage? This question is getting warmer and warmer since the movies landed so solidly in this country. Sam H. Harris, president of the Organized Legitimate Theater Managers’ Association, has written his views on conditions in the theater for “The Quill.”

Harris is in a position to know that many good shows have failed to draw people into the theater because the show was not properly exploited. Read what Harris has to say in part in “The Quill”: With all due respect to Bernard Shaw the legitimate theater is not going to be washed up or killed by talking pictures. We have had time to think it over since the novelty of talkies gave managers a pain in the neck. We And the movies are still a long way from giving satisfactory performances of the spoken drama. X believe that every patron of the talkies will become a potential theatergoer if producers will select good plays and take steps to combat the competition. I still Insist, as I did nearly a year ago in "The Quill,” and as other producing managers have said, that we cannot ex- , pcet the show business to come back of itself. Wiping out the “specs” will help the theater in New York, but we would be foolish to stop with that. For my part, let us get back to first principles in advertising our shows. Put more effort behind the lob of selling the goods. I am dead serious about this. Personally. I feel that managers should be sure they are placing our best men in advance of the shows—resourceful agents who know showmanship—and let them use the well-tried circus methods which never failed us in the old days. We can do with more showmanship. Economics of the theater prohibit us from using the expensive advertising displays taken by the films. I still say we are spending everything on productions and letting the shows sell themselves. It is against every sound business axiom. I have read the press agents’ paper and note your complaints about no sales organization for show business. There is too much truth in what you say. When we get the speculators cleaned up something must be done toward an organization to bring back the road. A year ago some of our managers started to lay off their productions. Some gave the legitimate theater only three years

fa* 1 * S,W T§ ' I We’ve prepared a veritable feast of entertainment for you. A Great “Thank You” 7 : .'Ssf? ■ show in appreciation of a wonderfully successful first year In Indianapolis Come join 'A' § 11s in this gala Celebration. It Is truly one of the greatest shows ever offered in any - ft ■Mg. Z I theatre at popular prices. Bring the whole family, this program will please every one. 7 i MIBMi VUJAS&l 1 ! GREAT ACTS A U llpF R.K.Q.VAUDEVILLE HEADLINERS raSpsSsf“*•• }i t ijgiAipksg/h i \/rK{ iFftYNTv iCT( ! R^T^fitfv Vs FOSTER . ! i npcu? and \i OgCOSTA I LUKtiu / ! AX<l\bnc\nVi peggy l/V sw A? -<- \ "The World's // \VFPK Vt Most Wnnderf‘,7 gggggf - " ' f tMWKSL FU. - MQMTS BLUE fW M&L ,-y i Ihe seductive lure of soft music—soft lights—soft cushions and soft living—the pursuit of pleasure flSSßmmtmaikSKm , amid love-thrills and dinger thrills. Here is an KSHnßnfflk \ / L amaiing drama, vivid as a pistol shot, as romantic MHlllKßlteafffl NHKMwK&fSg y / 4 as your on first love. Teeming with action and KnyfVMMW.r ” breath-taking excitement. VI ' "W W "Sir 2SdI Bfm££R& , !U" T /i fbeekis n.w .'■iiu.ii.

before it would kick the and others lit out for the movies, but I believe they will soon all be coming back. It is In their blood. They can see that since the first of the year we have had more dramatic and musical hits than expected. Business is picking up. With lively publicity and the right sort of showmanship, these hits will get their runs in Chicago and other key cities as they did before the talkies were heard of. It is a good sign \sien out-of-town centers are starting movements to guarantee theater audiences. Any first class city considers it a knock to be without a legitimate theater. Women’s clubs are uniting* with civic societies to support good plays and It is up to the producers to organize and play the game. “I told “The Quill” In mv previous article that managers with worth-while attractions could secure support on the road. It may require more salesmanship than formerly, but the past year has been a profitable experience for good shows when they put up a fight for their share of the business. I make no claim to superior judgment, but we have more successes in New York than usual for this season of the year and it means something. Dramatic writers over the country are more hopeful and giving more encouragement to the legitimate theater. Owing to labor troubles, the crash in the stock market and naturally more unemployment. the show business in some cities has been spotty, but that is all the more reason for putting more effort into our exploitation. k Fay Sees the Big Town Fay Wray is in New York for her first visit in two years. Miss Wray, who just finished the feminine lead in “The Texan,” opposite Gary Cooper, will devote her time to seeing Broadway shows and to shopping.

AMUSEMENTS

MAY 10, 1930

Girl Will J ump at Riverside Lorel Starkey to Make a Parachute Leap Sunday. LOREL STARKEY, an Indianapolis girl who has acquired considerable fame as a parachute leaner, will ascend with the big balloon at Riverside amusement park Sunday and will attempt three consecutive parachute jumps after cutting loose from the hot air bag. If she is successful, she will have equaled the feat performed at Riverside a week ago by Ethel Pritchett, who executed a triple drop. Quite a bit of professional rivalry has arisen between the two local girl jumpers, and it is likely that before the summer is far advanced some rather unique challenges will be hurled back and forth between these two feminine aerial stunt performers. Miss Pritchett has had several years’ experience at the hazardous business of risking her neck in the skies and is generally looked on as without a rival in her profession. Miss Starkey, with far less experience in the air to her oredit, is ambitious to “rise" in the balloon world, and has declared she will equal any mark set by Miss Pritchett. So, Sunday afternoon, if she succeeds in executing the three leaps, the score will be even—for another week, at least. Riverside now is open every night and is operating in real midsummer form. Bclmore Gets Big Role Lionel Belmore, veteran character comedian of the stage and screen, and Claud Allister, English comedian lately with George Bancroft in “Ladies Love Brutes,” have been given important roles in Ernest Lubitsch’s next Paramount production, “Monte Carlo.” Jack Buchanan and Jeanette MacDonald are featured in the leading roles with Zazu Pitts in an important part. Frank Gets Good Job Frank Tours, veteran musical conductor, has just been named director in charge of all musical activities at the Paramount New York studios. AMUSEMENTS

rtyDS ICSJ'C last times tnUUdil 0 2:30 —8:30 POPULAR MATINEE The Sensational Vampire Mystery that has Thrilled Two Continents DRACULA PRICES—Night sftc, sl, $1.50, $2 Matinee—soc, SI.OO, $1.50.

The Roumanian Progressive Club 630 West W’ashinßton St. takes pleasure in announcing: the reopening: of their dining: room to their members and quests after weens closing: on account of remodeling: and enlarging the kitchen. Business men’s luncheon. 11:30 J® 2:00. Dinners served from fi:o9 till 0:00. Experienced chef in Roumanian, French and American dishes. ner n s qUet Ts n .nd Dancing every Card Parties for ronvenlent na*rk Clubs, Fraternities koovenient narkand Sororities. n * s naee. For special dishes, make reservations, Li. 1615.