Indianapolis Times, Volume 41, Number 78, Indianapolis, Marion County, 10 August 1929 — Page 6

PAGE 6

‘THE VALIANT’

The Lockfords. in ‘A Dance Voyage.’ Will Top the Vaudeville Program Starting Today and Be on View All Next Week at Illinois Street Theater, EVERY element of sure-fire entertsinment is Raid to bp found in the combination of talking pictures and vaudeville opening a week run at the Lyric today. “The Valiant." and all-talking Fox Movietone production and a quartet of Radio-Keith-Orpheum vaudeville attractions, together with the Usual fine short films comprise the show. The Valiant." adapted from the play bv Holworthy Hall and Robert Middlemass. directed by William K. Howard, with Paul Muni and Marguerite Churchill in the leading roles in hailed as one ofjhe outstanding all-dialogue film 1 : of the current season.

Paul Muni and Marguerite Churchill are both seasoned stage stars and their speaking screen work is said to stamp them as being okay for the new “talkies." Muni was first brought into the theatrical limelight by his remarkable performances in “We Americans" and “Four Walls” both plays which had Broadway runs. In “The Valiant." Muni, essays the role of a convicted murderer with sentence of the “chair” awaiting its fulfillment, who refuses to reveal his real name, because of the heart-aches and disgrace it would bring upon his family. The climax of the action is reached in a thrilling scene between the convict and a young girl who suspects he is her brother and whose suspicion he strives to dispell. Besides Paul Muni and Marguerite Churchill the cast includes such well-known screen names as John Mack Brown. De Witt Jennings. Edith Yorke, Henry Kolker and Don Terry. The vaudeville program includes four Radio-Keith-Orpheum attractions. There are two distinct and different headliners. The first feature being “A Dance Voyage" presented by the Lockfords. These two unusual acrobatic adagio dancers, who were formerly stars of the “Fol Ties Bergere” have a colorful four scene revue in which they offer many unusual dances. The Lockfords have been a continental attraction for the past ten years, although they are now but 21 and 22 years of age. Their first apparance in America was in the “Fussing Show of 1921.” Frankel and Dunlevy, are the next features. They are comedians of the burnt cork variety. One portrays the thick slow-minded, unsophisticated buck: the other the nimble thinking, super-wise chap—the efforts of the one to outv.it the other resulting in the conversational avalanche of laughs. Two other Keith acts and the usual auxilary film subjects complete the program. The Lyric orchestra will offer musical accompaniment to the vaudeville and silent film subjects.

Like Blue

Clarence Brown, director, doesn’t believe in dates as om p ns. but if they're any good he started his latest picture on an auspicious date. He started actual sound photography of his latest Metro-Goldwyn-Mayer production. ‘ Navy Blues, on the day “Wonder of Women.” his preceding picture, had its premiere in New York. The new picture is a comedy romance of the navy, starring William Haines, and Anita Page plays the h p roine. Karl Dane. Edythe Chapman. J. C. Nugent and others of note are in the cast, and much of it will be filmed aboard a United States destroyer. Tt is Haines' first 100 per rent talking picture—and, incidentally. Brown's too.

Gaul Busy

Helen Westley has returned to her role in ‘‘Strange Interlude” and is, of course, retaining her part in “The Camel Through the Needle s Eye.” More often than any other actress in New York. Miss Westley is doubling in two roles. George Gaul has also entered the cast of ‘‘Strange Interlude.” playing the role of Charles Marsden. which Tom Powers was recently compelled to surrender because of illness. River Location for “Oh Yeah!” The beautiful Feather River district of northern California furnishes many lovely backgrounds for “Oh. Yeah!", the new Pa the picture now in production in which Robert Armstrong and James Gleason are featured. Tt is said that this river received its name from the fact that the Indians used to string lines, with feathered hooks suspended from them, across the river. The big rainbow trout would jymp at the feathers and thus be caught. Beautiful Scene I* Arranged Typical Gypsy melodies and Hungarian folk dances are incorporated into the musical score prepared by Paramount’s musical staff for the brilliant UFA production. "Hungarian Rhapsody.” It is a picture which readily lends itself to musical accompaniment with its many dance and singing scenes and with its love scenes wherein a friendly violinist furnishes audible stimulus for the lovers. 44 Stars to His Credit C. B. Maddock who produced his famous vaudeville acts “Fifty Miles From Broadway" and “Rubenville' as two-reel dialogue features for release on the Pathe program on the Golden Rooster series, has, during his long career developed no less th&n forty-four stars, among whom are Charles King. Louise Groody and Queenie Smith.

Yes, They Clip A feature of the latest tworeel comedy hit. “Barbers' College." which George l? Maire is producing for Pathe is the graduation exercises of the college ol the barbers in which some thirty-five old times of the American stage take part receiving their diplomas shouting their college yell and tak’ng part in a snake-dance Lew Hearn is the master barber. Gladys Hart is the leading lady, and Barbara Marsh is a sweet girl barber co’lege graduate.

Mystery • Movie Due Sunday Colonial Will Offer ‘The Donovan Affair’ Here. ''T'HE Donovan Affair,” an alltalking mystery drama, to be ■ shown at the Colonial next week i was adapted from Owen Davis’ successful stage play. The mystery surrounding the i strange killing of Jack Donovan at a dinner table and the later death of another character in the same I manner and by same means, a carving knife, is profound. The false clues are many. The apparently contradictory acting of the various people in the play confuses the mind until the denouncement, which comes swiftly and is j whollv logical as well as surprising. | Jack Holt, is see;! as the Inspector, ! Dorothy Revier. Wiliam Collier Jr., ; John Roche. Fred Kelsey. Agnes Ayers, Wheeler Oakman. Browne Faire and Ethel Whales I complete a surperlative cast. Frank Capra's direction is flawless, prov- | ing again the skill of this young diI rector who handled the Columbia j hit "Submarine.” Peppy song hits, special musical ! numbers, comedy bits and original dances will all be found in the stage production “Dance Crazy,” a | ixirlesque staged by Leo Burge. Jimmy Bova and Eddie Ware, I the two fact-action comics will handle the prinicpal comedv roles j and Paul Reno will present another of his song numbers. Mildred Wood, Daisy Due. Frank | Martin. Bonnie Austin and the ! Colonial Chorus round out the | splendid cast.

Very Small

Baby Rose Marie

On the Vitaphone presentation program at the Apollo today one ! of the features will be Baby Rose Marie, a 4-year-old songstress, who puts over her numbers in a way that rivals older and more experienced entertainers. The little girl has recently become popular through a series of radio broadcasts over the leading stations of the east. A short vaudeville tour won Baby Rose Marie phenomenal ! I fame and brought her to the at- j | tention of Bryan Foy. who signed I ! her for a Vitaphone presentation. Here Is Some Voice Test One hundred male voices were tested to select forty for the chorus j of Grenadiers in Paramount's pro- j duction of “The Love Parade.” the | I talking screen's first original j ! operetta. The singers were re- j cruited from church choirs, vocal schools, from the Los Angeles j Grand Opera company chorus and from the stage. These men, with j Jeanette MacDonald, sing the March of the Grenadiers, one of ! the most inspiring numbers of VicI tor fchertzinger's original score, i “The Love Parade.” which stars | Maurice Chevalier, is being directed j by Ernst Lubitsch from a story by ! Ernest Vajda and a libretto by Guy Bolton. Staged Original Floradora Sextet Lewis Hooper, noted stage direc- ! i or. famous in the theater for two decades, was the stage director for ; “Fifty Miles From Broadway,” which C. B. Maddock produced at the Pathe sound studio. New Tork, for the Golden Rooster series Hooper staged the original Floradora sextet, and also the revival in recent years. In “Fifty Miles From Broadway” he directed the ensemble as of yore.

Big Cast in Act 'The Marcus Show." one of the most elaborate productions ever presented in Radio-Keith-Orpheum vaudeville, will be seen for the first time in metropolitan areas next week at the R-K-O Jefferson theater. New York. Fifty people are in the cast which includes a chorus of thirty. There are seventeen sumptuous scenes in this offering, and the costuming is unusually colorful and original in design. Elmer Cody, popular comedian, heads the cast.

WITH PAUL MUNI IS LYRIC’S SHOW FEATURE

JisifH!! wmm ' Isi *•£’ i t

t The Lockfords have headline positions on the new bill opening at the Lyric today. 2—Billy Jones and Ernie Hare, known as “The Happiness Boys, make up one of the Movietone acts on the new bill at Loew’s Palace.

ROUNDING THEATERS

WHEN various claims and statements are being made regarding the future of the legitimate theater, now comes Mr. I. H. Herk, head of Mutual burlesque, and he claims that his type of burlesque is safely passing through a period of house cleaning and readjustment. Not that Herk is -going to make a Sunday school picnic out cf burlesque, but he intends to make it modern as to method, talent and material.

He knows just as well as those J who write of the theater that bur- j lesque to live must remain burlesque —just that, adapted to the modern era of entertainment. One reason that burlesque has received a black eye in the past is that it was not burlesque. Since Herk has become the head of the only burlesque circuit in this country he has kept burlesque on the comeback track. The chief trouble with burlesque in the past has been inferior casts, agea ; and worn out alleged comedy and a : chbrus of poorly trained, or, not j trained, in modem dancing step. j Seme Mutual shows I have seen , last season at the Mutual theater \ here would not have attracted attention if it were not for the “spe- , cial added attraction,” the little lady j who had more movements than a i hundred dollar watch. If Mr. Herk has retained the legitimate burlesque comedian and surrounded him with a well trained chorus, a leading woman who can at least sing and act a wee bit and also have a chorus equipped along modern revue lines—then Mr. Herk is to be taken seriously and to be applauded. As far as this department is concerned, the efforts of Mr. Herk will be judged solely by the product he exhibits in Indianapolis this season. Also I will take the word of Mr. Herk that his readjusting of burlesque has been wisely and legitimately done. There is a legitimate and a decent demand for the right kind of burlesque. Has Mr. Herk this brand? The box office will tell the story. The Mutual theater here Is prepared to open its season soon. tt tt tt I have been informed by the Shu- j bert office in Chicago that “The [ Connecticut Yankee.” which recently closed in that city after a long run. will be one of the early attractions at English’s when the local season gets under way. tt tt B Among the most interesting and gratifying news that I have received this week is that George Somnes. has been appointed director of the Civic Theater of Indianapolis. He ! tells me that he is* getting ready to | put Shakespeare's “Hamlet" in rehearsal for early presentation at the Playhouse. This is big news and proves that Somnes is right in predicting the most ambitious season that the Civic theater has ever had in this city. tt tt tt Cincinnati is much wiser in at least one respect than Indianapolis. Cincinnati has decided to place the I Stuart Walker company on the same ; basis as its great, Symphony orchestra which has the guiding genius of i Fritz Reiner over it. ! And so Cincinnati has made Mr. Walker free from financial worry by establishing and backing the ! Cincinnati Stuart Walker company, i Indianapolis should have done it i vears a 20. No doubt about that, i Jessie Powell-Amold, representing Mr. Walker, has sent me the following:

On July 1 the Cincinnati Stuart- Walker Company was incorporated under the state laws of Ohio and the followlns Cincinnatians. prominent in Cincinnati's social, artistic and financial life, were elected officers: Mr. Robert L. Black, president, Mrs. George Dent Crabbe, vice-presi-dent. Mr. Fdgar Friedlander. vice-president. Miss Amy Sherlock, treasurer. Mrs. James C. Hobart, secretary. The forming and incorporation of this company makes Stuart Walker and his theater a permanent part of Cincinnati's life. It is the intention cf the founders of the new company to put it on the same high plane her Symphony orchestra, her Art institute and her Educational system occupy. Fourteen years ago. when Stuart Walker became an independent producer he decided to leave New York and carry his ideas of good theater to or near that seetion of the country in which he had

RIVERSIDE SUNDAY AFTERNOON BALLOON ASCENSION DARING PARACHUTE LEAPS PATENT LEATHER KID GET BARGAIN RIOE FRO M NABOBHOOD MERCHANTS

THE INDIANAPOLIS TIMES

ROUND With WALTER D. HICKMAN

been born end educated. He had been born ip Kentucky and bad been educated in Cincinnati. He started out by organizing companies in Louisville, Indianapolis and Cincinnati. along the lines of the lusty repertory companies of the continent. He j has never had areal stock company, for he has kept with him. year after year, most of his actors, whom he has developed from mere boys and girls ■aith an urge for the theater. In training these young people to become actors. Stuart Walker has done little that has been sensational. He is not a bclierer in overnight discoveries. And he has felt that the type-system of casting, which exploits a persora’itv and labels an actor, has been one of the most hurtful elements in the decline of the American t],p g tpr. “Decline of the American Thgater" by tbe way is merely a concession to the patter of the day. Stuart Walker does not believe that the American theatr is or ever has been in a dying condition. Broadway 1s not the American theater. And the fact that the rest of the coun- j try has repeatedly refused to accept Broadway successes only means that, the rest of the country chooses to think for itself drametically. It lives otherwise as it prefers, why not have the sort of theater it likes? That It has often allowed fine road shows to starve shows no laek of appreciation on its part. The New York producer, who sends out a really splendid production is eaten up with expense and must, perforce, charge exorbitant prices for his seats. Last season George C. Tyler sent out j his “Macbeth" with the Gordon Craig designment. and with Florence Reed, Lvn Harding and William Farnum playing the principal roles. Mr. Tyler played at popular prices and to good business. “Macbeth" was out twenty-five weeks, but Mr. Tyler made no fortune, for his play cost him twenty thousand dollars a week. Had he charged in accordance with the cost he would have done small business. As it was, he lived and that's all. But there are few producers who are idealistic enough to do that sort of thing. Most producers that send out attrac- j tions as fine as “Macbeth” charge ac- | cordingly, and when they are not sup- j ported berate the “provinces." Or there j are others who bill their companies as “original" New York casts and send out. second-rate actors. And it has been this practice that has “ki'led the road." So Stuart Walker derided to go to the road. He took with him a great reputation. He was an actor of rare charm, a successful playwright and director. For years he had been associated with David ' Belasco, he had given the Portmanteau theater to the American stage, and had produced Lord Dunsany's plays in this country, thus establsihing that gentleman in his own England as well. He had dramatized that great Bible classic. “The Book of Job." which had enjoyed phenomenal success in New York and on tour. Therefore, he was prepared to give to the far-flung cities in America the best that the theater had to offer—and at a | price within the reach of all. He could j almost save enough on what It cost to | move a show from one town to another j*o produce a play. It cost George Tyler | $3,000 every time he moved Macbeth! j Knowing the theater, believing in the American people, and having the blessed , ability to get the best from actors and | playwrights—the only two essentials to | good theater—Stuart Walker has been amazingly successful. So successful in fact that during the last nine years which he has spent in Cincinnati, he has had offers from cities all over the country to come to them | with his truly famous company. I Cincinnati, deeply appreciative of art fin all forms of expression, has looked on lat these overtures with increasing concern. Finally ' she asked Stuart Walker if he would stay in Cincinnati, if his tneater were put on a sound financial basis and in the same class In her cultural life as her symphony orchestra and art Institute. It must be -borne In mind that Stuart Walker has always worked without financial assistance and while his box-oflice ! receipts has made It possible for him to I pay his salaries and other bills promptly, there has always been the hazard of a lean season. To be relieved of the financial burden frees him for more and greater productions, and to develop playwrights and actors, the thing in which he is vitally interested. So Stuart Walker said “yes." and the Cincinnati Stuart Walker Company was formed. It is the only repertory theater in the c< *rv and not dependent on its box office. And it is not subsidized The company *; selling stock xn a regjlar business way.

AMUSEMENTS

3 xhe Novelle Brothers are important members of the new stage show now at the Indiana.

Three of Our Gang Kids Due at Lyric

Here are three of the original Our Gang Kids—Mary, Scooter and Johnny, i The three youngsters will appear soon as the feature of the vaudeville at the Lyric. Oh. yes, they will be very much in person. All ready the Lyric manager has received many invitations for the kids to attend parties.

Tap Dancing to Be Taught Here

There is anew fad among ballroom dancers, according to Tom Devine, manager of the Indiana roof ballroom. Dancers like a ballroom dance that is easy and graceful, and they are content with the easy swaying

Carillon Progt'am

It Following is the program no be played by Anton Brees on the Scottish Rite carillon c>n Sunday, Aug. 12, at 4 o'clock p. m.,' and Tuesday, Aug. 13, at 3 o'clock p. m. “Halleluiah Chorus” .Handel "Lone. Long Ago” T. H. Bailey “Old Black Joe" Stephen C. roster “Carry Me. Back to Old Virgmny . .. . y. B:and Gavotte, from “Mignon" Thomas “Beautiful Savior. King of c £s° n WUI , £ “The'God of Abraham, Praise"..... Jewish Melody “Hark! the Herald Angels 5ing"....... Mendeissohn “Barcarolle." from “The Tales of Hoffman” Offenbach “Volga Boat Song" Russian Meloady "Star-Spangled Banner.”

He Gets It

Lewis Stone, recently seen at the Palace in “Wonder of Women,” has been placed under a long-term contract by Metro-Goldwyn-Mayer. Stone, a great favorite in character roles before the advent of audible films, has been even more in ! demand during the past year, as a result of his excellent recording voice. His recent dialogue parts include characterizations in “Madame X” and “The Trial of Mary Dugan.” New Song Idea Paramount has entered into e deal with the Kresge chain of novelty shops whereby Paramount picture theme songs are delivered to in wrappers containing the name of Kresge. the title of the Paramount song and the picture which inspired the song. The wrappers are manufactured in million lots, providing a mutuai advertising aid to both Kresge and Paramount.

AMUSEMENTS

S-W-I-M In the largest Pool and the PUREST WATER in Town—Best by Test! uan FREE to the BEST MUSIC in Town in the Big, COOL Moonlight Pavilion. Among the Stately Forest Tres in the AvJEm&w Most Beautiful Virgin Timber in Indiana. ENDURANCE SKATE Now in the Third TVeek and Going Strong ROCKING CHAIR MARATHON Starts at 10:00 o'clock Tonight BROAD RIPPLE

ballroom steps that are popular on the ballroom floor since the advent of the camel glide, which, according to his statement, is growing in \ popularity. However, dancers like variety in i dancing as they do in other modes cf recreation and they ask for a dance that is different and one that calls for some exertion on their part. This may be due to the fact that they adopt dancing as a form of exercise, or it may be due to the modern crave for action. In order to satisfy the demands of the Indiana rcof patrons, the management makes the announcement that it has engaged the services of Allen Carey, a. well-known Indianapolis dancer, who has had some very practical professional experience. Mr. Carey will teach tap, acrobatic and eccentric dancing, while Ei-nest J. Giiberti, one of the introducers of the camel glide, will continue to teach the steps popular on the ballroom dance floor. Mr. Giiberti and his staff of instructors give the patrons of the ; Indiana roof a free instruction class every Tuesday evening at the ballroom from 7:30 to 8:30. in which both beginners and advanced pupils are taught ballroom dancing.

AMUSEMENTS

—COLONIAL—ILLINOIS AND NEW YORK STS. WEEK STARTING TOMORROW The Burlesque Extraordinary JIMMY (No Fush) BOV A EDDIE BARE—MILDRED WOOD PAIL RENO BONITA AUSTIN FRANK MARTIN—DAISY DUE “DANCE'cRAZY” A Delightful Mixture of { GIRLS—SONGS—COMEDY CHORUS ON RUNWAY ON THE SCREEN 100fc Talking Feature Mat., ?oe—Nites, Sat., Sun.. Mat., 30c

‘Who’s Who’ Lists Big Film Guns Official Recognition is Given the Movie Leaders. OFFICIAL recognition of motion picture players, writers and directors as cultural factors in the | life of America, is contained in the ! new 1929 edition of “Who’s Who in | America.” which contains in its | biographical lists more screen celebrities than ever before, j A few years ago no screen celeb- , cities were listed in the volume, I which, inclucfcs educators, scientists j and ethers whese work is of cul- ! tural or scientific value to the peo- ! pic at large. i This year's edition contains in its ! lists of “constructive celebrities" j John Gilbert, Metro-Goldwyn-May-i er star;. Conrad Nagel, Ramon Novarro, whose work lias been officially recognized also by the Latin American Union; Eleanor Board - man. King Vidor. C. B. and W. C. De Mille, Byron Morgan, screen author: Paul Bern, Metro-Goldwyn-Maver oroducer; Tully Marshall, j Hobart Bosworth. Mary Pickford, D. W. Griffith. Charles Chaplin, Norma and Constance Talmadge, George Fawcett. Gloria Swanson, Alfred Allen and several other screen luminaries. Five years ago the book listed inly two screen celebrities, Griffith ind Chaplin. Is Now a Juvenile Phillips Holmes, former Princeton undergraduate who joined the ranks j of screen juveniles less than a year ago, has been chosen for the juvenile lead in Paramount’s forthcoming production of “The Return of Sherlock Holmes.” The film adventures cf Sir Conan Doyle's famous detective character will be screened at Paramount’s Long Island Studio, and production began yesterday. Young Holmes, who has been playing in -the West Coast production, arived in New York last week, from Hollywood.

DEPEND ON THE LVRICFOR GREATER SHOWS/]| —iii- iNi Iw I * FY/1 ffrrm BW9 HERE YOU ARE INDIANAPOLIS’— THE FASTEST I iffy§l £3§f HAPPIEST PROGRAM OF R.H.O. ~ I {vaudeville fn -ipig? EVER PRESENTED. .. A BOMB SUEL LOF JQY*... ■ § Former Stars of “Follies Bergere'* Jn Paris If THE LOCKFORDS J f in a Spectacular Four-Scene Revue M CLARA HOWARD M S AUSSIE and BRADY-RIDELL .49 CZECH and MURRAY * Hi “A Pash of the with BEE ff'?!!► Argentine" CUNNINGHAM MKM m pIusTUE 100% Ball talking |¥l I SCREEN MASTERPIECE JZfmWM toW# §LT— PAUL MUNI |J MARGUERITE CHURCHILL I > JOHN mack brown - A OSAKA TWT MAS TOUCHED Tilt B 'L: ifc- P EMOTIONS OF A NATION nos boy-a ccvasd torn sy tuf- 19^1 * H ROUGH EDGE' O' L!$E . c- mir iXHBfVaf J® FCISLO9N CHAINED to fpHR kBbSM o SOCThE A MOTHER'S UEAPT. . . . H| MmUbl IT> i STORY TUAT YOU’LL NEVER hB PIUSS ■ POr?rj - T .■ acting iuatp.Acr, mm ■ ;;; .rfi.; .;!;•* y■ v w fopfcpqund cf c->;rev.voter E \ NEXT c/ 1 BACHELORS' 7 SOON" OUQG Sin 1 SATURDAY A TALKIE 7* NEV VAUDEVILLE KIDS- IN PERSQH ]

AUG. 10, 1929

Skaters Still on Big Grind Four Couples Still Hope to Win Prize at Broad Ripple. WITH the peak of the sumnic park season at hand, Broad Ripple park is offering the public many attractions. Special appeal is made to children with the big zoo in which there are rare specimens of wild animals from all parts of the world, from the magnificent pair of lions from the jungles of Africa to the lowl: coyote and prairie dogs from the American plains. Broad Ripple park also offers many opportunities for the picknickers. On the park grounds is to be found a large grove of forest trees. Every facility is provided for the comfort of the pieknickers, there being plenty of benches, tables, cool, fresh water, together with the many playground devices for the amusei merit of the junior members, of the j party. One of the big attractions at the park is the swimming pool, with its close to 5,000.000 gallons of sanitary water. Another of the free attractions at tne park is the big dancing pavilion where the latest dance tunes are played for the dancers by the Land-o-Dance orchestra. To date, four couples are left on the floor of the eighteen which started in the endurance skate in the roller skating rink Friday night, July 26. Up to last night at 10 o’clock, the contest had been in progress 336 hours, with the skaters | covering approximately 1.344 miles.

Long Contracts

Three players have been placed under new extended-term contracts by Metrc-Goldwyn-Mayer. They are Elliott Nugent of the famous New York stage family, Lawrence Gray and Benny Rubin. Gray has just completed his first singing and talking role opposite Marion Davies in “Marianne,” while Rubin has a featured part in the same picture. Gray first gained screen recognition as leading man for Gloria Swanson, and Rubin has had a very successful career as a vaudeville comedian. Elliott Nugent made his debut on the M-G-M lot in Sam Wood's “College Life.” and has just completed his second dialogue role in "Kemp.” an adaptation of the popular stage comedy written by his father and himself. Camera Man Gets Contract Harry Fischbeck, one of the ace cameramen of the motion picture business, has signed anew Paramount contract calling for his services with that company for an extended period. Mr. Fischbeck has been photographing Paramount pictures since 1923 with but few interruptions When he officiated at the camera, end for other productions. His Face Should Be, Familiar Little Herman Kramer, the boy whose photographs have been seen in a hundred and one advertisements of modern condiments, including everything from soap to salt, makes his screen debut in “Barbers’ College” which George LeMaire has produced for Pathe. ___

AMUSEMENTS