Indianapolis Times, Volume 40, Number 162, Indianapolis, Marion County, 27 November 1928 — Page 11

NOV. 27,1928.

‘HALLELUJAH’ IS THE REAL ARTICLE Queenie Smith, Charles Purnell and Juanita Chefalo Are Big Hits in ‘Hit the Deck’ Here. BY WALTER D. HICKMAN WHEN you think of that musical comedy, “Hit the Deck,” the first thing that pops through your thinking machinery is a song by the name of “Hallelujah.” This one number is sufficient to turn about any show into a big sized hit. But the thiing you want to know is—How well iS this show put over now. r Well, I will tell you from the very start that “Hit the Deck,” as now oeing presented at English’s is blessed with a corking good cast and that all oi’ the real song hits have been placed in most competent hands. Since I started to tell you about "Hallelujah,” I will continue with that number.

This hit of hits is intrusted to Juanita Chefalo as Lavinia and she makes a wow hit of that tune which makes a fellow want to yell “Hallelujah” right out loud. She has the assistance of the boys and girls in the company and the result is that

Miss Chefalo stops the show cold. She brings out the moans and the groans and gives it the haunting rhythm even when it smacks of a spiritual or done in rag. Miss Chefalo is the grand article in this number. In all fairness she doesn’t get as much out of “Luck Bird,” which she sings in the first act. “Luck Bird”

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Charles Purcell

is a comedy number without much jnelody but “Hallelujah” has the giving and the prance to it that yrculd make it a hit even in less competent hands. In speaking of the “Hallelujah” number first is not to mean that Queenie Smith and Charles Purcell are not also real hits. This Queenie Smith little person is one of the cutest little bodies on the stage today. Have always thought so and I still do. She is immense in the last act when she is toying for the love of her sailor man, played by Purcell. , Purcell and Miss Smith have such song hits as “Harbor of My Heart,” “Sometimes I'm Happy” and the like. Miss Smith just radiates natural sweetness all over the stage. Her love scenes with Purcell are so cute that it makes everyone long for date night. And how Miss Smith can dance. And she has a voice in song that more than pleases, but it is her charming personality that helps to make her such a big favorite on the stage. And Purcell has both dacing and singing talents all tied up with a personality that wins you from the start. Both of these stars work in all sincerity, the result being that two most satisfying performances are offered you. Let me call your attention to the close harmony singers, the four girls in the last act. These four also stop the show cold. And they sure give anew touch to the song hit, “Halleluiah.” You will recognize them in the cast as the four missionaries. The chorus is large and well

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trained. The production, heavy and complete. The fact is that “Hit the Deck” is a corking good show and a mighty pleasant buy in the theater. At English’s all week ■with matinees on Thursday (Thanksgiving day) and Saturday. tt tt tt A SERIOUS ACT TOPS A LAUGH BILL It is complimentary to vaudeville when a scientific act dealing with radio can accomplish what Francill is doing at the Lyric this week. Francell tops a bill that is devoted generally to-comedy, and it

is even more significant when Francill can obtain attention of an audience that has been handed comedy in large doses prior to the start of the radio act. Francill has three divisions to his act. The first deals with a discussion and demonstration of his radio instruments. He proves, it seems, that here is science and not

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Rooney, Dancer

a trick. Then Francill takes his instrument and operates a baby battleship. This one demonstration is sufficient to cause one to think what may be accomplished in the future if we have any more wars. The third demonstration is devoted to controlling an automobile without a driver. This is probably the most interesting demonstration of his entire program. Billy Champ and company have a little mystery skit under the title of “666 Sycamore.” It combines some thrills and comedy. Jimmy Rooney Trio presents a dance act of real merit. The tap dance work is splendid. Act pleases with ease. Thompson and Kemp have a dance act with some singing, but a certain mannerism on the part of the man in this act is really a handicap. If the man would study his manner of delivery he soon would know why there was so little applause when I covered the show. Gaffney and Walton have a burlesque on a wedding in which a large woman marries a little man. There are laughs for those who like this sort of thing. Didn’t impress me but the audience was way in the majority in favoring this act. Fox and Rowland, two men, get into their own when they give impressions of other days. The movie feature is Gertrude Olmstead in “Hit of the Show.” At the Lyric all week. tt tt tt LOOKING OVER NEW BURLESQUE SHOW Warm girls, warm dances and hot music make quite an interesting ensemble when mixed in the proptr proportions and “High Flyers.” a", the Mutual this week, has struck the happy balance and offers plenty of each without too much stress on any one. Mike Sacks brings the well-known character of a Hebrew comedian, with some Sacks innovations and succeeds in thinking up quite a few gags that hit the funny spot. Os dances there are many and more. Any kind you wish, you’ll find it sometime during the program. And the ladies doing the dances are just as many and varied as their offerings. Are just too many of them to remember. Included in the cast of this wellbalanced burlesque attraction are Frances Farr, prima donna; Thelma Benton, soubrette; Evelyn Forrest, ingenue; Phil Kelly, jQhn Fagan, second comic, and Sydney Leonard. At the Mutual.—(By J. T. H.) tt tt tt Other theaters today offer: “The Home Towners” at the Apollo, Charlie Davis at the Indiana, "The Masks of the Devil” at the Palace, “The Haunted House” at the Circle, talking movies at the Granada, and movies and girl revue at the Colonial.

Dial Twisters Central Standard Time WLW UOO Kilocycles) CINCINNATI TUESDAY P. M. 3:oo—Commercial art lesson. 3:ls—Club period. 3:3o—Ofllce boys. 4:oo—Five o'clock Hawaiians. 4:3o—Livestock reports. 4:4o—Market reports with novelty notions. s:oo—Henry Thiess orchestra. s:3o—Dynacone diners. 6:oo—Hotel Gibson orchestra. 6:3o—Historical liißhllahts. 7:oo—Perfect Circle Symphony hour with the Cincinnati Symphony orchestra. 8:00—3-to OH program. 8:30 —Dutch Mastesr Minstrels. 9:oo—Lonaine’s correct time. 9:00 —Organ recital. 9:2o—Aviation chat. 9:3o—Sam Watkins’ Hotel Gibson orchestra. 10:00—Weather announcement. 10:00—Kahn and Lombardi. 10:30—Office boys. , , 11:00—Hotel Gibson orchestra. 11:30—Henry Thiess orchestra. TUESDAY —NBC System <WEAF>. (660 Kilocycles)— 6:30 —Soconyland Sketches. B:oo—Eveready hour. 9:00 —Cliquot Eskimos. —NBC Svstem (WJZ>. (760 Kilocvcles—--6:3o—Memory'so—Memory's Garden. 7:00 Sealv Air Weavers. B:oo—Three-in-One theatre. B:3o—Dutch Masters Minstrels. —WLW Cincinnati. (700 Kilocycles)— 7:oo—Cincinnati symphony. —Columbia Network—--B:o9—Night Club romances. Opera. "Martha.” —WDAF, (610 Kilocycles)— 6:oo—Trianon ensemble. 11:45—Nlahthawk frolic. —WBNY, 1,450 Kilocycles)— 7:oo—Edison hour. —CFCA. (840 Kilocycles)— 7:3o—Maytag Ramblers. —KDKA, <9BO Kilocycles)— 9:3o—Bestor’s orchestra. —WGN, (720 Kilocycles 10:30—Goldkette's orchestra; dream ship. —KYW, 1.020 Kilocycles)— 12:00 Insomnia club.

MONUMENT TO LUSITANIA DEAD RISESJN ERIN Bronze Figure Will Gaze Out Over Sea Where 1,198 Perished. BY GEORGE MAC DONAGH United Press Staff Correspondent DUBLIN, Nov. 27.—A monument to the Lusitania’s dead is rising on the coast of Cork, at Queenstown. A bronge allegorical figure, “Resurgence.” mounted on a base of Irish marble, will watch over the wr.ter in which 1,198 victims were sent to death by German torpedoes. The monument will honor the memory of all who went down with the giant lin£r, the rich and the poor, the unknown and the famous. In a cemetery near Queenstown 184 unidentified victims of the disaster are buried. Along the coast from Queenstown to the Aran Islands, where the sea washed up its dead for days after the disaster, twenty-eight bodies were buried, without a slab to mark their resting places. Many Bodies Never Found The great majority of the bodies, including those of Alfred Gwynne Vanderbilt and Albert Hubbard, were never given up by the ocean that claimed them. Jerome Connor, the Irish-Ameri-can sculptor, is at work on the monument in Queenstown Square. The memorial will cost about SIOO,000 and is expected to be ready .for dedication in October, 1929. It will bear the simple inscription: “To the memory and in honor of those who perished with the sinking of the Lusitania, May 7, 1915.” The Lusitania Memorial Committee, in charge of the work, consists chiefly of prominent Americans who lost relatives through the disaster. Vanderbilt at Head W. A. Vanderbilt is chairman; George H. Brennan is secretary, and Mrs. J. Borden Harrison is treasurer. Other members include Franklin D. Roosevelt, Elbert Hubbard Jr., Charles Evans Hughes, John W. Davis, Judge Morgan F. O’Brien, Edward N. Hurley, Owen D. Young, Clarence H. Mackay, Daniel Frohman, Frank L. Polk, Kenneth O’Brien and Claude G. Bowers. Secretary of State Frank B. Kellogg expressed his appreciation of the movement for the erection of the monument in a letter to Connor. The design seemed “most fitting," and was “certainly beautiful,” Kellogg wrote. Irish opinion is very favorable toward the erection of the memorial. *

Alaennerchor Gets Good Start

BY JOHN T. HAWKINS To hear the Indianapolis Maennerchor in a concert is to realize in full the strength and beauty in a great chorus of men’s voices. And when you have the privilege of hearing, along with the Maennerchor, one of the world’s greatest sopranos, it is an evening that will linger long in your memory. Gertrude Kappel, the soprano soloist, in all her songs, gave the impression of never having reached the limit. Always back of her voice you could detect a vast reserve of volume and tone. Although the numbers she sang last night did not call for a great degree of histrionic interpretation. Kappel acted every mood and every shade of each song with the subtle touch of the great artist. Os all of Kappel’s numbers, one. to us, showed most of the artist's warmth and sympathetic understanding; this was a song in her three Brahms’ number that Kappel sang in contrast to the almost entirely Schubert program. Under the direction of Karl Reckzeh the Maennerchor was splendid in its obedience to his slightest gesture and wish. Attacks and difficult passages were handled with a precision that comes from the most interested and careful training. The tone qualities of this large group of men's voices were brought out to the last degree. Os the numbers sung by the Maennerchor, "Der Llndenbaum,” although not the most difficult, was the one most pleasing to us. It has a definite melody that brings out the most intimate and likable qualities of a male chorus. The audience was thoroughly appreciative of both Kappel and the Maennerchor. After each number, whether the chorus or the soloist, a long ovation ensued.

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THE INDIANAPOLIS TIMES

Fishing The Air All references are Central Standard Time.

MUSIC and comedy wil predominate in the Vitaphone program from the Apollo theater over Station WKBF at 9 o’clock Tuesday night Dick Rich and his orchestra will be featured, playing "Ramona,” “There Must Bea Silver Lining” and “Sunshine.” Rich, once a leading man in the movies, deserted the screen to organize and conduct his own orchestra with which he has toured the world. The program will include Joe E. Brown and company in a merry sketch entitled “Don’t Be Jealous,” in which Brown, a musical comedy star, is aided by Patricia Caron. Eugene Pallette and Harry Downing and Fields and Johnson, well-known vaudevillians, In their laughable characterizations, “Terry and Jerry.” u tt * tt tt tt Full of pep, the Thirty Minute Men again will be on the air Tuesday night at 9:30 In a program over stations of the Columbia broad- ' casting system. tt tt tt u tt tt Characteristic music of the American countryside is featured by Vaughn De Leath, with special orchestra effects, in her weekly broadcast through the NBC system Tuesday night at 9:30. Immediately after the opening medley, Miss De Leath will sing the familiar ‘Sweet Alice Ben Bolt,” following with the equally well-known ‘Listen to the Mocking Bird”—both with instrumental background. it it it n tt Sixty minutes of dance music will be broadcast by the Clicquot CiUb Eskimos through the NBC system Tuesday night at 9 o’clock. “It Goes Like This” opens this week’s program which continues with such popular tunes as “Don’t Hold Everything ”; “Mardi Gras” from Ferde Grofe’s “Mississippi” suite, and the fox-trot, "You’re a Real Sweetheart.” “My Scandinavian Gal” with a vocal chorus and a banjo solo by Harry Reser add further interest to the program.

HIGH SPOTS OF TUESDAY NIGHT’S OFFERINGS g : 3O—WEAF-NBC Network—Eveready orchestra, with Kathleen Stewart, concert pianist. 9:OO—WJZ-NBC Network—Music of great composers. 7:OO—WLW Cincinnati (428)—Perfect Circle Symphony. B:3O—WABC Columbia Network—United Light Opera Company. 8:00—WOR Newark (422)—Barbizon recital: Herbert Heyner, baritone, and Katherine Bacon, pianist.

“I Want a Good Girl and I Want Her Bad,” will be the title of a song by Percy Hemus. co-partner of A1 Bernard as end-man in the Dutch Masters Minstrels’ show to be broadcast through the NBC System, Tuesday night at 8:30. . Bernard has a solo called “I Certainly Was Going Some," and his side-kick replies with "Oh, Didn’t He Ramble!” “Just a Little Bit of Everything” will be presented by the Dutch Masters vocal quartet, while the orchestra and Carson Robison contribute "Fidgets.” .. tt tt tt e n tt Gilbert and Sullivan’s comic opera. “The Mikado,” will be presented by the United Light Opera Company at 8:30, Tuesday night, over, stations of the Columbia Broadcasting System. "The Mikado” is probably the greatest popular favorite of all the Gilbert and Sullivan operas. It is a charming travesty of Japan. a an a a A varied program by an orchestra r.nd male quartet will be presented during the Michelfn hour, broadcast through the NBC system, Tuesday night at 7:30. Orchestra selections range from ‘Hugs and Kisses” to “Souvenir de Moscow” and “Bird of Paradise.” "Bedouin Love Song” is sung by the quartet, under the direction of W. F. Fauerbach It also sings ‘C'est Vous.” “Songs My Mother Taught Me” and “Dream Girl.” The celebration of a real Thanksgiving, as shown by the story of an impecunious young banker who made a fortune just in time to save himself and his family from disaster, will be one of the tales heard by a night club cigaret girl, and broadcast through stations of the Columbia broadcasting system Tuesday night at 8 o’clock. a a a a a a A program of operatic excerpts vill be played during the hour of Slumber Music broadcast through the NBC system, Tuesday night at 10 o'clock. Operas represented in the program, which is conducted by Ludwig Laurier, will include Mozart’s "Don Giovanni;” Gounod’s “Faust;” “Rigoletto” by Verdi; Smetana’s “The Bartered Bride;” “Die Meistersinger” by Wagner; Mascagni’s "Cavalleria Rusticana" and Humperdinck’s fairytale opera, “Hansel and Gretel.” tt a tt a tt John Mitchell and Phil Cook as Cotton and Morpheus, the blackface stars of the Sealy Air Weavers, will twinkle with their customary humor during the program to be broadcast through the NBC system, Tuesday night at 7 o’clock.

Encores were in demand, and the audience received them. After Kappel’s last group she was called out time after time, and had to sing two encores before her listeners would let her stop long enough for the chorus to assemble on the stage for the final number, done by the Maenerchor, Kappel and Edward Harris at the piano. To sum it up, last night’s offering

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by the Maennerchor was typical of the musical programs of this group. It is one of the bright spots ih this year's musical season.

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City Stations WFBM (1,050 Kilocycles) INDIANAPOLIS (Indianapolis Power and Light Station) Noon—Correct time; Lester Huff on studio organ. P. M. 12:80 —Aladdin Lamp program. 12:35—Farm flashes, U. S. department of agriculture. 3:3o—Auction bridge game. 4:oo—Mrs. J. R. Farrell’s home service period. 4:ls—Record program. 4:3o—Aunt Sammy’s housekeepers' chats and radio recipes. s:oo—Popular recordings. s:l9—’’What’s happening,” late news from Indianapolis Times. s:3o—Chapter a day from the New . Testament, by Parker Wheatley. s:4s—Santa Claus. 6:oo—Lonjino s Time, courtesy Julius C. Walk A Son: weather forecast; Columbia Club orchestra. 6:3o—Dance marathon news. 6:4s—Farm chats. 6:4s—Newscasting, world events from Time.

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7:OO—WFBM salon orchestra and soloists. 7:3O—WFBM mixed quartet. 8:00—WFBM concert trio. B:ls—Capitol Lumberjacks. 9:oo—American Legion boxing bouts, courtesy Gus Habicb Company. 10:30—The Columnist: Longlno’s Time; weather forecast. ll);4s—Dick Powell’s orchestra from Indiana Roof. 11:30—Dale Young. Indiana theater grand organ. WKBF (1400 Kilocycles) INDIANAPOLIS (Hoosier Athletic Club) TUESDAY A. M. 10:00—Recipe exchange. 10:15—Studio program. 10:25—Interesting bits of history, courtesy of Indianapolis public library. 10:30—Livestock and grain market; weather and shippers’ forecast. 10:40—WKBF shopping service. P. M. s:oo—Late news bulletins and sports. 6:oo—Children’s hour. 6:ls—Dinner concert.

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