Indianapolis Times, Volume 39, Number 165, Indianapolis, Marion County, 18 November 1927 — Page 6
PAGE 6
FACTORY HUM IS VIEWED AS BEAL MUSIC Noted German Director of Opera Not So High on Jazz. BY LAMAR MIDDLETON United Press Staff Correspondent NEW YORK, Nov. 18.—There Is more music in the industrial rhythm of the Ford factories than there is in most modernistic jazz compositions, in the opinion of Dr. Fritz Busch, director of the Stats opera, Dresden, Germany, who has arrived in New York to conduct thirty concerts with the New York Symphony. Although something of a modernist himself, Dr. Busch believes that too many composers ignore the fact that music is primarily a mathematical art, not a haphazard one. “What the music world needs
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today,” Dr. Busch told the United Press, “is more common sense and a better understanding of social values. \ v “I believe that art must be representative of some vitality, of life, but too many so-called modern composers misconstrue the meaning and design of our present civilization. Dr. Busch, one of the world’s most renowned conductors, explained that many compositions today are replete in angularities and severe dissonances, composers of such music evidently contending that “musical barbaricism’’ reflects the cacaphonies of the machine era. Harmony in Machines “But the machine era,” said Dr. Busch, “is not one of angularities, sharp points and confusion. It may better be represented by circles, arcs and harmony. “There is nothing barbaric about a skyscraper, a locomotive or a trans-Atlantic liner. Each is a smoothly-operating entity, and may be taken as representative of the machine-age. Why, then, should so many ‘modern’ composers contend that realistic music must be tumultous and clamorous?” Producers Novelties At the opening of the Dresden music season, Dr. Busch every year
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has produced novelties by modern composers. He has done this because, first, the public can not be expected to listen always to the three B’s—Bsch, Beethoven and Brahms—and, second, to give encouragement to living composers. HOME-MADE BOAT TO BRAVE PERILS OF SEA Wisconsin to South America and Return. Is Plan Bu United Press MADISON, Wis., Nov. 18.—A. F. Anderberg’s home - constructed cabin-launch, The Swan, has cut its moorings and started for South America. Five members will comprise the crew of The Swan, which will proceed down the W isconsin and Mississippi Rivers, and then skirt the Texas and Central American Coast to Venezuela. They are; The party will carry cameras, guns and tackle for both fresh-wa-ter and deep sea fishing, upon which they will rely chiefly for food. Cuba, Porto Rico and Florida will be touched on the return cruise, which is expected to bring the voyagers back to Madison by May 1, 1928.
THE INDIANAPOLIS TIMES
4,000-YEAR-OLD LOAF OF BREAD ON DISPLAY Wrapped in Mummy Covering, Preserved in Tomb Bu United Press CHICAGO, Nov. 18.—Nearly 4,000 years old, a loaf of bread, found in a middle kingdom cemetery of Egypt, is now on exhibition at the Field Museum of Natural History here. The loaf was obtained by the museum through Prof. James H. Breasted, noted Egyptologist and
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head of the Oriental Institute at the University of Chicago. Tho bread is believed to have been placed in an ancient grave, from which it was taken recently, in conformity with the belief of olden days that the dead need food. Made from a coarse grain, the bread was wrapped -in a mummy covering. Prof. Breasted estimated that it dates back to between 2,000 and 1,500 B. C.
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PASS BRITISH FILM BILL Another Step in Effort to Break Monopoly by U. S. Bu United Press LONDON, Nov. 18.—Great Britain’s effort to break the United State’s monopoly of the British motion picture film market took another step toward realization when the House of Commons passed the British film bill.
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Passage by a vote of 223 to 125 came after three days of acrimonious debate featured by unsuccessful
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