Indianapolis Times, Volume 39, Number 136, Indianapolis, Marion County, 15 October 1927 — Page 8

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Hardeen Is Headliner at Keith’s k Many Novelty Events to Be on New Bill at Lyric, Hardeen, brother of the late Houdini, whose name was synonymous with legerdemain, illusions and feats of magic, comes to Indianapolis Sunday at B. F. Keith’s, just two years after his noted brother last appeared here. He brings with him not only the mystifying magical effects willed to him at the death of Houdini a year ago, but a skill and understanding of the magician’s art that has made critics who have seen his act hail him as a worthy successor to his brother. Bill includes: ROGER IMHOF, MARCELIE COREENE AND COMPANY—In their comedy skit, “The Pest House” create a plague of laughter and an epidemic of fun with their hokum comedy. It is a revival of the most successful of the skits written by Mr. Imhof for his vaudeville appearances. HARRY HOMES—As “The Pessimist” shows how funny it is possible to be without “cracking a smile." He claims to be the only pessimist anyone ever enjoyed having around. EWING EATON—A young woman, who has the pep and personality to put across a “single” act as effectively on the vaudeville stage as she holds the spotlight in musical comedy. In it she combines lively patter, a few songs and some attractive steps. ALICE DIAZ AND HAROLD POWERS—Wireists, who accomplish on a tight-strung silver thread the feats that most people would hesitate to undertake on a solid floor. EARL GORDON—At the Wurlitzer organ in a program before the opening performance each afternoon. “THE SMALL BACHELOR”—A Universal picture is the photoplay feature for the week. MANY NOVELTIES ON NEW LYRIC BILL There will be no dearth of variety at the Lyric next week, the acts all being typical of the sort of fare that constitutes good vaudeville. Heading the bill will be the famous dance team, Gautsohl and Phelps, who appear with La Chapina's Marimba Band in a sparkling music, song and dance presentation. Gautschi and Phelps won laurels abroad last year and became a sensation during their engagement in Paris. The numbers they are now doing were especially arranged for this, their first vaudeville tour. They introduce a cycle of novelty dances as well as several of their own terpsichorean creations. La -' Chapina’s Band is composed of genuine South American marimba-

CA^EN”" i! with 8 DOLORES DEL RIO VICTOR McLAGLEN j 1 (Stare of “ What Price Glory”) Love in Spain! What a setting for a romance of daring and of fiery passion! Truly a glamorous tale.. i a famous toreador who spurned the love of Carmen ... Carmen, impetuous, faithless, fickle, proud . .. for whom her lover forgot honor and duty... and then, when she spurned him, there was atonement for his shattered dream. ■ ag On Our Stages A Circle Atmospheric PRESENTATION I I 'Tiik Fiesta” with / BARR * WILLEY - SHELL ANTHONY NOCERA EVELYN WYSONG / l^pvelty ‘STRADELLA” “FOR MEN ONLY” Concert Orchestra Chats ’ Fable Stolarevsky Circle New.

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Rosemary Pfaff Rosemary Pfaff, the prima donna in Jack Partington’s Publix production, “Jazz a Carte,” stage attraction at the Indiana today, is well known among theatergoers throughout the country for her work on the concert stage and Keith vaudeville. She has also scored in Broadway musical comedy, having had prominent parts in “Tip Top” and “Music Box Revue.” Rosemary is a native of Indianapolis. She made her debut at the age of 9 at Winona Lake, Ind., with the Boys’ Band of the Indianapolis News. Later, as a student at Teachers’ College, Indianapolis, she had great success in amateur school entertainments. At the age of 15 she went to Chicago and continued her musical studies at the Bush Conservatory of Music in that city, also at the Chicago Musical College.

phone experts whose program.is a delight to music lovers. Appropriate settings of Spanish design clothe the act with fitting atmosphere. The bill will include: FOUR VOLUNTEERS—A quartet of clever funmakers, Hal Pierson, Joseph Kilcoyne, Domenico Russo and Joseph Fogarty, -who offer vaudeville fans something really new, different and surprising. FRED AND JANE RINEHART— Purveyors of polite comedy in an odd and laugh-provoking skit enlivened by songs and steps. SHAFFER AND BERNICE— Comedy entertainers, who have a peppy line of cross-fire comicalities. ASTILL AND FONTAINE—Mimetic and ventriloquial stars, who take their audience “back to the farm” through the medium of their attainments. THE WHEELERS—lnstrumentalists, whose versatility is given full play in their smart melody hit, “Musical Moments.” RAY HULINGS AND HIS DANCING SEALS —The world’s greatest traineed seal, “Charlie,” possessing almost human sagacity. “Charlie” smokes, sings, both bass and tenor, talks over the telephone and dances the hula-hula. ON THE SCREEN—A comedy? “A Gold Digger From Weepah”; Kinograms, and “When We Were Kids,” the second of Edgar Guest’s Poetic Gems, recently transferred to the films, and which are being shown at the Lyric.

MOTION PICTURES

Great Indiana Audience Will Greet Marion• Talley at Murat on Sunday Afternoon, October 23

Marion Talley, the 20-year-old girl of Kansas City, Mo., whose debut at the Metropolitan Opera House, New York in February, 1926, was the musical sensation of the entire country and featured on the first page of the nation’s press, is announced for a concert at the Murat on Sunday afternoon, Oct. 23, under direction of Ona B. Talbot. Within the memory of the oldest habitue of the Metropolitan Opera House there had never been such a scene as attended the debut of this girl. The opera house was mobbed by 10,000 people so that the police reserves had to be called out or the regular ticket holders could not have entered the hall. Tickets sold as high as S2OO apiece and the auditorium was packed to the extent that firemen refused to allow another person within the building. The youngest singer, who ever stepped, on the Metropolitan stage. Marion Talley, achieved that night a triumph which has been compared only to Patti and Jenny Lind. Her youth, her beai/ty, her remarkable composure, the freshness and silvery quality of her voice earned her over forty recalls and the ovation she received following her “Caro Nome,” assumed Caruso proportions. Since that memorable night, Miss Talley has given over fifty operatic performances for the Metropolitan Opera Company, in New York, Brooklyn, Philadelphia, Atlanta, Cleveland, and Rochester and has been reengaged by that company for the third successive season. Miss Talley has also sung over one hundred concerts to capacity houses throughout the United States and Canada, the whole comprising a record of achievement rarely equalled in American musical history. Arthur Mason, director of the Indiana College of Music and Fine Arts, will attend the State Federation of Music Clubs district meeting at Tipton on Tuesday the 18, and make the principal address on the afternoon program, and at the Rushville meeting on Wednesday the 19th. Miss Ocie Higgins, pupil of Glenn Friermood of the vocal department of the Indiana College of Music and Fine Arts, won the women’s audition of the seventh State district contest of the Atwater Kent National Radio Audition, on Monday night. Miss Higgins will sing in the State audition on Tuesday night, Oct. 18, at 8:30. The State audition will be given over the radio. The judges for the State Radio Audition of the Atwater Kent National Radio Audition will listen in at the Indiana College of Music. The public is invited to listen in also at the College of Music, in the Auditorium. t Miss Eleanora Beauchamp, teacher in the piano department of the Indiana College of Music, will give the illustrations during Lenora Coffin’s talk on the Pathetigne Symphony by Tschaikowsky. The symphony will be given by the New York Philharmonic Orchestra in the concert Oct. 31, the first of the three orchestra series. Carlton Gauld of Crawfordsville, a former pupil of Glenn Friermood, and who is now one of the leading singers of the Grand Opera Company of Cannes and Beauville. France, was a caller at the Indiana College of Music on Saturday. Mr. Gauld returns to France late in November to resume his roles for the winter season. How much the structure of a well ordered program contributes to the proper understanding of a concert, will be shown in the choice of songs Geraldine Farrar will sing in hex forthcoming recital at the Murat Sunday afternoon, Nov. 6. Four groups of songs—ltalian, Ger_ man, French and English, with an aria inserted between, cover a range from the seventeenth century classics to the moderns of today. The program is chosen with infinite care, being a review of beautiful song writing within the prescribed boundaries. While adhering to certain continuity, each song directs a different colored ray on Miss Farrar’s vocal powers. When an artist has won her laurels in grand opera, it by no means follows that she can change ermine for concert dress, full orchestra for grand piano, and become a singer of songs. The distinction between the arts of actox and bard is a matter more insisted upon as the years go by. It is rare that one singer may be eminent in both, as is Miss Farrar, but to become so, the widely divergent aims of the sister arts must be recognized. \ Miss Mary Alice McCarty, coloratura soprano, pupil of Mrs. Chappell, tied with Miss Osie Higgins in the vote of the audience at the Atwater Kent radio contest last Tuesday. Mrs. Chapell will give a program of songs, accompanied by Mrs. Louise Mason Caldwell, before the State convention of parent-teacher associations Thursday, Oct. 20. Miss Josephine Aumann, concert organist with the Berkell Players at the Colonial, will give the following program on the Colonial organ before the ten performances and between the acts next week. Overture—“ Poet and Peasant”. .Von Suppe (a) —"Beneath Venetian Skies”... .Rose (b) —“Dancln? Doll” Poldlni "Peg O’ My Heart” (a) "You or Nobody” (Yes, Yes, Yvette} Caeser (b) —"Lion du Bal” Gillet Marche (Le Prophet) Meyerbeer The regular weekly meeting of the board of directors of the Metropolitan School of Music will be held Tuesday morning at the school. Thomas Pogafini, violinist, of the Metropolitan School of Music, will play a group of numbers for the Wednesday morning session of the Parent-Teachers Association convention, the Severin Hotel. Maxine Moore, contralto and Robert Geis, barintone, of Edward Nell of the Metropolitan school of Music, will give the musical program, for the State officers

THE INDIANAPOLIS TIMES

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Paul Whiteman

On Saturday afternoon, Oct. 22, Paul Whiteman and his band will open a week’s engagement at the Indiana.

meeting of the Lions Club, Friday evening at the Chamber of Commerce. Mildred Johns, contralto, of the Metropolitan-School of Music, will be the solois® for the Sunday afternoon concert at the Marott Hotel. Miss Norma Justice, dramatic art instructor of the Metropolitan School of Music, will give a costume program Wednesday evening, for the Literary Club of Westfield. Pauline Hedges, violin student of Donn Watson of the Metropolitan School of Music, will radiocast over WKBF, Hoosier Athletic Club, on Monday evening. Harriett Payne, violinist, will be the soloist for the teachers convention oh Saturday afteijioon at the Cadle Tabernacle. Miss Payne is a student of Hugh McGibeny of the Metropolitan School of Music. _ Mrs. Paul Seehausen, soprano, student of Lulu Brown of the Metropolitan School of Music has been engaged as soloist at the Trinity Lutheran church. Edward and Leroy New, piano pupils of H. Otis Pruitt of the Metropolitan School of Music have been engaged to give a program over WKBF, Hoosier Athletri Club, every Friday evening from 5:30 to 6. Mrs. Arthur Monninger, pianist, of the faculty of the Metropolitan School of Music will give the opening program for'the Columbus matinee musicale, Friday afternoon. The bi-monthly meeting of the Sinfonia Fraternity will be held Wednesday evening at the Metropolitan School of Music. The program is in charge of Donn Watson. Mr. Watson will read a paper on Twentieth Century Amercian Music and Composers. The musical program will be as follows : Allegro Foerster Trio Violin—From the Canebreke Gardner Indian Snake Dance Burleigh Edwin Jones Voice —You Are All That Is Lovely Wood-Finden The Moon Is Low Cadman Franklin Taylor Piano—The White Peacock Grilles Times Square Withorne Willard Mac Gregor Allegro Maestose Cadman (From Trio in D Major) Trio The trio is composed of Adolph Schollschmidt, cello; Donn Watson, violin, and Earle Howe Jones, piano The Rinck Ensemble, anew ensemble for this season’s musical activities, composed of Julia Brown Bodner, first violin; Cleon Colvin, obligato violin; Marcena Campbell, cello; Marjorie Harrold, harmonium; and Berta Miller Rinck, pianist, will give the instrumental program for the Community Fund Radio Concert Thursday, Oct. 20, over WFBM. Bessie May Lowery, soprano, will be the soloist. The Baldwin Piano Company has offered its radio broadcasting studio in the WelteMignon Salon of the Baldwin Building, on the circle for the program. The real foundation for a musical city is in the orchestra music heard eqch season. The Indianapolis

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Symphony Society, Ona B. Talbot managing director, has for five years brought the best orchestras with world famous leaders to Indianapolis. In its sixth annual season, which opens on Monday evening, Oct. 31, another musical chapter will be added to the musical life of Indiana and Indianapolis, when the New York Philharmonic Orchestra, Willem Mengelberg, eminent Dutch conductor, will present a notable program of orchestral music, presenting the most famous of Tschaikowsky’s symphonies, “Pathetique,” Cherubini’s “Water Carrier,” Goldmark’s “Negro Rhapsody” and a “Concerto for Wind Instruments,” Rieti. The facts on the rhapsody are as follows: “A Negro Rhapsody” '.Rubin Goldmark (Born In New York, Aug. 15. 1872; lives In New York.) This work was begun at Flsher’a Island In August, 1919, but most ol It was composed at Woodland Park, Colo., during the summer of 1921-22. The first performance was by the Philharmonic Society at Carnegie Hall. Jan. 18. 1923. The rhapsody Is based on half a dozen themes which the composer regards as of Negro origin—or at least of Negro character; though he wishes to emphasize the fact that he has not aimed to produce an ethnological document, but a piece of music making Its appeal as such, and derived from thematic material which attracted him primarily because ol tis Intrinsic charm and sallency. There Is a slow Introduction (moderato. C-mlnor. 4-4). begun by the celli and violas in unison singing "Nobody Knows de Trouble I've Seen,” repeated In imitation by the woodwind. Flutes, clarinets and bassoons In G-mlnor have another phrase from the same song. Most of the orchestra now takes this tune, while the horns in Imitation sing against It "Nobody Knows.” There Is a decrescendo, with long-held chords of the woodwind, while under them the basses murmur, "O. Peter. Go Ring Dem Bells.” The main body of the piece (allegro moderato, tempo giusto, 204) begins with a variant of "Nobody Knows” with Inversions In the woodwind. the basses repeat "O, Peter. Go Ring Dem Bells.” while the violins introduce tne fourth of the six Negro themes (it should be said here that a number of the counter-subjects and subsldlaiy themes used in the rhapsody are of Mr. Goldmark's own invention). This fourth theme consists of the first bars of "O. Religion Is a Fortune.” With it. In the horns. Is combined the behest to Peter. This material Is developed with a climax on "Nobody Knows.” A passage of antlphonal chords for contrasted instrumental groups leads to an andanta non troppo, 3-4, with an English horn solo on "Sometimes I Feel Like a Motherless Child," above a countermelody for the French horn. A solo violin sings this melody, and then a solo cello announces the chief lyric subject of the work and the sixth of its basic themes: It consists of two measures of “O. When I Come to Die.” The strings, horns and wood repeat it In rich forte, and turn It over to the horn quartet, while the strings (dlvisl), with harp and celesta, weave about It pianissimo arabesques. Trombones recall the first theme ("Nobody Knows”) crescendo, and the full band attains its highest point of emotional intensity on “O. When I Come to Die.” followed by a diminuendo and a fermata on a soft A-maJor chord of the strings. There is a return to the tempo giusto (G-mlnor. 2-2). and the sixth and last of the themes Is exhibited. This was found years ago by Mr. Goldmark in a magazine article, quoted there as a melody sung by the Tennessee Negroes while working on the river. This Irresistible tune Is played by the woodwind In unison, with pizzicato accompaniment. The themes are now polyphonically exploited, there is a brilliant stretto. and a lusty climax on the “Tennessee River” tune. At the close, Peter is for the last time loudly exhorted by the brass. The two remaining concerts of the three Monday evening orchestra series will present the New York Symphony Orchestra, Walter Damrosch, conductor, and the Cincinnati Symphony Orchestra, Fritz Reiner, conductor.

Re-United

For the first time since their memorable work under Cecil DeMille’s direction in “The Ten Commandments” and “Triumph,” Rod LaRocque and Leatrice Joy are to be reunited on the screen. Word comes from the DeMille Studio that these popular players are to be co-starred in “The Blue Danube,” a special soon to go into production, with Paul Sloane directing. The story of this production, inspired by Strauss’ immortal waltz, “The Beautiful Blue Danube,” was written by John Farrow, 23-year-old Australian poet, and is to be filmed under the direct supervision of Cecil B. DeMille, for Pathe release. Before achieving individual stardom, both Miss Joy and Laßocque were brought from comparative obscurity to prominence by DeMille. Since attaining the heights of popularity in DeMille-directed productions, each has been starred in separate pictures. Laßocque’s recent pictures include “Gigolo,” “Resurrection” and "The Fighting Eagle,” while Miss Joy’s latest starring vehicles are “Vanity” and “The Angel of Broadway." Name Town After Bebe “Bebeville” is the name of the newest town on the map, a tent city in the desert not far from Guadalupe, Cal. Yes, you’re right, it’s the location camp for the Paramount company making “She’s a Sheik,” and it’s named for the star, Bebe Daniels. Soussanin to Have Good Part ' Nicholas Soussanin, the extra actor who leaped to prominence in recent Adolphe Menjou pictures and now engaged with Esther Ralston in "Spotlight,” will have an even more important part in the next Emil Jannings film for Paramount.

MOTION PICTURES

INTERESTING SERMON THEMES ARE ANNOUNCED Indianapolis Churches Have Good Musical Programs. The Rev. Ambrose Aegerter, pastor of the Beville Avenue Evangelical Church, announced “The Power of Intercession” for the morning subject and “What Men Do With Their Sins” for the evening service. The Rev. Charles H. Gunsolus will preach Sunday night at the Christian Spiritualist Church on "Spirit Guides and Guardian Angels.” The morning subject of the Rev. Forest A. Reed, pastor of the Brookside United Brethren Church, will be “God’s Program for Kingdom Building.” “What Men Need Most” will be the evening subject. Miss Olive Burnet of the Tuxedo Baptist Church will speak at the Lynhurst Baptist Church in the morning. The Rev. C. H Scheick will preach in the evening at 7:30. Rev. Fred A. Line, Mrs. Charles Cherdron and Mrs. H. P. Clarke .left Indianapolis Wednesday noon for Hartford, Conn., where they are to attend the Universalist general convention as delegates from Central Universalist Church. Rabbi Morris Feurlicht will preach at Central Universalist Church, Fifteenth and N. New Jersey Sts., Simday at 11 a. m. The pastor, Rev. Fred A. Line is attending the Universalist general convention at Hartford, Conn. “The Marks of Jesus Christ” is the subject of the Sunday morning sermon of the Rev. Clyde Lininger, pastor of the Speedway Boulevard Methodist Episcopal church. “Know Thy Self” is the evening service topic. “Paradoxical Truths of Scripture,” will be the Rev. Edmond Kerlin’s subject at the “Peoples service,” 7:45 p. m. at the First Evangelical Church. Harold A. Maves, layman chairman, musical features directed by Arnold Spencer. Mr. Kerlin will speak at the serivce of morning worship, 10:40 a. m., on “The Mount and the Multitude.” Anew church is being established in the beautiful Brookside district. This district is a distinct community of American people, and they have every convenience, except a local church. The old theater in the twentythird block on Brookside Ave„ has been secured as a temporary place to hold Sunday school and church. This district is bounded on thn north by railroads and car tracks and manufacturies, and the same condition prevails on the east sideThe Brookside Park lines the whole south, and there is no church closer

J\ y peppy drama that will PArtAMorNT I m. ***%! carry him still further! •(W j!' picture lB 'M VI Iym If you liked Dix in “The A |f§ f| ■ k*>. Ia if Quarterback,” “Womanw %*'•*- > a handled,” or “Man Pow- Vt vcL * f \ L m 3 er”—“S HANG HA I Vl /Y CS^ffrj \ BOUND” la tiw f 1 pljfV| i x ice J •‘'Peaks” (jp Indiana News (S JP) | COMING NEXT~ SATURDAY JoCTT2T3£? f^\ )f.j PAUL WHITEMAN vl \ KING OF JAZZ AND 35 PUBLIX PALS f / Last Times Here Prior to World Tour 1

than one in the fifteen hundred block on the west. Rev. Frank H. Winter is labor* ing in every way to build up a local church that will serve in every way the Christian social, education, and spiritual interests of this beautiful district. The Rev. Vernon W. Couillard, pastor of the Second Moravian Episcopal Church will use for his morning theme “Foundation Building,” while his theme at the 7:45 service begins with a fifteen minute song service. Linwood Christian Church, comer Linwood and Michigan. Rev. Homer C. Boblitt, pastor. Rev. George Bradford, stewardship specialist, Kansas City, will preach, morning: “What Owest Thou?” evening, “Weighed and Found Wanting.” The Brocks will have charge of the music. _ • A rally day program will be given at the Second Evangelical Church Sunday morning. There will be only one service in the morning. The Rev. L. E. Smith of the Broadway Evangelical Church will give short talks and an address in the evening. The Rev. C. D. Fischer, superintendent of the Lutheran Orphans Home at Richmond, Ind., will speak in the morning at the St. Matthew Lutheran Church, Sunday. “The Modem Saint” will be the theme of Dr. Edward Haines Kistler’s sermon, Sunday at 10:45, in the Fairview Presbyterian Church. Dr. Frank S. C. Wicks announces the following order of service beginning at 11 o’clock: Meditation .Lemaisrre Grand Offertory Flaglw Hymn 336. Third Service. Covenant. Anthem. ' Words of Aspiration. Responsive Reading—l6th Seelctlon. Scripture. Hymn 123. Notices and Offering. Kamennol Ostrow Rubensteln Address. Hymn 114. ... Benediction. Postlude. Cujus Anlmam Rossini At the First Moravian Church the following service will be held Sunday: 11 A. M. Prelude—" Morning Worship” Read Processional Hymn, "When Morning Gilds the Skies” Long Meter Doxology. Responsive Reading. Contralto Solo. “How Beautiful on the Mountain” Harker Mrs. Beulah Cox Scripture Lessons. Anthem. "Hark! Hark! My Soul” ..Shelley Offertory "Reverie” Dickinson Prayer of Consecration Beethoven Hymn, "Faith of Our Father! Living Still” Sermon Theme, "Whom Do Men Say That I Am?” Prayer. Hymn. “Break Thou the Bread of Life.” Postlude, "March” Petrall 7:45 P. M. Prelude. "Evensong” Johnston Processional Hymn, "Lead On, O King Eternal.” Responsive Reading. Gloria Patrl. Hymn. "O For a Heart to Praise Mv God.” Baritone Solo, "The Voice In the Wilderness” Scott William Davidson Scripture Lesson. Anthem. "O God of Mercy” Briggs Offertory, "Barcarolle” Nevln Prayer of Consecration Beethoven Hymn, "O Happy Day, That Fixed My Choice.” Sermon Theme, “An All-Sufficient Christ.” Prayer. Hymn.’ “If Christ Is Mine, Then All Is 'Mine.” Postlvde. “To God on High”.. .Mendelssohn Christian O. Weber, minister ;*W. S Alexander, director of music; Miss Helen Louise Quig, organist. Dr. J. Wesley Miller, who is as-

MOTION PICTURES

OCT. 15, 1927

Very Strange Julia Parker, who does the high-class dances, has a yearning to see a man with a wooden leg do the “Black Bottom.” And that probably will not be so very difficult since a chorus girl had a man arrested In New York recently for winking at her, and it was proven at the trial that he had a glass eye.

sisting in the financial campaign of the Broadway M. E. Church, will speak to the newly-organized men's class. Men of Broadway, tomorrow morning at 9:30 o’clock, according to an announcement of Roy N. Downs, new president of the class. The class will meet in the new church auditorium, which is yet unfinished, but a wing of the building has been temporarily set aside for the use of the class. The new slogan of the class is “A Stranger But Once, for a Minute.” The following preachers and workers will speak in the Englewood Christian Church Sunday. Jesse Kellums, just returned from an evangelistic campaign in Africa; Traverse Harrison of Cincinnati, Robert Tuck of Wooster, O.; Miss Henrietta Horon, editor and lecturer, and Miss Lillie Farls, author and editor. Dr. Kellems will speak at 10:45, th eothers at 9:30 in the various adult classes of the Bible school. F _____ At the Capitol Ave| M. E. Church the Rev. Joseph G. Moore will preach in the morning on “Sitting in the Other Fellow’s Place” and at night “The Way of All Flesh.” At the Blaine Ave. Methodist Church the Rev. A. Bennett will speak in the morning on “Can You Be Counted On?” and at night Miss • Irene Duncan will talk about her trip to the Holy Land. Plays Another Crook James Quinn, a specialist in underworld roles on the vreen for more than ten years, has been assigned to play the crook bellboy in “The Side Show,” Paramount’s associate producer. Quinn was bom in the dressing room of the Grand Opera House in New Orleans, and has been connected with the stago all his life. He once purposely let himself be arrested for vagrancy to get a chance to study crooks in jail as preparation for a stage part. Vidor Completes Movie Florence Vidor, Paramount star, is putting the finishing touches now on her latest starring picture, "Honeymoon Hate,” based on the Saturday Evening Post story by Alice M. Williamson.

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