Indianapolis Times, Volume 38, Number 294, Indianapolis, Marion County, 16 March 1927 — Page 8

PAGE 8

(READ THE STORY, THEN COLOR THE PICTURE)

The Tinymiteg then said good-by to Mary, with a long, long sigh. She’d been so very nice to them, they didn’t want to leave. And, as she walked on down the street, wee Scouty said, "She sure is sweet, but now that she has really gone, there is no use to grieve." So, off they went to look around and see who else might soon be found. They traveled down a little street, but no one came in sight. “I'm getting sleepy,” Coppy said, “I'd like to rest my weary head.” And then they found a clover field and turned in for the night. ’Twas nice and soft upon the ground' and every Tiny slept real sound. When morning came the sun rose high and woke them with a start. Wee Clowny jumped up to his feet and said, “The morning air is sweet. We'd better not be loafing, it is time that we deport.” Just then they heard a funny sound, like feet upon the distant

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Today’s Best j WEAF hook-up (WEAF, WCAE. TVLIT, WGYLand WRC), 10:30 p. m. (Eastern) —Sir Julius Benedict’s light opera, “Lily of Kikarney.” KOA, Denver (322), 8:15 p. n.

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ground. And ere they had a chance to think, a boy went running by. Then Scouty shouted, “This Is fun. That’s young Tom, Tom, the Piper’s son. He’s got a pig beneath his arm. We soon will hear it cry.” They traveled fast upon their feet and followed Tom right down the street. And then they' say that someone else was close upon his heel. Ah, what excitement for the bunch. And then, quite true to Scouty’s hunch, the funny looking piglet in Tom's arm began to squeal. A lesson then, poor Tom was taught, ’cause very shortly he was .caught. The Tinies felt real sorry, though they knew that he was wrong. To steal a thing is very bad. Tom found that out and felt real sad. And when the lad was taken home, the Tinies went along. (The Tinymites have a pig roast in the next story.) . (Copyright, 1927, NEA Service, Inc.)

(J&ountaln)—KOA players. WJZ, New York (454), and hookup (8 stations), 9 p. m. (Eastern) — Maxwell hour, with Efrem Zimbalist, violinist. WON, Chicago (303), . 8:45 p. m. (Central)—“Arabian lights.” WSB. Atlanta (428), 10:45 p. m. (Central) —WSB’s fifth anniversary. O:<H>—WBZ *333). Springfield—Orchestra. WFHH (355), Clearwater Concert. WHK (273). Cleveland Orchestra. WHO (526). Dcs Moines—Little symphony. WJIBF (384). Miami Beach— Dinner music. WOR (405). Newark — Ensemble. 6:2O—WLW (422.3). Cincinnati—Orchestra. 6:30 —KSO (405). Olarinda—Band. WEAF (492). New York—South Sea Islanders, to WTAM. WSAI. WTAG. WGY. KSD. WJR (517). Detroit—Symphony. WJZ (455). New York—Army band, to WBZ. WRC. WOC (484). Davenport— Vagabonds. WSM (282.8), Nashville—

WKBF (244 Meters) Hoosier Athletic Club Station Wednesday, March 16 A. M. i 10:00—Recipe exchange, courtesy Chambers Manufacturing Company, Shelbyville, Ind. 13:30 —Livestock market, courtesy Union Stockyards, Indianapolis. Weather forecast, courtesy United States Weather Bureau. P. M. 7:00 —Late news bulletins, courtesy Indianapolis Times.

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Boots and Her Buddies

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Our Boarding House

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Freckles and His Friends

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6:4S—WFHH (355). Clearwater —Band. 7:OO—KFNF (401). Shenandoah Concert. WCAE (401), Pittsburgh Recital. WCX (517). Detroit —Organ. \ WGR (319). Buffalo Entertainers. VVGY (379), Schenectady—Concert. WHB (365.6). Kansas City—Trio. WHO (520). Des Moines —Orchestra. WJZ Concert. . (455). New York—Concert, to KYW. KDKA. WBZ. WWJ (332.7). Detroit— Musical. 7:IS —WEAF (492), New York—Quartet, to WBC. 7:3O —KOA (322.4). Denver —Concert. KPRC (290.9), Houston—Orchestra. KMOX (280.2), St. Louis—Quartet. WCAU (278), Philadelphia—Quartet. WEAF (492). New York—Saxophone octet, also WEEI. WCAE, WLIT, WJAR, WTAM, WRC. WTAG. WGHP (270), Detroit—Symphony. WHAS (309.8), Louisville —Orchestra. WRVA (250), Richmond Old hymns. WOS (441), Jefferson City—Musical. 8:00 —WEAF (49?). New York—Troubadors, to WEEI. KSD, WGR. WRC. WCAE. WWJ, WGY, WDAF, WLIB, WCCO. WHO (520), Des Moines—Musical.

THE • INDIANAPOLIS TIMES

WFBM (268 Meters) Indianapolis Light & Heat Cos. Wednesday, March 16 s:3o—Sports and stock market reports. Courtesy of the Indianapolis News.) 6:oo—Children’s hour. (Courtesy of the Franklin Life Insurance Company.) 6:3o—lndianapolis Athletic Club Orchestra; George Irish, director. 7:3o—lndiana College of Music and Fine Arts program. B:3o—Sacred hour. Wheeler City Mission. 9:3o—Kelvinator hour. 10:30 —Broadcast Listeners radio interference jliscusslon by Andrew J. Allen, secretary, Broadcast Listeners Association. 10:45—Indianapolis Athletic Club Orchestra; George Irish, director. Charlie Davis Columbia Club Orchestra.

WJZ (455). New York—Music to WBZ. KDKA. KYW, KSB, WHAS. WMC. WSM. B:I3—KPRC (290.9), Houston—Concert. B:3O—WCCO (410.4), St. Paul—Ensemble. WEAF (492). New York—Walter Dornrosch and symphony, to WRC. WEEI, WGN, WGY. WSMB (319), New Orleans—Concert. 9:OO—KDKA (309), East Pittsburgh— Trio. KTHS (374.8). Hot Springs— Soloists. WEAF (492). New York— Smith Bros., to WGR. WCAE. WTAG, KSD. WDAF, WOC, WRC, WSAI, WWJ. WCCO. WFHH (355). Clearwater— Dance music. WGY (379.5). Schenectady—Harmony Twins, also WMAK. WHO (520). Des Moines—Quartet. WjD (517). Detroit—Serenaders. WLW (422.3). Cincinnati—Trio. WMBF (484), Miami Beach—Frolic. WSM (282.8). Nashville-—Vocal. 9:3O—KFUO (545.1 b St. Louis—Music. KMOX (280.2), St. Louis—rlawaiians. WBZ (333). Springfield—Dance music. WCCO (416.4). St. Paul—Musical. WEAF (492). New York—Opera, to WCAE. WRC. WGY. WLIT. WOC (484), Davenport—Organ. WSAI (326). Cincinnati—Dance music. 40:00—KGO (361.2). Oakland Trio. WAAM (203). Newark —Dance music.

Concert Music 6:OO—WFHH, WHO. 6:3O—KSO, WJR, WJZ chain. WSM. 6:4S—WFHH. 7:OO—KFNF, WCX, WGY, chain. 7:3O—KOA, WFVA. B:IS—KPRC. B:3O—WCCO, WSMB, WEAF chain. 9:30 —WEAF chain, WOC. 11:30—WCCO.

—By Ahern Out Our Way

WOR (405), Newark —Orchestra. WRVA (Cftrt). Richmond —Dance music. WTAM (389.4). Cleveland—Dance music. _ _ 10:30 —KMOX (280.2 b St. Louis—Dance music. WCCO (41(1.4). St. Paul— Dance music. WCAE (461). Pittsburgh —Dance music. WHN (361.2). New York —Orchestra. 10:43—WHB (305.6). Kansas City—Musical. \ 11:00 —KFI (407). Los AngeU-R Philharmonic orchestra, to KPO. KFNF (4011. Shenandoah Frolic. WOC (484), Davenport—Orchestra. 11:30—WCCO (416.4). St. Paul—Organ. 11:48—WDAF (305.6). Kansas City Frolic.

Saint and Sinner

Wealthy RALPH CLUNY, 68. wa murdered just before he was to have married frivolous CHERRY LANE. 18. Immediately Cherry disappears, leaving a note for her sister FAITH saying she could not go on with the wedding. Cherry’s elopement with CHRIS WILEY becomes known. Cherry has been engaged several times Once she tried to run away with ALBERT ETTELSON. a married traveling salesman, and was rescued by her sister aud 808 HATHAWAY. Faith's fiance and nephew of Ciuny. Cherry admits that Ciuny attempted to force the marriage, but protests her Innocence. Faith suspects Chris Wiley thinking he knew that Ciuny had willed much money to Cherry. Charles Reilly Neff, who drew up the will, testifies that Ciuny made Cherry his chief beneficiary whether or not she married him. The coroner's jury releases Cherry but Immediately she and her husband are arrested by DEVLIN, deputy district attorney. Faith is furious when Bob tells her Attorney Stephen Churchill whom he employed, thinks circumstances are against Cherry and suggests a plea of self-defense as the best chance of her freedom. , . Peculiar footprints and a bit of tom strap suggest that the murderer might bC A mysterious letter furnishes another clew and Phil, a beggar, ia suspected. Kelly, an old newsdealer, makes an effort t(t find him. The trial causes great excitement. -.-••• Faith had been hoping against hope that the nurse would not permit her to see her brother-in-law, but that white-clad young person welcomed her eagerly. • • • • “I’m so glad you’ve come. He’s been begging me to phone for you, Miss Lana. But you won't stay long—five minutes, perhaps? He’s very weak, you know;” “It's Faith, Chris,” Faith said softly, As she bent over the long, still form in the high, narrow, white bed. “Faith? Didn’t Cherry come?” “Cherry can’t come, you know, Chris,” Faith told him gently. “She's. —she’s in jail. Don't you remember?”

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“Oh, yes,” he said, vaguely, weakly. “Did she send me a message? I've written to her every day and she won't answer my letters. Does she get them?” “I don’t know, Chris. Probably the warden has been instructed not to let her communicate with you. How do you feel, Chris?” ( “Terrible,” he moaned, moving his head restlessly. “Did Cherry send mes a message?” Faith weakened suddenly, betrayed her sister for the first time. “She wrote you a letter, Chris. She —she cried in court when she read In the papers about your illness." Impulsively she drew Cherry’s scribbled love letter out of her handbag and put It in the weakly outstretched hand. “I can’t see to read It,” he groaned, as his hand dropped limply back to the crinkled white counterpane. “Read It to me, Faith.” Faith conquered her aversion for the man who had brought all this trouble upon her beloved little sister, and, in a monotonous voice, read what Cherry had written—not for Chris’ ej‘es but for the press: “Chris, by darling husband: My heart is too full to write much, dearest, but I want you to know that I would be at your bedside night and day if it wee# possible. I had counted so much on your sitting beside me during the trial, giving me the support of your love and tenderness. But my innocence shall bring me through this terrible ordeal, and, thank God, you will escape It. For I shall be cleared and you will never be brought to trial. Be of good courage, n y beloved, and get well as quickly as possible, so that when It is all over we can be together again. I love you, my husband. Your devoted wife, Cherry Lane Wiley.” The dull black eyes brightened, the mustached mouth twitched with a tremulous smile. “She—ahe wrote that—Faith? You're—you’re not fooling me? Let me have It. I want to feel it. I want to kiss it.” Faith did not answer, but she slipped the scribbled message Into the white-fingered hand that trembled for it. “I—l thought she hated me,” Chris Wiley said in a low voice. , Faith bit her lips to keep'back the words —"She does’ She does hate you! What did you do to Cherry, Chris?” She was glad when a rustle of starched garments told her that the nurse had entered the room. Bending over her brother-in-law, sh# laid

her- cold lips upon his cheek, then, without a word she almost ran out. To Bob, who was waiting for her in his car before the hospital door, she gasped in a sob, “What Is the matter with me. Bob? Why can’t 1 hate people whole-heartedly like Cherry can?” Am I weak, a fool? I’m sorry for Chris, Bob. Oh, the world is a terrible place to live In. Bob! It would be better for all of us If we had never been born!” “Not better for me,” Bob told her gently. “For you see, dear, In spite

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of all this hell we're going through now, I'm glad I'm alive, for I love you and you love me.” Next—Churchill and Cherry ace elated over the Jury which It finally chosen. After Injecting an especially prepared mixture containing gold and silver, a London doctor reports a cure of a severe case of Bleeping sickness.

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