Indianapolis Times, Volume 38, Number 250, Indianapolis, Marion County, 24 January 1927 — Page 7

JAN. 24, 1927

IF WEEP YOU MUST, THEN GIRLS DON’T WEEP TOO OFTEN

f Martha Lee Doesn’t Think That Tears Pay in the Long Run —That Husbands, Who Are Just Human, Weary of Gloom. t By Martha Lee If you are a woman; do you use the neat little weapon of tears? And do you thihk tears pay? Perhaps they do for a little while. But the average after tears have pursued him through a number of mooted questions, gives them the absorbed attention that he would devote to the buzzing of a mosquito.

The average woman then, would do well to use tears on only at rare intervals) She won’t though. The woman who is given to tears doles them out often and with abandon mid 4he believes she has won a victory when she has got her way. We love what is lovable and a woman who uses the weapon of tears isn’t lovable or a lovely sight; and men, Just human beings as they are, aren’t doing such a strange thing when they turn away from the gloom and reach toward that which spells light and laughter to them.’ So the wise woman will replace her weapon of tears with the irresistible one of smiles. She’ll surely be surprised at results. She’s Like a Tombstone Dear Martha Ler: I have a married rater who ia simply a:ul surely ruining nor happv hom" life and what was a very -ood husband b.v being ,i good representation ot a tombstone. When she was growing up, she was sickly and my mother and the rest of us spoiled her a lot. but I ibought when she grew up she'd be dis- . Cerent. I However, she gets worse, and no won•der her husband is away from home so much. I'm sure he never sees her in a good humor. I know X don't and I hate to see her act, so pettish and babyish, crying at the least little think like a spoiled baby. However, she won't take any advice and really believes she has deep grievances. Don't you think she is foolish’ A CRYBABY'S SISTER Indeed I do think she is foolish. Any woman is, who turns on constant faucets of tears, even if she has real problems. From time immemorable though, tears have been one of woman’s choicest weapons, and if she won t see how ultimately ineffective and how selfish It is to use them continually—why she just won t, that’s all. Tries to Be Popular Pear Martha Lee: I am convinced that clothes and good looks arc not the things that make people popular—only with deceitful and shallow folks, so I don't think the absence of these things is what makes me unpopular. I have never been much of a talker, and 1 can t seem to find anything that will make me different and will

Your “Regular ” Vain Now Needless Menstruation is a perfectly natural process, but the painful part is EEDLESS. Long study has absolutely conquered menstrual pain. Science now offers women reliable end complete relief —in a simple, utterly harmless tablet called inidol. This newest achievement of the laboratory has nothing to do with drastic, habit-forming drugs that Lilt pain by benumbing the whole system! Midol acts directly on the organs affected by menstruation, and nowhere else. Yet relief and ab-. so lute comfort come In five to seven minutes! * So, why have a twinge of pain—feel “low” or even uncomfortable! Or take anything to depress the heart or upset the system? All drug stores have midol in a thin aluminum box that tucks in purse or pocket—for 40 cents.

M>&o\ Takes Pain Off the Calendar

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make me liked. Please advise me about my unpopularity. I have tried to be natural. to forget myself, etc-, but these things don t work at all for me. LONESOME. Well, If you have tried everything else, you might try a rule of psychology—a sort of Dr. Cone remedy. Many folks say it works. You lay your foundation for a cure by absolutely refusing to say (to yourself or others) anything you don’t want to be true. For instance, you would never (if you try this) allow ypurself to declare you are unpopular or unattractive. The conviction that you are, is a had basis from which to improve yourself. Many folks have cultivated a good degree of what we call “personality.” You can, too.

MENUS For the FAMILY

"By SISTER MARr

Breakfast—Califlrnia grapes or bottled grape juice, whole wheat cooked cereal, thin cream, egg and tomato toast, crisp rye toast, milk, coffee. Luncheon—Bisque of salmon croutons, spinach loaf with pickled beets, spice cake, milk, tea. Dinner—Roast beef with Yorkshire pudding, browned potatoes, brussels sprouts in Hollandaisc sauce, canned pear and cream cheese salad, banana sponge, graham rolls, milk, coffee. If brussels sprouts are not procurable boiled diced turnips served in a cream sauce made piquant with lemon juice will provide an appetizing and attractive substitute. A judicious change in vegetables often makes it possible to practice economy without “unbalancing” the menu. Bisque of Salmon One large can of salmon, 2 tablespoons, butter, 2 tablespoons flour, 1 tablespoon minced parsley, 1 teaspoon salt, ’a teaspoon pepper, ‘i teaspoon paprika. 1 cup milk, 1 cup cream, 1 tablespoon lemon juice. Remove skin and bones from salmon and force through a coarse colander. Add 1 cup cold wafer and lemon juice and let stand while preparing bisque. Melt butter without bubbling. Stir in flour, salt, parsley, pepper and paprika and when perfectly blended add milk and cream. Bring to the boiling point, stirring constantly. Add prepared fish, with out draining, and bring again to the boiling point. If too thick add hot water to make the right creaminess and if too thin stir in some fine sifted cracker or bread crumbs. Serve in puree ,cups. If all milk is used in making, a spoonful of whipped crpanx may top each cup. (Copyright, 1827, NEA Service, Inc.) COTTAGE PUDDING Serve stale cake with chocolate sauce, of boiled custard, to make cot tage pudding. CHOPS BROILED Chops broiled in waxed paper tightly twisted around them have a rich flavor. greeN color To set the color in green dyes, use four ounces of alum to a tubeful of water.

Pa Potter Was Picked Easily By Big Oil Men But Pa Kept Right On Winning Side

By Walter D. Hickman When the big fat oil men of fiction wanted to do some easy picking they just looked up Pa Potter. Even when it looked like Pa was picked for good, he always held the winning hand at the end.

And so the bad oil salesman was good to Pa, but Pa wasn’t so good to him. Just trying to tell you that “The Potters” with W. C. Fields as Pa Potter, the alleged head of his own home, has reached the screen. On the stage I found much to rave over, because with all the comedy, “The Potters” was a pretty honest reflection of Amer* ican life. Can say

W. C. Fields

with the greatest ease and safety that "The Potters” Is the best vehicle that Fields has ever had on the screen, ahd I can also say that Fields proves he is not only a great comedian, but he can pull that heart throbbin’ drama stuffy the kind that makes one get all wet around the eyes. “The Potters” is intimate comedy, and on the stage the producer used a method to get this intimate contact of Pa Potter with the audience. And in the movie version, the director, Fred Newmeyer. has used the full stage closeup of Fields in many scenes. This method is so satisfactory that I got the feeling that Pa Potter was right in the room with me, telling me the trouble that he has with Ma, the oil salesman, has son and daughter and her best beau. These Potters are human folks, regular, real. Pa lived In a dream. He certainly did know bow to strut his stuff and so he was easy picking for some. Ma was was the only wne who really told Pa where to get off. She knew that his bark was applesauce, but she loved him. So Pa Potter will give you one of the greatest and cleanest laugh you have ever had in the theater in many a day. Here is comedy, so splendidly directed and so intelligently conceived along big human lines, that “The Potters” becomes a compliment to the movie industry. Really, this comedy is hard to beat. I predict that if they keep on giving Fields vehicles like “The Potters” and directors like Fred Newmeyer that this comedian will be the real comedy favorite along with Harold Lloyd. If you want one of the most delightful comedy experiences that the screen has to offer, then see this Paramount winner at the Ohio this week. Charlie Davis and his gang this week have based their idea arour.d the fashion of the hour of jqzzing up the classics. They really are not doing that as they feature an Italian comedy song. When Davis refrains from attempting to be a comedian, which he is not, and keeps that fine orchestra playing warm tunes, he is the king of the walk. Davis has brought on the two colored boys, dancers, which he had here some weeks ago. With the hottest kind of music that Davis can furnish and with the hot dancing feet of these two boys, the result is a sensation. At the Ohio all week. “THE AUCTIONEER” REACHES THE SCREEN When one thinks of “The Auctioneer” and “The Return of Peter Grimm,” one always associates the name of David Warfield with these two plays. “The Auctioneer” has reached the

THE INDIANAPOLIS TIMES

screen without Warfield, but with George Sidney in Warfield’s role. The director of the movie has made an error, I believe, In stretching the comedy points of the story, especially

the last part when the Auctioneer becomes wealthy and attempts to break into society. Simon Levi in the bands of Warfield was a type char acter, big in hearl. fine in spirit and a man who bumped into the tragedy of life as easily as he did comedy. Warfield’s Simon Levi was always convincing. George Sidney at times seems to put a comedy or burlesque interpretation upon the

?! h i .1

George Sidney

character. The director is probably to blame for this because some of the group scenes are badly handled. In other words just wheix Simon Levi should get into your hearts, the director permits a bunch of nonsense to take the place of the big moments of a truely interesting type play. And yet, if I bad not seen Warfield in this play, I probably would have accepted the comedy attitude of George Sidney as Simon Levi. George Sidney Is a good actor in type parts. He has mannerisms which register with telling ease, but Simon Levi is a character of life, not a comedy edition. Be your own judge, as usual. Sidney may be your idea of Simon. If he is, all to the good, but he doesn’t ring true to me as a lovable character who stumbles into the tragedy of life and yet whose heart always finds the beauty and the sunshine in others. Under the new policy, the Colonial this week is presenting its third week of musical revues. This week Marshall Walker is present with his “Whiz Bang Revue.” a rather original idea of the rube comic and small town folk. The revue really tells the story of a show troupe landing in a small town to give a performance, and how the reform league, or the "?'ever Enjoy Themselves,” attempt to stop other people from having a good time at the show. Musical numbers, specialties and dancing are worked in between episodes of tAie story. Floyd Thompson and his orchestra also are on the bill. At the Colonial all week. KEN MAYNARD SEEMS TO HAVE LANDED HERE As I have handled Paul Whiteman and his orchestra in the music

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I department today, I will devote this I space to Ken Maynard in the movie, “The Overland Stage.” Here is a definite attempt on the part of First National to develop

a Western star. I am not familiar with the work of Ken Maynard, but my first big league introduction left me with the impression that First National has a future winning card in this man. Maynard rides a “wicked” horse, meaning that he is a splendid spectacular rider; he has the matinee way about him which will make

i m It vK , \ 7 < -< 1 v > V i V. .Y ■: ■

Ken Maynard

him popular with the women; he has a trained horse, which will make ' the younger folk love him and he ; has a pair of.fists, which know their | way about In a fight. In other i words. seems to have the qualities which will put him across as a star in big league Western stuff playing the larger houses. “The Overland Stage” looks very much like “The Covered Wagon,” although it isn't that big a. picture. It was rigged up to give Maynard a chance to pull his thrill stuff, and that he does, wonderfully. In other words, Maynard is wisely cast in a play with Indians, stage coaches, bandits, bad men, good men and everything that is needed in a thrilling western story. Tom Santschi Is the villain, and a good one at that. Others in the cast of leads includes Kathleen Collins, Sheldon Lewis. Dot Farley, Florence Turnet. Jay Hunt and several bunches of Indians. Bill includes the Circle News. At the Circle all week. LLOYD IN SECOND WEEK \T THE APOLLO Harold Lloyd Is now in his second week of his engagement in “The Kid Brother,” As I went into detail last Monday regarding this new Lloyd comedy, it is not necessary for me to repeat myself. Bill includes Emil Seidel and his orchestra; Lester Huff at the organ; Bud McIntyrp, singer, and a news reel. At the Apollo all week. Other theaters today offer: The j Marx Brothers in “The Cocoanuts” at EJnglish's; Nazimova at Keith's; i Boyd Rowden and company at the ! Lyric; “Oddities of the Jungle” at the ! Palace: “The Return of Peter i Grimm” at the Uptown; “Three Bad j Men” at the Panders; “Thirty Be- | low Zero” at the South Side; “Drs- j ert Valley” at the Isis, and burlesque at the Mutual. FRUIT STAINS Rub the bands with cornmeal and- - to remove fruit stains. TO PROTECT NAILS Before beginning dirty housework, fill the fingernails with soap, to keep out dirt.

The Big Three Three of ’em. Meaning that three of the leading violinists were in Indianapolis Sunday. Two were heard in concerts and the other sat in a box at the Murat. Joseph Szigetl played at the Academy of Music on his first visit here. Fritz Kreisler gave his greatest concert in this city at the Murat. And Max Rosen, another great violinist, who scored a magnificent triumph at the Murat several years ago in concert, occupied a box and applauded and cheered Kreisler. “It seems that Indianapolis has a flood of violinists," Rosen said on leaving the Murat. “I had lunch with Szigeti, and I wanted to get the last part of his concert, but I could not drag myself away from Kreisler.”

HYSTERICAL AND ALL TO PIECES During Critical Period of Life South Carolina Lady Decides to Try Cardui and Shows Remarkable Improvement. “1 suffered a long, long time, before I tried Cardui, and my only regret is that I did not know about it sooner," gays Mrs. Lillie Pruitt, 130 “K” Street, Anderson, S. C. “I was badly run down in health, when I found myself entering a very critical time in life.. My nerves ‘went to pieces.' and I had to go to bed. I was not able to do my housework for many months. “I got so bad off. I could not bear to have anybody walk across the floor of my room. The least little thing upset mo. Sometimes I became hysterical. I had bad pains in my back and sides, and my head and limbs would take spells of aching, which almost set me wild. I “One day I was reading the Ladles’ Birthday Almanac, and 1 saw where a woman, who had a trouble like my own, had blen relieved by Cardui. I decided at once to try it; so I began on a course of the '‘Home Treatment.’ “It began to help me from the very first. 1 took Cardui regularly, for several months, and my improvement was so remarkable, that my family and friends were delighted. Cardui has no equal, in my opinion, for woiianly (roubles. I gladly recommend it to other suffering women.” Get a bottle of Cardui today at your druggist's.

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Saint ami Simumer By ANNE AUSTIN

Wealthy RALPH CLUNY. 68. was murdered just before he was to have married frivolous CHERRY LANE. 18. Immediately Cherry disappear# leaving a note lor her sister. FAITH, saying she could not go on with „ the wedding. Cherry's elopement with CHRIS WILEY becomes known. News of the murder is kept from Cherry's invalid mother, but she taiows of Cherry’s marriage. Cherry has been engaged several times Once she tried to run away with ALBERT ETTELSON. a married traveling salesman, and was rescued by her sister and BOfi HATHAWAY, Faiths fiance and nephew of Cluny. Cherry admits that Cluny attempted to force the marriage but protests her innocence. . . , . , Faith suspects Chris Wiley thinking he knew that Cluny had willed much money to Cherry. Charles Reilly Neff, who drew up the will, testifies that Cluny made- Cherry his ehief beneficiary whether or not she married him. The coroner's jury releases Cherry, but immediately she and her husband are arrested b.v DEVLIN, deputy district attorney. _ Faith is furious when Bob tells her ATTORNEY STEPHEN CHURCHILL, whom he employed, thinks circumstances are against Cherry and suggests a plea of self-defense as the best chance of her freedom. Peculiar footprints and a bit of torn strap suggest that the murderer might be a cripple, but this evidence is not presented. Chrrry is indicted for first-degree murder. The news is fatal to lier mother. Perhaps Martha Lane would have been flattered at the tremendous public interest which her death had aroused. She bud been born in obscurity, grown up in obscure poverty, married, without ceremony, a man as obscure as herself, reared her family in obscurity, until one of her brood had developed Into a wild little bird-of-paradise, whose brilliance and beauty could not be concealed. Probably no funeral in the history of the city had been attended by so many uinvited guests as gathered in the street and on the sidewalk before the shabby, shambling little house in Myrtle St. on Wednesday morning. Police reserves were sent out long before the hour of thfe funeral, to hold the mob in check. Although it was bitterly cold that cheerless f first day of December, hundreds of | morbidly curious men and women, ( boys and girls, gathered soon after j daybreak, tilling the whole block, waiting patiently for hours for a glimpse of Cherry, who was to be brought to the funeral under a heavy

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police guard, and of the suddenly famous Lane family. Aunt Hattiiei Lane had spent the night at the Myrtle St. house, sharing the vigil of the family and making herself unceasingly useful by brewing hot coffee, tartly refusing interviews to reporters and by talking briskly and cheerfully and subjects not even remotely connected with death and murder. Faith had never loved her acidulous, withered little old spinster aunt so much in her life as she did before Wednesday morning dawned. Joy had been told on Tuesday of her mother’s death, but her Aunt Hattio had wisely refused to allow her to come home until Wednesday. Grandpa and Grandma Lane, feeble and subdued, but almost bright-eyed with interest and somehow elated over their own importance of both a newly deceased person and an accused muderess, arrived at !i o’clock, each holding tightly to Joy’s hands as they stepped out of Bob Hathaway's ear. “I look a sight, in this old dress and hat,” Grandma Lane quavered to Bob, after they had passed the battery of cameras. He smiled at her, 'understanding her, not blaming her for an instant that she had wanted to “look nice” in the only pictures of her that had ever been made for publication. The sight of Faith, in her plain black satin dress, her bloodless lips entirely free of rouge, her cheeks far whiter than those of the dead woman, deep circles of fatigue and grief under her great brown eyes, touched his heart more profoundly than she had ever done, when she had looked her handsomest, brightest self. He had never felt more utterly sure of his abiding love for her. “Please, Bob, tell the preacher not

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PAGE 7

to make a funbral oration,” Faith pleaded, almost hysterically. “1 couldn't stand that. lie didn’t know her at all—just tell him to read the service. “Oh, Bob, I'm afraid for Cherry! Could anything be more dreadful than her coming home to—to this? We must get it over with quickly. Bob, for Dad's sake —and Cher ry’s—” The kitchen door was flung open, and Joy’s shrill voice, rising gro tesquely in the funeral calm of the bereaved house, told them; “Cherry's coining! T seen her, Faith— through the window! There are lots of policemen and a big fat woman witK a policeman's badge—” “Don’t talk so loud, honey,” Faith said gently. Then, with head held high but her heart bursting with pain and pity, she went to meet her sister. (Copyright, 1927, NEA Service, Inc.) TOMORROW: The startling es feet of tragedy on Cherry Lane Wiley, “accused murderess.”

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