Indianapolis Times, Volume 38, Number 209, Indianapolis, Marion County, 7 December 1926 — Page 2

PAGE 2

RADIO 3E

(All Central Standard Time) 1

Today’s Best

Copyright, 1926, by United Press. WMAQ, Chicago (448), 8 P. M. (Central) —Women's symphony orchestra. WEAK Hook-ups (14 Stations), 8 P. M. (Eastern) —Greta Torpadie, so prano; Samuel Ljungkvist, tenor. YVJZ, New York (454), and WGY, WRC, 10 P. M. (Eastern —A Day in Berlin. WBZ, Springfield (333), 8:15 P. M. (Eastern) —Hockey game. WSAI, Cincinnati (326), 7 P. M. (Eastern) —WSAI string quartet. 6:OO—WDAF (365.6), Kansas City School. WE AO (294). Columbus—Music. WEAK (492). New York—French lecture. WJIt (517). I’ontiac —Symphony. • WJZ (4)5), New York—Concert. WXAV (422.3). Cincinnati—Pianist. WMCA (341). New York—Orchestra. WPG (299.8), Atlantic City Oman. WOAW (526). Omaha Organ WRC (469). Washington—Orchestra. WSAI (320.91, Cincinnati —Quartet. \ 6:IS—WHAD (275). Milwaukee —Orchestra. WMAK (365). Buffalo—News talk. WTAM (389.4). Cleveland vaudeville 6:J>O—WGBS (315.6), New York—Con--6:3O—CJGC (329.5). London—Symphony. KSO (405.2). Clariiida—Organ. WHAL (246). Baltimore —Male auaret. WEAO (204), Columbus Music. WEEI

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WFBM Merchants Heat and Light Cos. 268 Meters Tuesday, Dec. 7. s:3o—Sports and stock market reports, courtesy of the Indianapolis News. 6:oo—White's Cafeteria Knife and Fork Club Orchestra, under the direction of Johnnie Robinson. 6:3o—lndianapolis Athletic Club 1 Ensemble, George Irish; Director Bert Lindsay. 7:2o—Safety talk by Sergeant Frank Owens. 7:30 Indiana federation of music clubs hour.

(348 6). Boston—Pres. Trinity Cos Here. WGY (379.5) Schenectady—Pianist. WHK (272.0), Cleveland—Harmonists. WOO (508.2), Piladelphia—Orchestra. WPO (299.8). Atlantic City—Music. 6:46—KDKA (309). East Pittsburgh—Address. WOAW (520). Omaha—Auction bridge. T 7:OO—KDKA (309), Fast Pittsburgh—Ensemble. KFNF (461). Shenandoah Musical. WBAL (240), Baltimore —- Trio, WCAU (278). Philadelphia Health talk. WEAF (492). New York — Vikings to KSD. WSAI. WW.T. WTAM. WOC. WCCO. WEAO (294), Columbus —Program. WGHP (2701, Detroit Program. WHB (305.6). Kansas City— Organ. WHAII (275). Atlantic City— Trio. WTP (508.2). Philadelphia Drama review. WJZ (455). New York —Chamuion hour: also WGY. WRC. WJR (517). Pontiac—Program. WI.W (422.3). Cincinnati—Concert. WMAK (305). Buffalo—Theater. WMCA (341). New York—Music. WOR (405). Newark—Organ. WPG (299.8), Atlantic City—Fashion flashes. 7:IS—WBZ (333). Springfield—Hockey— Boston vs. New York. WREO (285.5). Lansing—Band. 7:30 —WJRC (296.9), Houston—Orchestra. WADC (258), Akron—Musical.

Dancing 7:3O—WGHP. ( 8:00—WBAP. 9:OO—KTHS, WBZ. 9:3O—WEAF, WTAM. 10:00—WBAL, WTAM, 10:30—WEAF, KDKA. 11:00—WFAA, WHO. 11:45—WDAF. 12:00—KHJ, KFI.

WBAP (475.9), Ft. Worth—Trio. WBBR (446.4). New York—Musical WCAE (461.3). Pittsburgh—Musical. WEAF (492). New York—Bakers, to WTAM. WSAI, KSD. WCCO. WWJ. WLIB. WGHP (270). Detroit—Band WGHB (866), Clearwater —Musical. W’HO (528). Dps Moines—Band concert. WJR (517). Pontiac —Entertainers WOC (484). Davenport—Barytone. WPG (299.8). Atlantic City—Concert. 7:' s—WHVC (628). New York—Band. WMC (499.7). Memphis—Bridge game. B:OO—KLD3 (441). Independence—Studio program. KDKA (309), East Pittsburgh—Light opera KFAB (341). Lincoln—o. of Nebraska program. WBAP (475.9). Ft. Worth—Orcln stra. WCAU (278) Philadelphia—Follies. WEAF (492). New York—Music: also W4VJ .WON, WCCO, WSAI. WOC KSD. WTAM. WGBS (236), Evansville Musical. WGBS (3156). New York— Quartet. WHB (385.6). Kansas City— Boys band. WHK (272.6). Cleveland— Program. WLW (422.3). Cincinnati — Concert. WMCA (341). New York Vocal. WIP (502.2). Philadelphia Chorus WPG (209.8). Atlantic City— Trio. • WSM (282.8). Nashville—Quartet, WSB (428.3). Atlanta—Concert. WTIC (475.9). Hartford —Ensemble.

Silent Today Central WIL, YSUT, WSN, KFICX, wos. wfh, WOI. Eastern—WAHG, WHA, WOO, WRVA. Far West—KLX, KOA.

B:IS—WAIT! (293.0). Columbus Dance music. WOR (4i)6). Newark —Little symphony. B:3O—KOA (323.4). Denver—Farm questions. WBAL (246). Baltimore—-Reci-tal. WGBB (316.6), New York—Hymn singing. WHO (526).. Dee Moines Pianist. WHAD (27.0, Milwaukee Theater review. WMC (499.7), Memphis—Musical. WOAI (394.6). San Antonio—Musical. B:4O—WRNY (376). New York—Ensemble. O:OO—CNRA (322.4). Moncton—Orchestra. CNRR (476), Regina—Program. KM A (4HI) Shenandoah —Mandolin. KTHS (374.8). Hot Springs—Orchestra. KPRC (296 9). Houston Auction bridge. WTTM 263). Newark—Program. WBZ (333). Springfield—Orchestra. WRAL 1346!, Baltimore— Band. WCX (617) Detroit—Red Apple club. WCAU (2 >8). Philadelphia—Humor. WKAF (492). New Yofft Auction bridge, to WSAI. WGN. WOC. WWJ. WTAM WCCO. KSD. WGBF (236) Evansville —Program. WHK (sAsS Cleveland —Orchestra. WIP (508.3). Philadelphia Dance music. WKRC >(422 3). Cincinnati —Dance music. WJZ (456) New York—Tour: also WRC. WMBC (267). Detroit— Progranb WOAW (526) Omaha-—Music. _WTIC (476 9) Hartford —Orchestra. WRNY (376). New York—Ensemble.

Concert Music 7:39—WBPA, WCAE. B:OO—KDKA, WEAF. B:3O—WBAL, WHO. 9:OO—WCX, WJZ. 9:3O—WBAP, WJZ. 10:00—KFI.

9:IO—WMCA (341). New York—Music. WOR (406). Newark—Musical. 9:3O—CNR 6' (291). Vancouver Talk.. WBAP (475.9). Ft. Worth—Ensemble. WCAU (278). Philadelphia—Orchestra. WEAF (492). New York —Orchestra; to WWJ WTAM. WGBB (316.6). New ' York—Dance music. WJZ (4651. New York —Musical. WMAK (36®. Buffalo —Orchestra: also WOT. Wot . Ames. lowa,—Weather. WOC (484), Haven port —Lecture. WPG (299.8), Atlantic City—Program. WRC (489). W ashliyrton—Band. 9:45—-WJZ (465). New York—Orchestra, WKRC (422.3) Cincinnati—Pianist. 10 0(1 —KFI (407). Los Angeles—Quartet. KGW (491 51 Portland—Educational program, KOA (322.#). Denver—Auction br ( dge. KPO (428.3), San Francisco—Organ KPBN *(315.6).. Pasadena —Concert. WAAM (263). Newark —Orchestra WBAL (246). Baltimore —Orchestra. WMCA (341). Now York —Orchestra. WOR (405). Newark Dance music. WPG (299 8). Atlantic Clt.v—Club. WTAM (389.4). Cleveland —Orchestra. 10:15—WRNY (375). New York Theater. 10:40—KJR (384.4). Seattle—Program. KDKA (309). East Pittsburgh—Theater. WEAF (492). New York Or-

One of the things which time has not altered is the youngster’s love for dolls —for dolls are old as humanity. In the British Museum in London is a flat, painted, wooden doll, with strings of mud beads to represent hair, with which a child In Egypt played thousands of years ago. This rough and ready example of the doll-maker’s art would hardly satisfy the modern child’s fastidious taste, for only close representation of a living baby will do. Hence the best skill of the craftsman is used today in doll making. Realizing how much pleasure a "Flossie Flirt" is to its readers’ children. The Times has devised a simple means by which readers can obtain one or more of these dolls absolutely free. The Times has arranged with the greatest firm of doll makersiifn f the world to supply an unlimited number of these "Flossie Flirt” dolls for presentatibn. They sum up the achievements of past doll artists, and add something distinctively modern and original. Made up of an unbreakable composition, they are delightfully clad, have real hair, turn

chestra. WKRC (422 3). Cincinnati— Dance program. WOAW (520). Omaha —Orchestra. 10:45—WSB (428.3), Atlanta —Concert. 11:00—CNKV (291). Vancouver Song recital. KPO (328.3). San Francisco — Musical. KFI (487). Los Angeles— Classical. KNX (337). Hollywood Program. WFA A 1476.9). Dallas, — Orchestra. WHO 626). Dea Moines Dance music. WMCA (341). New York —Entertainers. WMC (499.7). Memphis—Theater. _ 11:45—WDAF (365.0). Kansas City Frolic. „ „ 12:00 —KNX (337). Hollywood Orchestra. KPO (428.3) San Francisco, Dance music. ICOW (401.5) Portland —Dance music. KHJ 140.>.2). Los Angeles--Dance music. KFI (407). Los Angeles—Music,

MR. FIXIT Truck Drivers Run Over Curbing, Complaint.

Let Mr. Fixit present your case to city officials. He is The Tina's representative at the city hall. Write him at The Times. What profits it a woman if she builds Jk- nice, new curbing and the carelrrw truck drivers cruise over it, Is the theme of a letter to Mr. Fixit. DEAR MR. FIXIT: Will you please get some of the city officials to come to my home at 217 N. Hamilton Ave. and fix the curbing? Trucks have broken It. I am an old widow and ask your help. MRS. JOE SHEA, 217 N. Hamilton Ave. An effort will be made to restore the curbing. DEAR MR. FIXIT: We have heard you were pretty good on getting things fixed. Can you get

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THE INDIANAPOLIS TIMES

Indianapolis Crowds Murat to Hear Chaliapin

By John T. Hawkins An event that has been anticipated for weeks and months came to a close last night at the Murat Theater when the final curtain closed the performance of Feodor Chaliapin and his company in their performance of Rossini’s great work, “The Barber of Seville.” As Chaliapin stepped on the stage in his first appearance In the second act, the power of his personality was j instantly apparent. For several I minutes the opera stopped. Chaliapin | must be welcomed. And then every- | thing was still, everyone waiting for the first sound of that remarkable | voice that belongs to Chaliapin i alone. he fitted Into the plot of the opera oe could easily see tprhy he is called the greatest of singing actors. He is an actor, an actor who ranks along with the greatest dramatic personalities of the stage, but he Is a singer and therein lays his great power. When he enacts a role it Is

us some cinders, rocks, ashes or anything to fill a street. It Is almost Impossible to get through Victoria St., between Addison St. and Holmes Ave. OLD TIMES READER. The streets department will get busy at once on that complaint and the following: DEAR MR. FIXIT: I live on Cooper St., or the continuation of Caroline St. lyght now the street and alley are almost Impassable. A READER.

primarily the voice that catches one but behind it is that dramatic thing that is Chaliapin. Surrounding Chaliapin is a company that we in Indianapolis seldom have the pleasure to hear. The part of Figaro, the barber, which offers much to it's, portrayer, in the hands of Giorgio Durando last night was so perfectly handled that even the great name of Chaliapin was overshadowed as the audience listened to I the marvelous baritone voice of the singer.

Elvira De Hidalgo, as Rosina, the much sought maid, Is a soprano that know her voice and uses It in a manner that is a pleasure to hear. She, as well as Chaliapin and Durando, pleased the crowded house to the extent that several times the applause was so great after a number of hers that everything must stop and she acknowledge It, Man singing as the Count of Almaviva has a fine tenor voice, but last night seemed to he not sure of his cues. His nervousness detracted from his performance a great deal. Dr. Bartolo, In the hands of Giuseppe La Puma, was well done, the comedy in the part being excellently handled. All In all. Last night’s presentation of the "Barber" was an occasion which we would have deeply regretted to have missed. It was our first Impression of Chaliapin. Durando and the others we can say that “The Barber of Seville” as put on by this company

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was a distinctly new and pleasureable experience to us. The cast was as follows: The Count of Almavlva.Jlneenzo CeccarelU Dr. Bartolo Giuseppe La Puma Rosina Elvira De Hidalgo Figaro Giorjrio Durando Don Basillo. a village organist and music teacher Feodor Chaliapin Florello Giacomo Lucchlnl Berta T Anna Lissetzkaya Presented at the Murat Theater, Monday evening, Dec. 6, 1926, by the Ona B. Talbot Fine Arts Enterprises.

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Stairway Just Inside Street Door to the Left

DEC. 7, 1926

To Market With a Headache Bu Timm Unreinl LOGANSPORT, Ind., Dec. 6. —A 200-pound hog today grunted thanks to its owner, R. D. McMullin. McMullln was taking the pig to market in an auto when he wrecked his machine. McMullin dragged the hog unconscious front the wreck and revived it.