Indianapolis Times, Volume 37, Number 293, Indianapolis, Marion County, 9 April 1926 — Page 16
PAGE 16
SOCIAL ACTIVITIES
Miss Mildred Brosnan, a brideelect, whose Inarriage will take place this month, was the honor guest at a bridge party and linen shower given by Mrs. Richard Johnson, 3(112 E. Washington St., Thursday afternoon. The house decorated in pastel shades and soft shaded lights. Guests included the Mesdames W. J. Frcaney, George Freeman, AValter Krull, Charles Owens, Blanton Coxen, Roland Rust and Misses Elizabeth Berthermann, Frances Ivrieg, Edith Fitzgerald, Virginia Moorehead, Ann Moorehead, Regina Bond and Helen Seward. The hostess was assisted by her mother, Mrs. M. J. Spencer, and Mrs. E. N. Johnson. * * * Mrs. William Gardner, generaj chairman for the Delta Tau Delta Mother’s Club card party to be given Saturday afternoon at the Elks Club, has announced a large number of reservations. * * * Mrs. E. F. Stemelen, 936 E. Thirty-Fourth St., entertained the Joliate Club with a luncheon, Thursday. Mrs. Stemlen has as house guests, her mother Mrs. H. A. Schwelters, and her sister, Mrs. W. E. Tierney, both of Louisville, Ky. * * * After spending the winter in the I West Indies, Mr. and Mrs. Harry | .'•—oh, set Q-kla-j. Ave., have rri..rned home. * * * Miss Nancy Johnson, 044 E. Thirteenth St., has as her house guest, Miss Irene Thurston, Marion, Ind. Miss Thurston is to be maid of honor at Miss Miss Johnson's wedding, Saturday evening. * * Mrs. David Swain Jr., and Miss Patia Carver wore hostesses for a pretty bridge party given Thursday night, at Mrs. Swain’s home, 1701 N. Capitol Ave., for Miss Mildred
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Brosnan and Miss Betty Brubaker, brides-elect. At serving time the tables were decorated with pink and lavender tapers. Miss Irene Seuel, In gypsy costume, presented a shower of linen to each of the honor guests. * * * Mrs. Bryan Broadfoot of Philadelphia, Pa., is the house guest of Miss Mabel Gasaw’ay, 1131 N. Delaware St. * • • Mrs. James Taylor, 1808 N. Pennsylvania St., a member of the city plan commission, one of the delegates to the national convention of city planners at St. Petersburg, Fla., has returned home. * * * Mrs. William Drapier of New York will arrive soon to he the guest of her mother, Mrs. Kate Applegate, Ardmore Apts. * * * The Bel Canto Club will hold its April meeting Sunday, at 3 p. m., with Miss Mildred Williamson, 418 N. Riley Ave. A short business meeting will be followed by a program of vocal numbers. Mr. Ernest Heberlein will tell the story of “II Travator.” Singers on the program will be the Misses Dorothy Saltsman, Gertrude Shoemaker, Vittoria Poggiana, Martha Killion, Mable Le Fevre, Adelaide Conte and Gertrude Conte. * * * frrnr. Robert S. Kinnard, vocalist, accompanied by Mrs. William Herbert Gibbs, entertained with several selections at the May Wright Sewall State Council of Women at the Lincoln today. Community singing was led by a quartet, Mesdames Frank Met’a si in, Franjv C. Walker, Robert AY ilson and Harry L. Foreman, accompanied by Mrs. M. D. Did way. • * * An important business meeting will be held tonight by the Alpha chapter of Xi Delta Xi sorority at the home of Miss Gertrude Simpson, 4524 Winthrop Ave. Final arrangements will be made for the bridge ami bunco party to be given at the Hoosier Athletic Club on April 24. * * * Mrs. William Engler, 920 E. FortyNinth St., will be hostess for a luncheon of the Day Nursery Guild Wednesday. * * * The Governor Oliver Perry Morton chapter of the Daughters of the Lnion will give a chicken dinner at noon Monday at the Grand Army Clubhouse, 512 N. Illinois St. Ail Grand Army veterans are invited. * * * Mrs. Leo Neuschotz gave a pretty , luncheon party AA’ednesday afternoon in honor of Miss Edith Jacobson, 602 E. Forty-Sixth St., whose marriage to Julian Cadden will take place soon. Covers for twelve were laid at Webb's tearoom, 1300 N. Pennsylvania St. - Gifts were presented to Miss Jacobson.
A Little Journey Into a Musical World of Beth Modern and Very Ancient Thought
B.v Walter I). Hickman HERE is a pro I 'kin before me i I I every time that 1 consider L- J Nikolai SokololT and the Cleveland Orchestra. After hearing the orchestra and seeing tlie conductor, the same problem Is before me. I may expect and demand too much silent showmanship on the part of ihe conductor. When an organ teat ion is growing, it is most difficult to properly judge it. This is true with the Cleveland Orchestra, which I heard last night at ' Caleb .Mills hail, under the auspices of the Federation of Indianapolis Public School Teachers. SokololT has his own peculiar brand or method of conducting Ids How Mercolized Wax Keeps Faces Young If your skin la old looking, sallow or over-red. perched, rough, blotchy or oily—just peel it oH! Have you freckles, pimples, moth patches, liver spots? Peel them off! Us the seuslble thing to do, and simple. Just apply Mercolize-l Wax at bedtime. as you apply cold cream; wash it off in the morning. Fine, almost invisible skin particles are flecked off with the Wax. No harm. No detention indoors. No trace of the treatment itself remains. The. lively young, healthy underskin is brought gradually to view—you have the exquisite complexion of robust girl-hood. The kind wo men envy and men admire —and you easily look from ten to twenty years younger! Obtain a 95c box of Mercolized Wax from your druggist, use as directed, and you will bless the day you made the acquaintance of this wonder worker. MERCOLIZED WAX Brings out the hidden beauty
TJer' 7 Ozcm - QJcLy' A STORY OF A GIRL of TODAY THE FINISHING TOUCH Even when, soon after, Madame Seria introduced me to Mr. Tremaine and graciously consented to chaperon me at dinner that night, I did not suspect anything. Os course I knew that Lola Lawrence did not come to the shop any more and it never entered my mind that Mr. Tremaine and Miss Lawrence had broken with each other. I knew that Mr. Tremaine liked Madame Seria very much, consequently there seeeined nothing out of place when he invited us to dinner. As soon as Mr. Tremaine left the shop, Madame asked me if I had a pretty evening frock. I told her that I did not have one, pretty or otherwise. We went into the large room where the stock was kept and she looked the dresses over critically. She finally picked out a gorgeous black velvet dinner dress, very decollete. I had worn that dress once for- Lola Lawrence and Mr. Tremaine had been with her and I remember feeling perfectly naked. Madame, however, seemed to think it was all right, for she said: “1 think, Mamie, this with that ermine wrap will look lovely on you and I'll lend it to you for the evening, my dear.” ‘‘Dear Madame Seria,” I said tremblingly. “I know it is perfectly sweet of you to deck me out so wonderfully, but I wouldn't feel at ah comfortable in the black gown. 1 am sure I have nothing of my own that is good enough if that black velvet Is suitable, but may I wear that charming little silver tissue frock with its sleeveless blouse and pleated ' skirt, and its silyer ec.it trimmed with sealskin I stripes around the bottom?” For answer Madame Seria called | a maid and in a few minutes I had | on the very latest gown that | Madame had received from tlie j customs house. ‘‘Are you sure you want to lend it to me. Madame? Peril: ps it will be a good advertisement,” I added. 1 did not know that that costume had already been sold as Mr. Tremaine had left an order with Madame that I was to have any eve- ' ning costume in the establishment that 1 might choose. (Copyright, 1926, XEA Service, Inc.) NEXT —In Fool's I’aiadise.
orchestra. He is very much alive on the stand. He attempts lo express every mood with his face, his hands, his body, and at times 1 wish that a screen was before him. because l.c demanded too much of my attention. lie seems to work as hard to get his qui‘-t tones as lie does great volume, and yet his programs In Indianapolis appear to run to volume and crashes. SokololT will rise! or fall by his method of conducting an orchestra and it wjll not he the music critic which will make him or break him. It will tie his modern public, the public that desires intimate contact with a conductor. If something goes wrong, like Iwtcii stage whistling which happened last night during a more quiet moment of the very troublesome "A Victory Ball.” SokololT assures the audience that the whistling was not a part of the program. Such a remark received spirited applause. I noticed Inst, night that gokoloff lias his own method of quieting an audience. No audience can control coughing or they don't. It can be done. Sokoloft will not start a number if there is noise in his audience. And yet tnis very method of this conductor does not get the needed result, been use it directs attention upon the audience and not (he orA symphony eoticeri' to be a success must have many elements. A conductor must so control everything to the point that nobody can determine at the time that the conductor is controlling. That is my idaa. ** Sokoloft has a better and a more responseve orchestra than he had last season. His over-expressed method of conducting is his own. He is lighting for a place of continual recognition of the Cleveland Orchestra. The future, and only the future, W’ill tell the place of this orchestra and this conductor. Sokoloff's programs are daring. He opened with Wagner and then
THE INDIANAPOLIS TIMES
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went into “Sympathy No. 6, Pathetic Li. .Minor, Op. 74.” by Tschai- I kowsky, which was interestingly j played by the orchestra and with a ' lot of emotional conducting on the part of SokololT. • The second part opened with two , modern numbers, "A Victory Ball,” ! by Krncst Schilling (either noise or modern art) and "Legendc,” by I.ia doff, which showed that SokololT could get beautiful coloring and quiet. impressive moods from his or ganisrition. The Hum 1 listed 'number w as a wild thing called “Polovtsian Dance,” by Borodin. And this man, Sokoioff. Is to me one of tlie most baffling problems that I have to encounter. And yet in years to come he may be the needed llaino in orchestral conducting. I admit that I do not know today. .;. -1- .|. HERE IS A STI 1 IN REAL PERSONALITY A personality is the big thing these days when it comes to putting over anything on the stage. And when an act numbers people who realize this, we are sure of entertainment of a very high order. In Tempest and Dickinson, at the I’a lace today and tomorrow, this couple, with M. George Harris at the piano, provides a brand of fun having tin intimate quality which goes over big. Miss Harris is at her best in a song about the "Yesterdays of Broadway.' lionicr Dickinson seemingly takes it for granted that everyone is a pei sonal friend, and in this vein talks his way into the liking of his hearers. Harris, at the piano, besides being a line accompanist, takes the rough end of the many “cracks” directed at him, and Is good for many laughs. The English Mascots is a group of eight girls who specialize In formation dances and a man and woman dancing team who are excellent in acrobatic dances. The two features of the act. are a formation dance of the wooden soldiers by the eight girls and an Apache dance by the team. They are all good dttticers and are good to look upon. “Al’s Here” is the name of an act that will take many of the masculine members of the audience back several years in memory. It is an exact replica of the famous old corner saloon. In the act we also get a song that will never die out. They sing “Sweet Adeline" with all the old time pep and feeling. The Ward Brothers burlesque, a pair of Englishmen, who have been playing poker. Their humour Is centered on the apparent dumbness of one of the men. Galliek and Clarett open the bill with one of the best skating acts we have ever seen. They are fast and clever. Included on the bill is a photoplay, “Free to T.ove.” with Clara I’ow and a News Reel. At the Palace today and tomorrow. (By the Observer.) -I- -I- -iIndianapoUs theaters today offer: Venita Gould at Keith's; “Broadway Flashes” at the Lyric; "Kiki ’ at the Circle; “Morals for Men” at the Ohio; “Skinner’s Dress Suit” at the Colonial; “The Phantom Express” at the Lsis; "The Big Parade” at English's: "For Heaven's Sake” at the Aplllo and burlesque at the Broadway.
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Martha Lee Says < ■ ■ BELIEVING NECESSARY AS BREATHING TO MAN Seeing is not always believing—but believing is always seeing. Believing is seeing the fruition of hope, ambition, desire. Blief is the steady white flame in the darkness.
We are born with the power to believe. When we are children we believe everything. We believe in the immortality of everything and everybody we love. We believe in their perfection, too. Gradually as we grow older these tremendous beliefs are sloughed off by disappointments, disillusionments —the feet of clay on the gods and goddesses. But the remarkable thing about it is, that for every belief that is dropped, another springs alive in Its place. A veritable headless genii, forever coming to our rescue, for without belief in SOMETHING we would all turn mad. I am amused by the persons, young and old. who profess to being so blase as to be totally without belief in anything. A constant skeptic. THERE IS NO SUCH THING. They may turn their believing power away from God, away from all things higher than themselves, but they do believe in something, man or beast, creed or philosophy, because belief is born in us and we must exercise it. as we breathe to live,’’ as Corra Harris writes.
The Pit of Despair Dear Mis* Lee: I know most people r.Rk you for advice about thoir love affairs. But I will not do that. I haven’t any. I don't want any. I don't believe in love or anythin* pertaining to it. What I want you to help me in is to tell me whether there is anythin* worthwhile in all the world. I've about derided that everythin* and everybody's a sham and a hypocrite, and that I myself am the only person I ran trust. Is this true or am 1 just *oin* through one of those periods of soul-sickness! D. D. That you have the mentality to perceive that you are going through one of those periods of soul-sickness is an encouragement to me. Now here's one for you: You believe in me or you would not have written to me. That's one start toward the goal of faith. Another is that you believe in yourself, because you have admitted this fact. When you cease to believe in Something. D. D.. then you will cease to have brain throbs at all. You are just having growing pains. You have been disap-
pointed In someone you love. You have found the feet of clay. But that is why humanity is so loveable; because every one has feet of clay. Soul-sickness is like smallpox—excellent to produce immunity, terrible while you go through it, and terrible if it leaves you pock-marked. Every experience, good, bad or indifferent is enriching, if you will only let it be. You must learn not to turn bitter at the core—you will sour the whole apple. Cruel Husband Mrs. R. A. H.: I think you are justified in leaving him, yes. But I notice he has been careful to give you no loop-hole to bring suit for the custody of your children. And if you are the sort of woman I imagine, he may very well do what he says he will in torturing your mother-heart. This tragedy is on
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your father’s head. Your husband is a bully. And" bullies always have vulnerable spots in their armor ot cruelty. Find his. Stand up to him mentally and physically. Don't take anything from him. If he resorts to physical violence, you have grounds for divorce. If he does not, you will conquer him sooner or later.
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