Indianapolis Times, Volume 36, Number 158, Indianapolis, Marion County, 11 November 1924 — Page 3

TUESDAY, NOT. 11, 1924

Page Sherlock Holmes, He Is Needed; Don’t Dare to Miss Seeing Pepito

By WALTER D. HICKMAN |>n rj HERE, oh whi're, is that guy, [Yy Sherlock Holmes? 1 I never needed him so badly as I did last night during the three acts of ‘‘ln the Next Room.” a mystery play in three acts and one million shocks by Eleanor Robson and Hariiet Ford. Here is a mystery puzzle that is about as exciting as the best crossword puzzle ever invented. This play is full of shocks, mystery, love, deaths, poison, mixing up of characters, strange faces at the window and everything that is needed in a real blood-chilling drammer. Oh, me: oh, my; page that man Sherlock Holmes before you*go to the Murat today or Wednesday, because vou will need some aid. This show has been so Cleverly written and so splendidly acted that I am sure that nobody gets wise to hostile whole affair, is going to be solved. You have two murders, all in the first act. The murdering all happens in the next room and in the second and third acts, when the audience gets into the other room, well, you don’t know any more about it until the last two seconds before the curtain goes down. If you liked “The Bat” and “Cat and the Canary.” you are going to love this one, although It will shock you to death. I love good mystery plays. I do not want anybody to tip me off about the mystery and I am not going to tell you any more of the story. All you have to do is to go to the Murat ard have the grandest thrill you have had in years.

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From a play construction point the play is masterful. And the acting conies right up to the standard of the stagecraft used in writing this thriller. If you love to feel the chills run up and down your back, then go s o this one. I had the time of my life being shocked at the Murat last night. The Cast Here is an acting cast that is so good that the audience, after the first act. applauded nearly all the exits of the actors. You will not always recognize Fred L. Tiden, ‘he featured player, but when you get wise to him, you are going to witness some of the finest character acting you have seen in many, many moons. The cast; Philip Vantine H. Lansrdon Bnu-e 1.0r,a Webster. His Niece Betty Linley James Godfrey Arthur Albertson Itoners (Yaltine's Footman I Morris Ankrum Porks i Valtine's Butler) ... George Riddell! Felix- Arrnaud D. D FreefiPt Inspector Grady (of the New York Detective Service) .. . John M. Kline Simmonds. His Assistant. Phil M. Sheridan Time Morel, a Policeman .William J. Kline Madame de Charriere. . . .Kamos Goodrich Julia. Her Mold Viru'iiiia Gregory Colonel Piireot Fred I. Tiden j \Ye are familiar with the work of Arthur Albertson, who has been j with Stuart Walker here. He does his part with quiet ease and does very well in keeping you under the j spell of the narcotics of the play. ; Splendid is the work of Tiden, II : Langdon Bruce George Riddell and ; John M. Gline, but heading them all is the work of Tilden. Go to the Murat today or Wednes- j day and see “In the Next Room.” J I even take the liberty to urge yolir j

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attendance upon this mysterious proceeding. At the Murat today and Wednesday. 4- I- -INEW HINT & CLOWN GREETS TWO 4T KEITH’S A man holds out his left hand. On his thumb and first finger he paints the red of a mouth, two dots for eyes and a line for a nose. He places a bunch of hair to resemble a head on the left hand and after forming- a perfect doll’s head with his hand he puts it on the body of a doll. It is then that Pepito, Spanish clown, does his imitation of a ventriloquist. This is the first time that Pepito has been at Keith’s. M paratus on which up his act "he ride i ab 1 c y cle, tho WILL M. smallest one I CRESSY have ever seen; it would make a splendid watch fob. He also intro duces you to a woman and two male assistants. Here is really a splendii showman. Easily the h i of a whale of a big bill at Keith's this week. Nonette is both an artist and a showman. She knows how to put the fireworks into her violin pru gram. She actually stops the show because she knows all tho tricks of tho trade. Jerry Jarnlgan is at the piano. He wins also. Irene Ricardo Is remembere 1 from a Mg musical revue of last season, she is still doing the "Whoa Paeliaccl” number, which is still a comedy hit. She changes her cos tumes for each song number. M'ss Ricardo fits right into vaudeville because she offers something that is efferent. Am quite wild about h-r work. One reason why you should not miss Keith’s this week. Will M. Ure-sv and Blanche Dayne ..re seen in a little Hampshire sketch ■ •ailed “The Village Ikiwyer.” It has many laughs and belongs to the better and more homely things on •he stag" Ruby Royce and sister in the second spot do a most remarkable thing They actually stop the show with

THE INDIANAPOLIS TIMES

their dancing impressions. These women have “mean” dancing feet, as they say in the. language of the day. A splendid act, full of class and merit. Joe and Willie Hale open the show wdth some good comedy chatter while they poke fun at their own juggling. The Wilson brothers visit us each year. They still have to sing three or four encores. Oakes and De Lour, with the aid of Jane Lassie, close the bill with a dance offei-ing. To my way of thinking, Keith’s is handing out the real vaudeville article this week. It is a knockout of a show. The best all-round bill of the season. Not going wild, but am telling you something that the w'hole town is going to be saying before the week is much older. At Keith’s all week. -I- -I- -I----HI ELI AM lIAS NEW IDEA FOR PIANO ALT If the program at the Palace stated that B. C. Hilliam would present a piano act with a few assistants, I suspect that no one would get excited and Hilliam would not have headline spot. But Hilliam has used his head and has turned out a pianologue act which is different. Hilliam walks on the stage like he owns the place and starts to explain what it is all about. He does some imitations on the piano and then introduces his “dears." six women who sing. Those girls are fairly talented but it is the material that Hilliam has given them that makes the act the real hit of the bill. His “Three Blind Mice" number Is a classic, made so by the way he has developed the idea and then presented it. There is lot of class to this act. It gives one a thrill to see something new on the stage. The Four Dancing Daisies go in for hard shoe and eccentric dancing. A good act. Officer Hyman, wearing a uniform which he wore for twenty-five years (not the same one but one like it) tells of h;s experiences on the New York police force. It is the uniform which puts over the act. He sings a wee bit and dances less. Alexander Brothers and Evelyn are present In their hall juggling act. These three are really wonderful .11 their line of work. It takes the audience some time to get warmed up to the act, but It has great merit. Charles Hem and company in "The A uto Brokers ' have one of those regulation non Interesting vaudeville acts. Why, Oh why, do they wish this sort of sketch on vaudeville? The same old pattern, minus the punch. The movie feature is Hebe Daniels and Norman Kerry in “Daring Youth." At the Palace today and Wednesday. •I-!• I--1,1 Kl< If \> \ RE \L NOVELTY \( T TODAY Madame Tenkatsu and her Japs, (he featured act at the Lyric this week, proved to 1-e a pleasing diversion in llie way of entertainment. The net starts with tricks and magic, people are made to appear from seemingly nothing. The cleverest thing in this line was when Madame Tenkatsu played v.ith columns of water, making them spring from all sort 1 , of places. The eight geisha girls introduces ;i new type of dancing. Bandy Lang and company have a skating act that is full of grace. It seems a. very difficult thing to me for any one to dance with a pair of rol ler skates on. but in this act this was done, and done in a way that quite takes away the Idea that skates are just a medium ort which to do tricks. It Is staged well. Dana and Mack have a clever little act. It is a parody on the old tale of Little Red Riding Hood There axe some very clever remarks made in this. The two of them also dance. One rather smart dance they did, called King Tuts Glmrnie Dance. Well done. In Janis and ('haplow the fun Is all centered on the f;ict that the man has advertised for a woman to make up the other half of a vaudeville team. The woman takes the parr of a stage struck girl from out In the wilds. She does it well. Tinman plays a violin solo and imitates a bugle on the violin. His rendition of a bugle call, jazed lip, wits clever Denial re and Ralston have a blackface comedy act which la amusing eomttimes, hut gets drnggy also at times. The man’s struggle In an effort to decipher si letter is comicalThe act. is good fun. The bill Includes Frank Le Dent and partner, jugglers, and McGreery and Jefferies in a rube act. At the Lyric all week.—(By the Observer.) Other theaters today are offering; “The Female," at the Ohio; “Yolanda,” at the Circle; “Merton of the Movies,” at the Apollo; “It Ts the

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Law,” at Mister Smith’s, and movies at the Isis. On Wednesday afternoon and night at English’s, Neil O’Brien’s Minstrels will be on view.

Gone, but Not Forgotten

Automobiles reported stolen . belong to: C. B. Culp, 2444 Bellefontaine St., Ford, from i-ear of residence. Orval Miller, 230 McKim St., Overland, from Meridian and Maryland Sts. David Sablosky, 4240 Carrollton Ave., Hupmobile, from Market and Delaware Sts. Ped C. Brown, 41 W. Thirty-Fifth St., Chevrolet, from Kentucky Ave. and Maryland Sts. Wilbert C. Malone, New Palestine, Ind., Ford, from S. Delaware St. and Union Station elevation. Everett C. Storey, 657 E. Thirteenth St., Chevrolet, from in front of same. E. M. O’Neal, Connersville, Ind., Overland from Capitol Ave. and Market Sts. John R. Sentney. 920 E. Fortieth St., Moon, from 3727 Central Ave. RACK HOME AGAIN Automobiles reported found belong to: It. O. Johnston, Rink apartments,

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What I Like Best on Stage Fred L. Tiden, because of his careful and splendid character work in “In the Next Room.” At the Murat. Pepito, Spanish clown, because he shows that even a clown must have great artistry to be a great clown. At Keith’s. B. C. Hilliam, because he has had the nerve and brains to give us something entirely new’ in a piano routine act. At the Palace. \ Nonette, because she is a great little showman and know's when to stick in the firew'orks. At Keith’s. Madame Tenkatsu, because of her stunts in magic. At the Lyric. (Choice of the Observer.)

Chrysler, found at Tenth St. and Indiana Ave. Hiller Office Supply Company, 28 S. Pennsylvania St., Chevrolet, found at Meridian and Maryland Sts. Mora lb to Re Discussed Dr. Samuel McChord Crothers, essayist, will lecture at All Souls Unitarian Church Thursday night on “The Advancing Frontiers of Morals.”

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