Indianapolis Times, Volume 35, Number 227, Indianapolis, Marion County, 4 February 1924 — Page 7

Mt>J!!DAT, FEB. 4,1924

‘Scaramouche’ Is a Screen Triumph; Normand Returns to Straight Comedy

By WALTER D. HICKMAN Supremacy of American made movies is proven by Rex Ingram’s production of “Scaramouche.” The directing genius of Ingram has never been abetter reflected than in “Scaramouche,” which opened a week's engage ment at It is true that the story is not American in theme as it concerns the French revolution as picnovel. "Scar amou c h e.” The theme of the story RAMON as filmed rests NOVARRO upon two resolutions of AndreLouis Moreau, a law student. Moreau’s two passions of life were to revenge the deafh of his friend at the hands of the Marquis d' Azyr and to win the love of Aline Da Kercadiou. These two purposes of his life fit in with the revolutionary theme of the story. Ingram has wisely centered the interest upon the romantic life of Moreau instead of allowing the bloody background of the French revolution to dominate the story. I received the impression that Moreau’s passion for liberty and justice was a symbol of j the French revolution. One becomes i interested in the French revolution because it is the background which brings to a climax the great love of Moreau for justice and a woman. This Movie Wins I’raise of the American Public It is difficult for me to approach this photoplay, because it can be considered from many viewpoints. I will first take it from the viewpoint of a production. “Scaramouche” la a gigantic movie from a production and 1 cast standpoint. Thousands of people j were used in the mob scenes. An entire section of Paris had to be built, including castles, palaces, streets, a public square, other sections of France where the wanderings of j Moreau took him and many historical I places, including a Paris theater and j the Assembly. Never has any director handled the mob scenes better than Ingram has done. We have been accustomed to turn our attention to Europe for this talent, but Ingram is just as much of j a master, and even more so, than ajiy 1 European director. Some of the scenes are so gigantic j that one becomes breathless in watch- j ing the march of tragic and romantic events. I am told that 10,000 people j appear in this picture, including thirty principal players. The production staff numbered 34 assistant directors, 8 research experts, 22 cameramen, 23 property men, 65 electricians, 53 costumers and 54 wig makers. Splendid Character Work Contributed by Big Cast Remarkable character work is contributed by Ramon Novarro, Alice j Terry, Lewis Stone and many others, j The acting equals the productive j genius of Ingram. No better screen i acting is visible today. This picture is of such importance ' that I list the chief roles and the ; players as follows: * Andre-Lonts Mortau Ramon Novarro Aline de Kercadiou Alice Terry j The Marquis de la Tour d'Azyr.-Lewis Stone j Quintln de Kercadiou .... Lloyd Ingraham The Countess Therese de Plougastel. . -• Julia S wayne Gordon j The Chevalier de ChabrUlane William Humphrey Philippe de Vilmortn Otto Matiesen Georges Jacques Danton. . .George Siegmann Le Chapeiter Bowditch Turner Challfau Binet James Marcus Climene Binet . Edith Allen Madame Binet Lydia Teamans Titus Polichinelle John George Rhodomont Nelson McDowell Maximillen Robespierre De Garcia Fuerburg Jean Paul Marat Rov Coulson Louis XVI Edwin Arsrus Marie Antoinette Clotildo Delano The King's Lieutenant . ...Wilard Lee Hall A Lieutenant of Artillery Napoleon Bonaparte Count Dupuve Lorimer Johnston j A Minister to the King. . . Edward Conne.llv Vineount d' Albert Howard Gaye ) Monsieur Benoit > J. Edwin Brown i Madame Benoit Carrie Clark Ward j Jacques Edward Coxen Gamekeeper William Dyer La Revolte Rose Diene A Student of Rennes Arthur Jasmine Keepers of the Paris Gate Tom Kennedy Kala Pasha i I can not over praise "Scaramouche.” No one can do that. Here Is a picture which truly deserves the title of being a gigantic masterpiece. 1 have seldom enjoyed a photoplay as I did this one. You have before you. I am sure, one of your most pleasant and in- j teresting theatrical experiences—that of visiting English’s this week to see * Scaramouche.” A matinee and night performance will be given dally this week at English’s. !- •!- -INORMAND BIDS FOR FAVOR IN NEW COMEDY, “EXTRA GIRL” So there can be no misunderstanding of my individual idea regarding ; photoplays, let me state in the be- j ginning that a movie should be judged j on its own merits and not by notoriety j of a player. I do not excuse murder or 1m- j morality on the part of anyone, but I do insist that *T r a photoplay . should not be . m * condemned he- / .fc/SL cause of alleged scandal and noV tcriety surround „ wMm&f ,n e a player. I - g am willing to let the courts indict am concerned ' With “The Extra. on ‘y as a screen ‘ * * come <tian. I right on this WILL position. I make 1 ROGERS r.o excuses for Norm and’s notoriety. I am concerned only today with her work In “The Extra Girl,” now on view at the Ohio. In this movie, which was made months before Mabel broke Into the headlines. Mabel plays a straight comedy character. At times it is eccentric roakum, but “The Extra Girl” has =ome delicious old , fashioned comedy moments. Mabel plays the role of a smalltown girl who is as ugly as a “mud fence.” By a trick Mabel suddenly Is declared the winner of a movie beauty contest of a small-town paper. Mabel dreams of the days when ahe will

become a great star. In the end she winds up a checker in the wardrobe part of a studio. She is just an extra girl. The biggest comedy bunch of the movie happens when a real lion is substituted for a fake stage lion. Here is some real fun, when Mabel leads the real lion all over the movie lot. This picture brings Mabel back to a straight comedy role, full of hoakum and real comedy possibilities. Good for many laugs on its own merit. Another comedy feature of the bill is Will Rogers in “The Cowboy Sheik.” The bill includes music and a weekly. At the Ohio all week. •I- -I- -I“HER TEMPORARY HUSBAND” HAS REAL FUN IN IT There is real fun in “Her Temporary Husband,” a movie now on view at the Circle. Interest does not center on the cast but the story. The cast includes names which are not sneezed at, but the weight of the fun of the story overshadows the players. The in§&PHESBHK|kI eludes si: h in: ”** port ant names as Sydney Chaplin. vyaß dwen Mor.re ai. l ?i'jgHHaraPE? t?yi\;a B'.vamer Chaplin. in the • role of Judd, a I <BwS servant. nearly WgF I walks away with ** the comedy honKBV ors of the movie. This ‘'' ' ! :l r ' 'jijfe./*%£*:•■. ' >--* w JH are three men With whiskers who look as If SYLVIA they might belong BREAMER to the famous . Smith family of coughdrop fame. The story centers about a young girl who must marry a wealthy man within twenty-four hours after the reading of a will if she is to be the only heir. Moore decides he is going to marry the girl. The girl decides to marry an aged man who is ill at a hospital. Moore decides to impersonate this o]d guy, whiskers and sll. He marries the girl in such a disguise. Then he finds that he is the object of a conspiracy. Am sure you will find “Her Temporary Husband” to be filled with some of the finest and best fun you have run across on the screen for many months. This movie gathers the laughs easily. When I was present at the Circle yesterday the audi-

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ence was howling instead of laughing. Rather think this movie will go own in 1924 movie history as one of the best of the lighter screen offerings. Here is swift moving fun. Not the same old brand of fun so often dished up. but a good story well acted. Bakaleinikoff made his first appearance yesterday at the Circle at the conductor’s stand of this great theater’s orchestra. The overture is "Raymond.” I will have more to say about him in a few days. There is a scenic novelty, “Frogland,” on the Circle’s bill which Is unusual. It is clever satire done in a new way. The bill includes a weekly and a comedy, “’Stay Single.” At the Circle all week. -I- -I- -IA HOUSEWIFE WRITES A MOVIE BEST SELLER; NOW AT APOLIX) A housewife has turned out what exhibitors are proud to call a “movie best seller.” Her name is Ethyl Styles Middleton.

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Her first moviq story is “Judgment of the Storm.” On view at the Apollo. It is my Impression that this woman has for some time carefully studied not only what makes good mince pies, but what should be put into a movie to get action and interest. "Judgment of the Storm” is not a great story from a literary standpoint. It is not Theater Guild atmosphere. But—it possesses the power to keep one Interested. Some of the situations are impossible, but, running through the entire movie, is evidence that this woman knows how to create popular stuff. This movie might be called a sort of a mince pie movie as everything has been used but the kitchen sink. She employs love interest with effect; she then her hero sacrifice himself because his dearest friend was killed In a gambling house which he later discovers belonged to his mother. This situation gives the author a chance to turn loose a real snowstorm. She also employs a sure weapon to gain interest—the fight of mothers to protect their children. Such a mixture of elements, of course at times rather makes one realize that the story is theatrical, but she has used these forces so freely that one must admit that this

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story does gain and hold interest. I have no doubt that Ethel Middleton’s name "will be one to be considered In the future, as she seems to have a splendid knowledge of all the tricks of the trade. The cast used in putting over the story includes Lloyd Hughes, Lucille Rickson, George l Hackathorn, Myrtle Stegman, Claire McDowell and others. The bill includes an Our Gang comedy, Jack Tilson In songs and Virgil Moore’s orchestra. At the Apollo all week. -I- -I- -I-OLD-TIME WESTERN DAYS PICTURED IN MOVIE AT ISIS Ye old-time Wild West, with lots of quick-drawing, straight shooting, harddrinking and hardriding "cow men” is to be seen in “The Man From Wyoming,” starring Jack Hoxie, at the Isis for the first half of the week. Hoxie, a.s Ned Bannister, an escaped convict, who, of course, was put behind ‘he bars by mistake, falls heir to all the troubles that befall a sheepherder when among cow men, through the machinations of the villain, Jack Holloway, played by Claude Payton. Follows knockdown, drageut fights, pistol battles and mob scenes. The action is realistic and the fights are

WEEKLY Business and Industrial NEWS

STEADY RECOVERY AMONG RAILROADS NOTED BY HANEY Economist Declares Cummins Consolidation Plan Is Impractical, By DR. L. H. HANEY. Director of the Bureau of Business Research, New Y'ork University. NEW YORK, Feb. 2.—Under private operation and the beneficial effects of the transportation act of 1920, the railways of the country are gradually coming back. They are not yet prosperous as a whole, and conditions ars not bright in New England or in the Southwest, but there is a general Improvement. From the latest monthly reports of the I. C. C. I take the following figures, and will attempt to present a clear picture of conditions as they were at the close of 1923. 1 will conclude with an observation or two on recent proposal for regulation. In November, 1933, the total operating revenue was considerably greater than in the same month of 1922 $531,000,000 against $523,000,000. The total operating expense, however, were also greater, though the Increase was only from $405,000,000 to $406,000,000. I find that in November the density of freight traffic (that Is, the tonnage per mile of line) was but little greater than In the preceding year. The volume of traffic for the year was great, hut It fell off sharply at the end, and Its trend during 1924 is very balanced. The average number of miles per day made by freight cars increased from 27.1 in November, 1922, to 29.1 in November, 1923. One of the most hopeful developments Is the cutting, down of expense which is shown by the averages. All the chief items of cost in hauling freight when figured on a mileage basis were down, except locomotive repairs, Rnd that item's increase may be due to the effort to get the engines ; in better shape. Altogether the outlook is encourag-

PUBLIC EDUCATED TO BETTER CREAM Ice Cream Industry Becomes One of Specialization, There are eggs and fresh eggs and strictly fresh eggs, and the general public has come to know the varying values of the different classifications. Likewise there are different kinds of ice cream, and a discriminating public has come to know the distinction between ordinary ice cream and good ice cream. The Browder Ice Cream Company, 918 N. Senate Ave., makes a specialty of ice cream for parties and other social events. Ice cream In Individual styles for social functions has brought many “repeat” orders to the company, according to J. B. Browder, proprietor of the business. The company has built its business upon the theory that people want good Ice cream, and Us efforts to make a palatable cream have been rewarded with an increasing trade from those who have developed a discriminating taste. The Browder Company is making preparations for the rush of summer business, taking advamage of the lull after the mid-winter holidays. Brow der Is equipped to fill orders of any size and to furnish individual styles of service for social gatherings.

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fearful. In one scene Hoxie throws Payton through a locked door, and the pummellng does not cease as the two roll head-over-heels downstairs. Lillian Rich, as Helen Messiter. the heroine, has some strenuous sessions herself with the villain. The corn-fed one, in "A Corn-fed Sleuth,” is an extremely tall man who plays the part of an over-grown kid. Beginning Thursday the feature picture will be "A Million to Burn,” featuring Herbert Rawllnson. The comedy will be an Eddie Lyons production, “Seeing Double.” (By Observer.) -I- -I- -I“BLACK OXEN” COMMANDS ATTENTION AT MISTER SMITH’S The movie version of Gertrude Atherton’s “Black Oxen” Is on view at Mister Smith’s this week, with Corinne Griffith and Conway Tearle in the chief roles. In our first review of this movie it was found to follow the story very closely, with the exception of the ending. It is interesting entertainment and a well-directed film. * ‘l’ -I' -IOther attractions on view today Include: Restelli, Italian juggler, at Keith’s: “In Transylvania,” at the Lyric: Benny Barton’s Revue, at the Palace; "Laffin Thru,” at the Lincoln

lng. The railways will not have earned a fair return in 1923, but the chances are good that they may come up to the 6% per cent which the commission has found to be a reasonable return. To sum upt 1. The Senators who demand lower freight rates are insincere. The facts do not Justify lower rates yet. 2. The situation In the Southweet and In New England shows the dangers of the consolidation plan. How Is Senator Cummins going to make rates uniform when the railways are so unequal? Do the people of the Middle West, the Pacific Coast, and the Atlantic States want to make up the deficits of the railways In other sections? SULPHUR BATHS PREVENT COLDS Other Ailments Also Relieved —lnfluenza Preventive, i Some residents of Indianapolis wait until an ailment calls their attention to the state of their health. Others, more careful as to the condition of their bodies, take preventive measure* to ward off colds, Influenza and other ills prevalent at this season of the year. Among the patrons of the medicated sulphur baths operated by Mr. and Mrs. K. E. Lynn, at 91914 N. New Jersey St., are many who take sulphur baths and other treatments offered by the Lynn Institution aa a preventive. The Lynns make use of bath cabinets and they are equipped to treat persons who have Impairments that are due to poor blood circulation. Just now they have a number of influenza sufferers and these patrons are recommending the baths because of the relief that has come as the result of the baths. Especial care is taken by Mr. and Mrs. Lynn to treat their patrons in such a manner that there is no danger of their becoming subject to colds after they have undergone a cabinet bath. The baths are effective in driving toxins from the body through the pores of the skin.

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