Indianapolis Times, Volume 35, Number 210, Indianapolis, Marion County, 15 January 1924 — Page 3
TUESDAY, JAN. 15, 1924
SKORTRIDGE HIGH SCHOOL ROLL OF HONOR NAMES 213 Students With Grades of 95 or Over for Month Are Chosen, The honor roll of Shortridge High School bears the names of 213 pupils who made a grade of ninety-five or over for the past month's work. “A plus” grade students: l*iln Armstrong. Paul Bartlett. Helen B- hfnian. Be’.ty Brown. Anna Car.-on. Lori n,la Cottinghum. Margaret Elrod, Margaret Fred Hetherington. Morris Houghton, Tttnnetla Jungelaus. Rose Mary Kelley. Elliot Kelso. Bonna Lees, Nancy Lilchtenbere. Betty Anne Miller Mary McCormick. Mary McDonald. Katherine MeLandress. Mary Lee Orloff. Emily Pond. Waide Price. Naomi Saunders. Eunice Schmidt, Frances Shera. Marcella Taylor. Guernsey Van Riper, Ruth Woemper, Margaret Woessner. Jack Wright. “A grade” students: Margaret Albertsmeyer, Madeline Alig. Russel Arbuckle. Hamilton Armisted. Aaron Arnold. Helen Ashmore. Alice Atwood, Addie Ay line, Fred Baumgartner. Vivian Burg. Irene Bishop. Barbara Biatt. William Bridgeman, Frieda _ Brill, Virginia Brookbank, David Brown. Jessie Brunei!, Dorothea Canfield. Charles Carll. Mary Carter. Rachel Cawdell, Margaret Chandler. Ed Chapman. Amelia Clark, Margaret Clinton. Minniebell Cochrane, Marcus Cohen. Audrey Collins. Margaret Cook. Mildred Cooke. Margaret Coombs, Ruby Creger. IjjHen Danner, Louise Danner, Norma Davidson. Martha Dean. Gladys Denison. George Dirks Howard Dirks, Irme Dirks. Carol Donahue. Marjorie Douglas. Thomas Dyer. Frieda Easton. Kathryn Elzea. Elma Ferguson. Norman Ferguson, Gertrude Fisher. Betty Fletcher, Margaret Forcht. Virginia Fort. Lucille Gaines, Emily Garret. Gertrude Gels. Walter Geisler, Betty Glass. Julia Goldherger. Frieda Goul. Gertrude Granger. Ronald Green Lucille Grepp, Eugene Reid. Jane Hall. Alice Hanna. Dorothea Haina, Ethel Harrison. Rose Hartman, Dorothy gelmer, Josephine Henderson, Kendrick Hickman. Marion Hilgenberg. Bessie Hills. Kathryn Hessong. Fletcher Hodges. Gladys Hooker. Elinor Howe. Dot Hoy, Hazel Hughes. Harlow Hvde. Hel-n Hyde, Inez Ireland. Helen Irwin. Tevie Jacobs, Mildred Jackson. Joan Johnson, Cleo Justice, Lillian Kamow. Bill Keenan. Lois Kennedy, Marianna Kennedy. Margaret Kent. Roger Kiley, Marion King. Harriet Kistner, Raymond Knapp. Hattie Krueger. Dorothy Lambert. Isabelle Layman. Ollie Lewis, Inez Lloyd, Clarence Lorash. Margaret Loer. Utice Karkus, Marion Marshall. Carol Mayborn. Virginia Metz, Mary Mintjala. Oscar Montetth. Emma Moore. Nellie Munson, Fred McAninali. Mary Louise McClure. Edwin McCormick. Helen McCoy, Dick McDowel, Arthur McLean. Eva McLeod. Betty McMahon, Helen Noble. Mildred Howard, Gladish Omakathryn. William Otto. Laura Palmer. Marian Parker Betty Ann Parrot. Mary Patrick William Pearce, Elliot Perkins. Dorothy Peterson, Dorothy Pier, Mary Planque. Jean Potter, Betty Preston, Louise Price. Elizabeth Rankin, Mable Rider. Gordan Ritter. James Dodger. Dorothy Ross, Katie Rubush. Rev a Rudy. George Russ, Martha Sehoener, Mina Sheddy. Susan Gray Shedd Jeanette Schilling. Jeanette Sheppard William Shep'cr, Nellie Sielken. Virginia Small. Laura Smith. Lucinda Smith. Rosemary Smith Elizabeth Springer. Mary Emily Starr. Jane Sutton. Hazi! Taylor. Lena Evelyn Terril, Anna Thiel. Wilma Thompson. Myra Triller, Ruth Triller, Roliand Uncapher. Catherine Van Arsdale. Edward Van Riper. Lucille Wade. Charlotte Wainbright, Joan Wall. Fred Wiber. Carleton Weiss. Jane Wells. Arta Weyant. June Weir. Ernest Williams. Anne Withers Conner Day Waif Carl Wood. Elizabeth Wood. Martha Wood. Susan Woodbury. Beatrice Yates. Service Club Elects Members Pour new members have been elected to the Service Club. They are Julian Fauvre, Herbert Jenkins, Harry Shepherd and 1 Albert Fesler. They will be introduced at luncheon Monday at the Lincoln.
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_ i | Shriners and Friends Fill Murat for Return Opening of ‘Blossom Time’
By WALTER D. HICKMAN.
OOD times are back at the (j Murat ' I I “Blossom Time” is paying its- second visit to "the Murat this week. It is still the most delightful of the musical offerings on the stage. The only difference from the other company which presented “Blossom Time” here last fall is that the cast is on record the first time 1 yw “Biossom Time” at the .ySgiS[ Murat by stating Nir that I wouldn’t *j* <**■** care to see a bet's ; • iw ter company and yet * niU9t con ' y now singing this j p. company. The cast now on view includes WUliam Kranz, Edith: WILLIAM Thayer as Mitzi. j DANFORTH Zoe Barnett as j Bellabruna, Howard Marsh as Baron Franz Schober j and Bertram Peacock as Franz Schu- i bert. This is the company, with a few exceptions, which played “Blossom ] Time” on Broadway for its longest run. Several companies have been seen in New York. I have only praise for the two companies I have seen. Miss Thayer Is .an ideal Mitzi, so sweet and lovely both in voice | and face. Miss Barnett is wonderful in everything she attempts, especially in her comedy and dramatic work in ; the second act. Her most pleasing triumph is in the last act while singing "Keep It Dark.” Peacock as Schubert gives you a complete characterization. He possesses a real voice and knows how to put over the dra- ! matic crash at the end of the second | act. Danforth walks away with the comedy honors. Here is an artist in dressing up a comedy situation in great taste. He makes a sort of a symphony out of his funmaking. That is art. Howard Marsh is an Indianapolis singer. His worth as an artist is well known in New York as well as this city. He sings with ease. He is gifted with a voice rich in tone and emotional strength. He is one of the outstanding individuals of this really great cast. It is not necessary to go into detail regarding the songs, the settings, the story and the like. Here is a great operotVi played by people who know their business. The Shriners gave a great party last night. There was not an unsold seat and standing room was used. It is going to be a big week at the MiK.it because “Blossom Time” is back. •I- -I- -!- LET IS GIVE MAKER AND BEDFORD KEYS TO OUR MIGHTY GOOD CITY Since Mayor Shank is giving the keys to the city to well-known enter-
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tainers who please their audiences.
then let Jessie Maker and William Redford hajri? keys to the old town. Miss Maker and Redford, by their natural, honest and individual work in "Rolling Stones” at Keith’s this week, win nearly all the medals* So there will be no misunderstanding—Keith’s has a corking good show this week and it is hard to pick the winner. Miss Maker and Redford have a little sketch mixed up with a song or two which comes pretty near topping the list of individual and smart material. Paul Gerard Smith wrote the sketch and the music is the work of Maker and Redford. It tells the story of a city wise guy going to the country, or, rather, he wants to put his feet on Mtdn Street instead of Broadway, and of a little country girl who leaves Main Street for Broadway. What happens is delightfully told and as smartly actqd. The vaudeville stage needs more teams like this one and more- playlets like “Rolling Stones.” There are two other outstanding features of the bill. Miss Jean Adair and company in “The Cake Eaters.” The other merit winners are Ward and Van in “Off Key.” These two men play a harp and a violin. They know the comedy Idea. She result is wonderful response on the part of the audience. “The Cake Eaters” tells the story of a mother who becomes a flapper for a night in order to save her son from marrying a real ttapper. Nice work. Miss Lindsey presents “Sultan,” a trained pony. The animal likes to clown a bit, but is rather well trained. Joe McFarlan and Johnny Palace sing as if they want to be louder than the orchestra, but volume gets applause these days. Local interest will center upon "The Royal Peacock Orchestra.” The members are young men who were recently in Indiana colleges. Myron L. Schulz is director. The boys play some wicked jazz numbers. A little
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THE INDIANAPOLIS TIMES
more banjo work would help. This is the boys’ first week in Keith vaudevlllf They should have no trouble in pleasing and making good when they get on to the demands of a variety audience. Claude and Marion are back in their eccentric act called “Still Arguing.” The last act is billed as “Miss Teria.” It is a mystery act and after seeing it I know just as much about it as I did before seeing it. Here is a show that will please the majority of variety patrons. At Keith’s all week -I- -1- -IORSERVER FINDS MIGHTY GOOD SHOW AT LYRIC Secret Service at a dairy lunch? Assuredly, since a hotel has silver service! This is the conclusion reached by Norman and Lande, variety team at the Lyric. No especial reason for placing this first, save that it is typical of the humor in the bill at the Lyric this week. If you are suffering from chapped lips, better avoid this show. There is a youngster in “Nautical Frolics.” the headliner, who should “arrive” in some musical production \vnen he grows older, for already he exhibits a startling variety of eccentric dances. The jolly “tars” entertain every moment and the act is well mounted. The "thirty pink toes” are very much in evidence as the curtain discloses the act of this name, and continue In evidence through a gbod portion of it. The touch of Mach Sennett slapstick caused uproarious mirth when we were present. A darktown foxtrot "as Is.” clever songs and dialogue of show stopping quality are provided in "Nobody’s Business,” presented by Casper and Morrisey. Then there are those clever Italians, Cervo and Moro. You will whoop at ihe antics of the violinist. The accordion player, without halting the
melody, thumbs his nose at his partner. They were called back again and again when we witnessed the performance. Mascot, a trained pony, opens the bill. The screen attraction is “Round 10” of “Fighting Blood.” (By Observer). -I- -I* -I' CHRISTIE RAISES QUESTION AT PALACE How far should eccentric fun go? That is the question that Christie of the team of Christie and McDonald raises at the Palace. Christie goes in for extreme eccentric fun-making while playing the piano. He uses a great amount, of energy but —he i fails to make an audience understand what it is all about. He goes to the limit by even walking upon the keys of the piano. He does a shimmy dance while playing. At times his face becomes extremely grotesque. It is my opinion that this young man would become a positive factor In eccentric work if he would learn when to stop. He puts out so much energy that one gets a rather nervous feeling. If Christie would “sense” his audience, I believe wo would have a “find” in his line of work because he can play the piano. He is assisted by a woman who sings ir flapper style. Harry Hayden and company appear ; n “The Love Game” in which a bashful small town lover Is taught the art of being a cave man. The Qutxy Four is a quartette. Here is a real singing organization. Selbini and Albert offer a strange mixture of athletics and bicycle riding. One member of the team impersonates a cat. The “cat” does some wild jumping about the stage. O. K. Legal opens the bill. The movie feature is “The Age of Desire " At the Palace today and Wednesday. -I- -I- -IDISCOVERED: THE GUY WHO SOLD JESSE JAMES HIS HORSE With only a slight reservation we recommend the burlesque, “Silk Stock-
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Here Is a Reason for Seeing *Blossom Time *
SHE •*> P. ’ jit
ZOE BARNETT
In £he cast of “Blossom Time” at the Murat this week is Zoe Barnett, who has been a star in musical comedies. She is one reason for visiting the Murat. ings.” A pretty show, and funny now at the Capitol. Several scenes were colorful both as to costumes and mounting. “The Sunk en Garaens” scene was of musical comedy quality. Perhaps the prettiest part of the show was the Oriental dance of the Busch sisters in this scene. They were delightful,both in the Oriental dance, and in a Spanish bit in another scene. Frank X. Silk, who admits he - s “the guy who sold Jesse James his horse," handles some amusing scenes —which he wrote—very cleverly. The audience enjoyed him hugely when we were present. We wish, however, he would replace his elaborate Joke about the location of Paris with something else. Frank Martin, Silk's accomplice in comedy, besides being funny, has a
voice. His singing is effective. Miss Ray Kossar also is a pleasing singer. If you haven’t seen a “tabloid vamp” take a good look at little Jean Carr, a little bundle of pep. An eccentric, acrobat ic sort of dance with Bob Carney is well done. Then there was the accordlan “duet” by tile Roletta boys which is sure-fire entertainment. The gentleman behind us applauded this number with almost painfui enthusiasm. As we said, we recommend “Silk Stockings.” At the Capitol all week. (By Observer.) -I- -I- -IIMPROVED COMEDY IS FOUND IN “SNAPPY SNAPS” From Spain to Scotlajid, thence by way of a New York East Side apartment house to a murder trial, is the territory covered by “Snappy Snaps,” burlesque offering at the Broadway. Although not too original, the jokes were for the most part in better taste than previous Mutual wheel attractions. Ray Read, as the janitor of the apartment, tells the world in a mournful tone that his “old gang” is now doing time in Congress. Why they don’t quit putting mock court scene:! into burlesque shows is beyond us. (By Observer.) Other attractions on view today include: “Boy of Mine,” at the Circle: “Zaza,” at the Ohio; “The Country Kid,” at the Apollo: “If Winter Comes,” at Mister Smith’s; “The Seventh Sheriff,” at the Isis, and Martine and movies at the Lincoln Square. ( Former Kokomo Policeman Dies. li)i Time* Rpecia l KOKOMO, Ind., Jan. 15.—John Bowland, 65, for many years a member of the Kokomo police department, died at his home here yesterday.
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