Indianapolis Times, Volume 35, Number 220, Indianapolis, Marion County, 23 January 1923 — Page 3

JAN. 23, 1923

Soul Rouge Is Used by Mrs. Carter to Paint the Character of Lady Catherine

By WALTER D. HICKMAN ROUGED is the face of Lady Catherine Charapion-Cheney and the false color of the cheeks and of the lips touched the soul of the lady. When winter came, the hair of Lady Catherine turned white, but she “touched it up a bit” until it became nearly flaming red. The color of her cheeks had become more than skin deep, the coloring had touched the very soul of the woman. -I- -1- -IOnly a great woman and a splendid actress, such as Mrs. Leslie Carter is, could be trusted to reflect “soul rouge.” That is the task of Mrs.

Carter in D. Somerset Maugham’s comedy, "The Circle.” Men don’t paint to cover up the claws of time and wasted energy, but the soul becomes painted just the same. Such a character is Lord Porteous, who for thirty years was the unmarried

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companion of Lady Catherine. Soul painting is engaged in by Clive Cham-pion-Cheney, whom Lady Catherine deserted without a divorce decree thirty years ago. Time has eaten into his soul. He began sowing his “wild oats” in ripe old age. The harvest had left deep furrows upon his soul. Maugham seems to have spread a "soul harvest” on his banquet table of mirth and pathos. It is delicious fun but seasoned with sadness and bitter realization. Seldom have we had more polished writing than Mr. Maugham has given us in “The Cir-' cle” and I am sure we have not had better acting than revealed by Mrs. Carter as Lady Catherine, by John Drew as Lord Porteous and by Ernest Lawford as Clive. .1 * 1 I Mrs. Carter paints the soul of Lady Catherine with as much rouge as she puts upon her face. Hideous old age mocks us from out of the eyes of Lady Catherine. She knows what it means to be a woman of broken moral and social laws. Her silly giggle is only a mask for an acking heart. It Is in the third act, when Catherine exposes the skeleton of scandal in her own life, that Mrs. Carter mounts to the great heignts of which she alone is mistress. She tells Elizabeth, the wife of Arnold ChampionCheney, what it means to run away with a man. Elizabeth was tired of i Arnold. She was in “love” with Ed- * ward Luton. Lady Catherine tells Elizabeth of the pain, the terrible pain of such an adventure. Mrs. Carter stands supreme In this scene. Only Mrs. Carter couM move an audience to tears or sincere attention as was done last night at the Murat. Only Mrs. Carter can apply rouge to the soul. Only Leslie Carter can creep into your soul and your own conscience in a comedy vehicle. You

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have finished acting at the hands of Mrs. Carter. •I- -1- + v , J And John Drew, w hat about him? | As finished as is the work of Mrs. Carter. is that of this distinguished man of the stage. He. by a few simple strokes, paints a character with • “soul rouge” with as much artistry as Mrs. Carter. One can think back over the many years Mr. Drew has been on the stage. At liis years, he ! is giving his very best as Lord For- ! | teous whose false teeth does not fit jhim and whose experiences in “love” i have not been profitable. I can not refrain from paying equal tribute to the work of Ernest Lawford as Lady Catherine’s first | mate in proper matrimony. Here you i ! will find delicious coloring and polished work. The remainder of the cast includes Charles F. Sealy as a footman; Lillian Kemna as Mrs. Shenstone; Clara Moores as Elizabeth; Jerome Patrick as Edward Luton; Walter Soderling as a butler and Lionel Glenister as Arnold, who suddenly replaced Robert Rendel. Glen- | ister was not sure of his lines and was : prompted several times, but han--1 dicapped as he was, he gave promise of matching up well with the cast in the near future. Rosenberg, the Times’ artist, has caught the spirit of Maugham's comedy in the accompanying drawings of Mrs. Carter and Mr. Drew. Rosenberg has told the entire story in few lines of ink. Those who enjoy the better things of the theater can not afford to pass up “The Circle” with Mrs. Carter, Mr. Drew and Mr. Lawford. At the Murat today, Wednesday afternoon and night. -I- -I- -IConceming Chic Sale. And Reasons for His Success Charles Sale, known as “Chic” Sale,

tartar, are the chief cause of pyorrhea. It is curdled Dental science, after long research, has found ways to fight that film. One acts to curdle it, one to remove it, and without any harmful scouring. Able authorities proved these methods. Then a new-type tooth paste was created, baaed on modem research. These two great film combatants have come to millions by it. That tooth paste is called Pepsodent Careful people of some 50 nations now employ it, largely by dental advice. New beauty and new safety have come to millions by it

is now an undisputed headliner in vaudeville. His characterizations in time will become as greatly loved and cher- j ished as the work of the late Frank i Bacon as “Lightnin’ ” Bill Jones. If it wasn’t for Mr. Sale I would ! take out my little hammer and start j knocking some alleged exponents of entertainment who are present at Keith’s this week. Some will say that the bill at Keith’s this week is a winner. Have your own way about It, but we will never agree. As far as I am concerned “Chic” Sale saves the bill at Keith's this week from being less than fair. Our viewpoint may be different. Sale is a great artist. His impressions of characters at a school entertainment are gems. He causes one to recall the days when school entertainments were given. His school teacher, his old horn player of a village band, his bashful orator and his “Spring Hits Come” girl are marvelous comedy creations. One can not dismiss his work with a laugh because tucked hack of the laugh is the soul of an artist. He is one of the finest treats before the AmdHcan vaudeville public today. Frankly, I do not care for the work of Miss Patricola this season. I do r.ot care for certain movements with my jazz music. I must be all wrong I because the audience applauded her so much that she gave a curtain talk Probably I remembered the real work presented by Sophie Tucker last week. Billy Arlilngton works along burlesque and “hoakum” lines. He has the assistance of three performers. He may convulse you. If he does there 1 isn’t anything wrong with you. I ; love lemon pie. You may never eat h He received lots of applause yes j terday. | Mercedes found the going mighty

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THE INDIANAPOLIS TIMES

difficult yesterday In his musical thought transmission act. The woman at the piano had some difficulty yesterday afternoon getting the melody impressions of the patrons. The noveltly of this sort of an act has passed away mony months ago. “The Weak Spots” is the name of a sketiCh on the bill. It certainly is a weak spot on the bill. Burns and Lynn have an eccentric offering of "tunes and tickles.” The Hartwells close the show in a swinging rope act. Harry Moore opens the bill in a paper manipulating act. This act was over w,hen I arrived at Keith’s. At Keith’s all week. •I- -I- -IFuller Plays Jazz Music Without Customary Acrobatics What a pleasure it is to see a jazz orchestra of reputation play Jazz music without the members going into a fit of acrobatics. Earl Fuller and his New York orchestra knows how to play music of the day in a dignified manner. It is a pleasure to hear jazz music played with class. Musicians are not compelled to stand on chairs and engage in acrobatic stunts while playing jazz. Earl Fuller knows that jazz music does not have to be an acrobatic nightmare to be a hit. Fuller and his assistants know how to select a program of jazz music. They play Eddie Leonard's "Ida” with such telling effect that this number is the hit of their program. Fuller brings a certain dignity to the vaudeville stage in the playing of jazz. He has a remarkable organization. Easily the sensation at the Lyric this week. Wise conversation is presented by Bhirli Rives and Billy Arnold in a little affair called “Chickens.” This team works rapidly and gather in several real laughs. Lillian Conroy and Brother John have worked in several ideas in their act, called "On The Beach.” Just why this team resorts to a transparent drop in a bathing number is more i than I can understand. It robs the act of class. Miss Conroy sings in a high key. This team makes a mis- ! take in “forcing” stage calls at the

end of the act. With these two corrections, 1 feel that this act would register as it should because this j teun is talented. Beck and Stone are two men who engage in conversation and many songs. Barrett and Clayton offer a dramatic playlet, called “late. The acting is better than we usually get in sketches in popular vaudeville. The Kitamura Brothers close the show in a regulation Japanese act. The Great Emanuel opens the show with some well done stunts on a swinging rope. Fuller and his band lifts the cur-

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The True Story of a Young Girl By Enid Morrison

( 6 Mother!" exclaimed Gladys, I 1 “my back aches so that I don’t feel like doing anything but lying down —I tire so easily." Mrs. B. looked grave when she noticed how pale the girl was, “We will consult Dr. H„” she said, and she informed him by 'phone that they would soon be at his office. The good old man asked many questions, then said: “Your daughter is just emerging into womanhood, what she needs is a tonic to tone up her nerves and get rid of that tired feeling and correct irregularities and suppression or other feminine disorders. No wonder she is all run down. Now I know of a wonderful remedy which I am glad to recommend, for I know it is harmless and purely vegetable, Dr. Pierce's Favorite Prescription. It is a splendid tonic for women and acts directly upon the organs that characterize the sex. What your daughter should do is to keep in the open air as much as possible, go to bed early, and she will surely get sound, refreshing sleep if she takes

rent Lyric bill to the position of fine entertainment. 'l' 'l' -ISome Good “Hoofing’' Revealed in Revue There is a man in the Earle and Rial Revue at the Palace this week •who knows how to dance. To be a successful dancer it seems to be that one must have a long pair of legs and two nimble feet. George Browning is a dancer of more than ordinary ability. He knows how to dance and he has a good amount of honest-to-goodness personality. Without him the Earle and Rial Revue would not be half as entertaining. This revue has the services also of numerous others. Several are only fair. Kohn, a violinist, and Deplnto, an accordionist, as the names were given to me, have a popular way about them while playing jazz music. These men know how to make their Instruments “moan” in jazz language. Brown and La Velle contribute more music to the hill. The woman works along eccentric comedy lines. She sings a song in •which the question is asked —“Why should any one write a popular song?” ■Downie and Claridge have disguised a bicycle act. The trick is done by the woman of the team first appearing wearing an old-fashioned hoop-skirt and singing a song. Then off with the skirt and one discovers that the woman can ride a bicycle. The comedy element of the act is contributed by a trick clown rider. Grew and Paites offer conversation concerning the troubles of married fife. It drives home the lesson that a wife must not forget the trick of dressing in pretty frocks when hubby comes home. Lloyd and Goode are blackface entertainers. Their craps game Is well done. Breezy patter and good dancing is offered. Bill includes Frank 11. Cullen, Rosini, a magician, and May Allison in a movie, “The Woman Who Fooled Herself.” At the Palace ail week. -!- -!- -I-Well-Known Songs Are Heard at Broadway Well-known old songs are revived for a specialty in “The Runaway Girls,” the current attraction at the

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the Favorite Prescription according to directions, for it contains the extract of wonderful herbs that were long known to the Indians and which are good for the nerves and women's ills.” The anxious mother followed his suggestion and in a few weeks her daughter showed marked improvement and soon was a happy, healthy girl, joining in all the athletic games of her companions and Mrs. B says it is all owing to Dr. Pierce’s Favorite Prescription, which is worth its weight in gold. Many of your neighbors say the same. Read this: Indianapolis—"l have taken several bottles of Dr. Pierce’s Favorite Prescription for feminine weakness and think it is a wonderful remedy. Would advise any woman who needs a special tonic to give it a trial, as I am sure she will get good results.” —Myrtle Vaughn, 1226 Calhoun St. All druggists sell the Favorite Prescription in liquid or tablet form, or send 10c for trial sample to Dr. Pierce’s Invalids’ Hotel, 665 Main St., Buffalo, N. Y. —Advertisement.

Broadway. Among the old songs used tre “Walt Till the Sun Shines, Nellie.” “In the Good Old Summer Time,” "Two Little Girls in Blue” and “When We Were Sweet Sixteen.” The show is composed chiefly of old bits. Such lines as the muchabused "have you ever been kissed? Why, what is a kiss?” are examples of the material used in the show. When burlesque producers realize that their patrons are being fed up on this sort of stuff they will probably see an Increase in their business. If, as some of them say, there is nothing new in show business, then they at least can rehash and serve the old bits differently. The cast, however, should be given credit for handling the material given them better than some of their predecessors. Irving Selig and Phillis Carseth are featured. (By the Observer.) -I- -I- -IA Movie Walks Away With The Honors at Rialto The feature of the Rialto program this week is the photoplay “Tol’able David,” starring Richard Barthelmess, which is generally considered to be one of the best of the Barthelmess pictures. This movie has been thoroughly covered by this department so we will not attempt to tell more of the story. However, this is one of the best pictures that lias ever been shown in this theater. “Hurry Along,” as the musical com-

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edy attraction is called, is a mixed up affair wherein a Colonel tries to marry off his daughter to a wealthy Jewish banker. The Jewish comic, of course is featured. Other features of the show are vaudeville bits contributed by Steffens and Neale, FYed Jenkins, the Sunkist Trio and the Haney Sisters. (By the Observer.)

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Interesting Films On view At The Movies Today The following movies are on view today: Richard Barthelmess In “Fury” at the Circle; “Trifling Women” at the Ohio; “My Friend the Devil” at the Apollo; “Tess of the Storm Country” at Mister Smith’s and “The Trail of the Axe” at the Isis.

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