Indianapolis Times, Volume 34, Number 136, Indianapolis, Marion County, 18 October 1921 — Page 7

THE PASSING YEARS HAVE BEEN KIND TO ‘ERMINIE’ ‘The Masquerader J Is Again on View—Adolphus at Keith's—Novelty at Lyric

" Where are the police most numerous?” asks De Wolf Hopper as Ravennes of Francis Wilson as Cadeaux In “Ermlnie.” "On the pay roll," responds Cadeaux. Cadeaux and Ravennes had a perfect right to know whero the police were In the most numbers because they are just jail birds. And they tell yon all about themselTes in a strange melody called, "Downy Jailbirds of a Feather.” In other words, I am trying to say that although “Erminio" is about 3o years old, this sweet comic opera is still young and Is still highly enjoyable. A visit to English's last night revealed a gorgeous revival of “Erminle” with Mr. Wilson in his original role and Mr. Hopper as Ravennes who might be termed the mas tar mind of the merry crooks of England of years gone by. Then there is a chorus which is not only pleasing to the eye but is able to sing the tuneful Jaokobowski score as It should be rendered. Then there are such highly efficient artists as Alexander Clark as Chevalier De Brabazon; Sidwarth Frasier, as Eugene Marcel who sings the famous song, “Star of My Life;” Madge Lessing, she of the pretty figure, as Captain Delauney; Perclval Vivian as the menial Simon; Lillian Glaser as Erminie; Rosamond Whiteside as Javofte, who sings the only added song to the original score, called “Ohe, Mama,” and many others. What a joy it Is to hear Miss Whiteside sing “Ohe, Mama.” with a dash of submission and that attribute Is wiped away by a worldly Insolence, all done with so much charm. Again Miss Whiteside was enjoyable in the second act while singing the tuneful “A Woman s Dress.” Miss Glaser, of course, stopped proceedings with "Lullaby,” the song which aided In making "Ertninie” a hit years ago. Here we have real melody with a kverso so tender that one’s thoughts go "back to the days when mother cang her own lullaby. This song is one of the many bright lights of the revival. Needless to say that Mr. Wilson was at his best while singing the "Dicky-Bird" song. Mr. Hopper struts out on the stage and remarks, “Why Didn't I Revive Wang?” and with that he recalls memories in song. He sings the elephant song from "Wang.” Oh, how sweet are the melody memories revived by Mr. Hopper and Mr. Wilson! . It is in the first act where Hopper and Wilson are seen to their best advantage from a comedy standpoint. It is there that the old-time theatergoers recall the days long departed, when Mr. Wilson was a more youthful Cadeaux than he is today, but his Cadeaux today reflects his splendid artistry. At the close of the second act Mr. Hopper aad Mr. Wilson appeared before the curtain. Hopper asked Wilson to speak first but W'ilson insisted that

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‘DICKY BIRDS* Mr. Francis Wilson. In the beautiful revival of "Erminie” now on view at English's Mr. Wilson sings the famous song, "What the DickyBirds Say.” Mr. Wilson Is costarred with Do Wolf Hopper. Hopper do the honors. They “quarraled” over the mutual invitation and finally Hoper tells Wilson that there is a rear on for Wilson speaking first "Ton are the older," Hopper remarks. “There may be gray In my hair, but I have kept the gray from my legs and my voice,” answered Wilson. “Francis,” remarked Hopper. "That sounds like a girl’s name. Why the corset makers send him mail. Some people think that Francis is my wife.” "Heaven forbid,” replied Wilson. “DeWolf—Wolf. That sounds like a zoo.” Then Mr. Hopper Informed Wilson that they should say something on the spur of the moment. How is it to be done? "Let .us go away and arrange some-

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thing extemporaneous,” suggested Hop- j per and these two real funmakers on the ! comic opera stage strolled off to their i dressing rooms arm in arm. I could go into length regarding other | fine points of this revival but it is neces- ; sary only to say that "Erminie” is still ! young and that both Mr. Hopper and Mr. Wilson have kept the gray out of their voices and their legs. It Is not necessary for me to urge attendance at English's this week. Every one knows that “Erminie" is a tuneful gem which has lived for these many years and will continue to do so. Mr. Wilson and Mr. Hopper are equally famous and are both great artists—that the world knows. The company Is excellent. Wbat more Is needed to make a perfect evening In the theater? Only your presence. "Erminie” remains on view all week at English's.—W. D. H. -!- -I- + AGAIN "THE MASQUERADER” IS WITH US AT THE MCKAT. Mr. Guy Bates Post before undertaking what is called a world tour of “The Masquerader” again is on view at the Murat. It '/as through the preslstent effort of I Mr. Nelson Trowbrldgo of the Murat that Mr. Post was booked at the Murat In "The Masquerader” for a three-day engagement which opened last night. Besides being aided by the success of the novel of the same name, “The Mas- | querader” has the service* of Mr. Post who has played the dual role for several j seasons. The “road” has been kind to i Mr. Post In this play and his business ; season after season has been more than satisfactory. Mr. Post Is remembered by most theater goers in these parts by his appearance in "The Bird of Paradise” veers ago. Although “The Bird” Is probably forgotten by Mr. Post, but the public cherished him in that role about as much as it does in “The Masquerader.” When one thinks of this play, Mr. Post's name Is j naturally associated with It. Ha has made it a popular and an artistic success. In fact, his ability cover* tip some visible defect* of "The Masquerader” a* a dramatic composition. Although this play in the bands of Mr. Post has been n commercial success, the actor recently stated In an Interview that he has never produced a play for money. He claims; “I hare never produced a play for money. I have never chosen a play because it possesses commercial possibilities. I have always selected a play because It appealed to my artistic temperament, had charm, and yet the plays I hare selected have always been moneymakers, which proves, to my mind, the great public possesses more real artistic temperament than the average theatrical manager gives It credit for having.” Mr. Post plays two roles—one, John

INDIANA DAILY TIMES, TUESDAY, OCTOBER 18,1921.

Chilcote, a member of Parliament, who is a drug fiend, and the other John Loder, who is Chilcote's double. It is not necessary to go into detail regarding the ability of Mr. Post to play both roles. In his hands, both characters are the i finished product of splendid and sincere acting. In fact, Mr. Post is worthy of I the popular acclaim which has been given him as the result of his work in this play. ' The world touting cast includes Elwyn ! Eaton, George Cowell, Elizabeth De Puy, Katherine Emmet, Katherine Raynore as Robbins, who is very fine; Ida James and many others. The cast lends the necessary support to the star to make the play, although highly Improbable, possesses moments of rare dramatic values. “The Masquerader” is on view today, Wednesday matinee and evening at the Murat. -I- -I- -IMONSIEUR ADOLPHUS AND CO. ARE EAST WINNERS AT KEITH’S. Monsieur Adolphus and company In "Bohemian Life” are the outstanding hits on the new bill at Keith's. The till as a whole does not possess the regular Keith strength. Monsieur Adolphus, who closes the show, has gathered about him three talonted women, one an expert violinist and two dancers, one a 1 gifted artist. Adolphus Is a dancer of no mean ability, and his effort* were appreciated yesterday afternoon Sy the audience which greeted his efforts with applause. The toe dancer with this com- ' panv is a delight and her very presence is refreshing. It is a genuine pleasure to witness acts of such refinement and 1 ability of the Individuals connected : with 1L Ola Olsen and Chie Johnson, who appenr next to closing, eonld have received tons of praise In this department for their clever fooling, if they had not attempted to trifle upon the patriotism of the audience. These men were the big hits of the show up to the time that one of the members of the team informed the 1 audience that they would be serious and

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called upon, the audience to stand and Join In a sort of a community singing fest. The performer Informed the members of the audience to stand and- join in the National anthem. The audience stood in good faith. Then this team began singing “How Dry I Am.” Then to make the injury more severe one of the members of the team comes prancing back and pokes fun at the audience. Os course, any audience is willing to sing the National anthem, but I am sure that I for one do not want to te greeted with the words, "How dry I am. I, for one, can not understand why Olsen and Johnson dare to pull this travesty on an audience. With this exception, Olsen and Johnson are more than enjoyalle, they are a fun riot. Appreciate and respect their ability of being splendid funmakers, but I can not forgive them for their one bad display of judgment "Young America” Is the title given an act which apparently tends to picture the work of the juvenile court in handling the delinquent boy. The sketch is weak because the Judge is too sentimental. Two youthful actors, three adults and a dog take part In It. Another act called “D. D. H." affords some more clever fooling. "D. D. H. ” will give you a good laugh. William Sully and Genevieve Houghton appear In what they term "Calf Love.” Sully’s dancing Is the big winner of this act. He certainly knows how to swing his feet. He will please you with his dancing. Russell and Devitt present acrobatic dancing. The Clinton Sisters present a scries of dances as the opening act. At B. F. Keith's all week.—W. D. H. -I- -i- -ITHKRE IS A JOLLY MYSTERY ON VIEW AT LYRIC THIS WEEK. In the good old days of melodrama the fair heroine was pushed toward the buzz saw by the long-mustscbed villian as he laughed a sardonic "Ha! Ila!"—Just like that. But the stalwart hero always appeared at the psychological moment and affected a rescue, and the curtain dropped with a dull thud. At the Lyric this week they go Just

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a little further. The lady is sawed in two before the eyes of the audience. There is nothing bloody about it and the lady is whole In the end, but all the same the audience sees her sawed in two. The “victim” is bound hand and foot and a rope is tied around her neck for good measure. The usual “committee from the audience” does the tying and testifies that the ropes are tight. Tie lady is then put in a rough box, resembling nothing so much as the boxes undertakers use to ship coffins. There are holes in the box and the ropes are passed through them. The committee ties knots in the ropes and takes the added precaution of holding the ends. The lid of the box Is then closed and securely fastened. The box is'laid on a frame work so the audience can see over and under it. Now for the dirty work. There are slits in the box and sheets of glass and of steel, the latter looking like certain widely used razor blades built on a giant scale, are passed through the body of the poor girl. In fact, tho box Is thus divided Into eight compartments so small no human being could creep into one of them. But this is not sufficient. Two men appear with a large crosscut saw. They rapidly saw th box completely in two in the middle. Anybody can see that. Then the steel and glass are pulled out and the ends of the box pulled apart. It is a rather tight fit, but the lady is revealed as whole as ever. How is It done? Search us. See If you can figure It out. This is only one act on an unusually good bill. One of the most pleasing numbers is that of the Jones family, fnther, mother, two boys and a girl, wh 9 sing and dance and play banjos and fiddles. The smallest boy, who makes eyes at the fair sex in the audience, Is the hit of the act. Clayton and Clayton are a clever light-

When Mr. Jones was saved from the frying pan — They talk yet of the change that came over Jones. Some said it was psychology. Some said it was a miracle. All said It was a mystery. * When they asked Jones r he said it was liberation from slavery —slavery to the trying pan, and to grease and starch. Jones used to take his breakfast fried, and followed this with a heavy lunch. In those days they said at the office: "Old Jones has a secret sorrow and he’s sore on the world.? One day Jones started late —no time for the usual breakl -fast to be cooked. i Jones had a breakfast on Grape-Nuts with good cream. l} He was delighted with the crispner.s and rich flavor. Felt 1 satisfied and “fed.” Tried it again at 1 inch. Kept on breakfasting that way—often lunching, too. f Vyi Jones began to “perk up,* talk up, step up—GET up. \\ “Let Jones show you how to do this," they began to say ||r . |M . ggry. at the office. As to Jones —he said: “That's a great food GRAPENUTS." —| There are thousands of Joneses, both kinds —reckless feed-CfyrW-jsj - ers and wise feeders. “There’s a Reason” for Grape-Nuts —the perfected goodness of whole wheat and malted barley—deliciou, , nourishing, ready to eat. All grocers.

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ning artist and a girl who sings. Other acta Include Zigzag Four, singers: Ronaire and Ward, who haw a Hne of patter; Dancers De Luxe; Payton and Lyons, and an act called “Summer Eve.” There is also a Mack Sennrtt comedy in which Ben Turpin spends most of his time in a barrel of dough—the kind made from flour. -I- -I- -IJACK REID RETURNS TO PARK. Costumes of unusual richness and a chorus that is passing fair are features of Jack Reid’s show "The Record Breakers” at the Park theater this week. Reid appears in the leading part with his Irish wit serving him well. The music is the usual Jazzy type and some of the members of the company really can sing. Among the songs thai appeared to please the audience are "Oriental Baby,” “.Ta Ja Jazz,” “ I Wonder Who Is Kissing Her,” "Baby Like Me,’’ "Ain’t No Use Hanging Around,” "A Love Nest,” "My Sunny Tennessee,” “Come Play Wlz, Me," "An Old Time Tune.” The musical number s are accomplished by peppy dancing and some of them give an opportunity for the wearing of some rather daring costlimes. Tho show opens with a stage door scene, changes to the theater dressing room, flits quickly to a Colorado Springs Hotel, jumps back to a New York department store, travels Instantly westward to Cheyenne, and ends up in the dead of winter. Tha “Record Breakers” remain at the Park all week. -1- -|- -!- AT THE RIALTO. The Rialto again this week Is offering eight acts of vaudeville and a movie comedy. This policy was started last week. One of the unique offerings on the bill is that of Toto Hammer and

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company in an offering termed "Frogland. ” McHenry and Dean, who are billed as “The Lady and Gent From the South,” are contributors of comedy chatter. Mathews and Murdock appear In a comedy singing and eccentric dancing act. The dance feature of the bill la contributed by three young women who appear in "Dance O’Mania." The revue end of the bill is represented by "Keep Moving,” a revue with girls, music and dancing under the direction of Frank Rich. The Macks, novelty Illusionists, are on the bill. The remainder of the bill consists of Sam Revo, known as "the one-man Jaza band,” George Mable and company in “Just a Surprise” and a movie comedy, “All ’Round.” -I- -I- -I----ON THE MOVIE SCREENS. The following movies are on view today: "Without Benefit of Clergy,” at the Alhambra; “No Woman Knows,” at the Ohio; “Canpy Ricks,” at the Circle; “The Three Musketeers,” at Loew’s State; "Room and Board,” at Mister Smith’s; “Three Word Brand,” at the Isis; "Montana Bill,” at the Regent; “Some Wild Oats,” at the Broadway, and “The Foolish Age,” at the ColoniaL ONE HEN, 21 CHICKS. SWANSEA, Wales, Oct. IS. —Sitting on twenty-two eggs, a hen belonging to Charles Griffiths of Gwynfe hatched out twenty-one chicks. Last year the same hen hatched out eighteen chicks from the same number of eggs. SLIP OF THE TONGUE. CHICAGO, Oct. 13.'—Testifying in her divorce suit, Mrs. Constance Burton exclaimed : “He leads me, bis awful wife, a lawful life!” “What?” said the court. “I moan he leads me, his lawful, wife, an awful life.”

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