Indianapolis News, Indianapolis, Marion County, 18 January 1902 — Page 12

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THE IKDIAHAPOLIS HEWS, SATUHDAT, JAHTJARY 18, 1903.

which is a fine play. I shall also have a play on the poet Chatterton. by Ernest Lacy, who has already written a one-aet drama on the same subject. This one for me. however, will be a new four-act drama. I have also a Biblical play on David by Miss Florence Wilkinson, which ; begins with his meeting with Goliath, and which is, I think, a strong work. I have some other works in view, but have not decided enough to speak of them at presav**- **

THE LEHMANX HOFMANN CONCERT AT ENGLISHS

NEW YORK’S THEATERS.

KATHERINE BLOODGOOD Headliner at The Grand all the week.

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LIBBIE BLONDELL in “The Katzenjammer Kids,’ The Park, January 20-22

rHERE Is to be only one attraction at English's next week, so that, although the other theaters will be busy, the program of local amusements will be loss varied than usual. The one attraction at English's comes on Wednesday in “Eben Holden.” ft dramatised novel, in which E. M. Holland la starring. The Grand will have vaudeville, aa usual, with Katherine Bloodgood at the head of the bill; the Parte will have two attractions, a farcecomedy and a melodrama, and the Empire will have a week of burlesque. English’s—Eben Holden. rvRAMATlZED novels appear to be los- *-* lag none of their attractiveness, if one may judge by the success which ha.* to “Bbcn Holden." This is one of the latest adaptations for the stage of a popular book. It will be presented at English'* next. Wednesday, matinee, and Bight, under the management of Charles Frohman. "Eben Holden" was written by Irving Bacheller. and In this country and In England It has had an Immense sale. The dramatisation was made by Edward E. Rose, who adapted "Alice of Old Vincennes," *"ft> Have and to Hold” and “David Hamm." "Eben Holden" recently completed a run of nearly one hundred nights at the New Savoy Theater. New York. The play is to return to New York next month. Mr. Rose’s version adheres closely to the original story. The love theme relates to the heart affaire cl Will Brewer and his foster-sister, Hope, whose complete happiness, after a aeries of disastrous misunderstandings, is finally brought about by genial old

Unde Sb.

Yeung Brower’s plan to win Hope is In- , terfeivd with by Robert Livingston^ a City dandy, who wants the young woman for himself. At this time Hope becomes jealous of Will, because of bis attentions to one of the girls from the city. The machinations of Livingston make Will appear to be unresponsive to Hope's affection, and there is a stirring scene, ending with the departure of

ENGLISH’F Fraak Daniels. Ai 2 sad 8

BfetGRAND The Lafayette Show. At a aid 8

tn*«PAR.K Wiacheitet, At ^ aad 8

8ft« EMPIRE. VwdeviUe, At 2 tad 8

true lovers’ fashion, thanks to the good offices of Uncle Eb. who has remained the dominant tlgure throughout the play. This latter character will be impersonated by E M. Holland, who created the role in New York. As "Eben Holden. Mr. Holland Is said to have achieved one of the hits of his long career. Others in the cast will be WMlanT^Harria. Earle Ryder John Frederick Cook, Jay W leon J. H. Bradbury, Leo Hardman, Sidney Prior, Richard Nesmith, Louis Payne. Lucille Flaven, Kate Denln-Wilson, Kenyon Bishop, Laura Almoanino and May ^The*scenes tike place at Lone Pine farm. Paradise valley. Faraway county. New York, the period being 1861. The three acts are laid in David Browers barn. In the kitchen of his farmhouse and at Deep hole. In Tmkle brook, where the } cunning trout known as the "Old Set-

FOR TO-DAY

tier.” made his lair, and defied the ef-

forts of the country folk to catch him The scenery was painted by

of the house will permit. The piece is one of the continuously funny type so well

liked at the Park. ,

The company Is headed by the Blondells, clever funmakers Supporting them are the Cosmopolitan Trio, singing specialists; McMahon and Chappell, singing and dancing team; Alonso Lang, Adolph Katsenjammer, to whom all troubles flow; Branneck sisters, singing and dancing specialty; Master Bergeman, Ramsey sisters, musical specialty; Jack Slmonds, who plays one of the leading parts; Signor Heck and others. There are two hours and a half of fun and the Blondells have added more new features than ever.

A Homespun Heart.

“A Homespun Heart,” which, as its title indicates, is a play of country life, will be the bill at the Park next Thursday, Friday and Saturday. It Is a rural play, full of country folks, homely clothes, and provincial conversation, but it has the scent of flowers, the atmosphere of the fields the charm of a country v..,age. The story tells of the love of a manly young farmer and his old playmate, who for a time are parted by the efforts of a harsh old money-lender, aided In his wrong-doing by a heartless adventuress, but who, in the-end, are defeated through the efforts of the heroine’s half-witted brother. The cast la one of merit and includes Blanche Warren, Lulu Espey, Lucille Allen Walker, Estelle Howard, Fred Moniey, Harry L. Dunklnson, Azack L>. Evans. Will M. Chapman, Charles W. Porter and Merrill Frederick. “A Homespun Heart" is by Hal Reid, and is said to be as good as “Human Hearts” and "The Night Before Christmas.’’ It will begin its engagement with Thursday’s matinee.

The Empire—Burlesque.

|>k INKINS'S "UTOPIANS” will be seen D at the Empire all the week. Besides an olio of specialty acts, two burlesques— ‘There Is Something Doing” and "The Coming Champion"—will be seen. Harry Gordon, George N. Topack and Lillian Washburn supply the fun in the burlesques. The Empire City Quartet, Klein and Clifton, Fonner and Carter, Gordon, Vldocq and Perry, Washburn and Topack and the Jasselin Trio are in the olio.

E. H. Sothern’s Plana

| N course- of an Interview the other day * Mr. Sothern discussed his various projects of next season. “I have many plans in contemplation," said Mr. Sothern. Mr. McCarthy, the author of Tf I Were

Mra Patrick Campbell’s "Magda"— Rostrand’s “The Romanesques.” [Special to The Indianapolis News.] EW YORK. January* 18.—Orchestra stalls at the opera were deserted on Monday night, when Mrs. "Pat" Campbell, as she is affectionately known in London, made her bow to the metropolis in "Magda" at the Theater Republic. They were deserted again on Thursday night when the same star presented “Tho Second Mrs. Tanqueray." and it is hardly worth while adding that Mrs. Campbell made just the impression she had wished for. Fashionable society packed the Theater Republic and gave the charming "Mrs. Pat” a most hospitable welcome. With scarcely an exception the dramatic critics highly praised her work. But there Is a question# Is Mrs. Campbell’s “Magda” the “Magda” of the play? Mrs. Campbell’s "Magda,” who returns to her home after years of hardship, disillusion, bohemian life, and finally great success on the stage, Is without a touch of softness. All through this flying visit she is a cynical outsider, who wonders how she ever could have lived in the cramped surroundings of a virtuous household. When she Accidentally encounters von Keller, the government official, who seduced her while she was in poverty at Berlin, and her father suspiciously! demands an explanation of their relationship, it is easy to see that it is simply anger and resentment that drives the woman to tell all. The threat of the old army officer to kill her unless, she clears her name by marrying the man who betrayed and deserted her, leads to a scene of angry defiance on her part. Here Mrs. Campbell did not play on the sentiments of the audience. If the scheme of patching up her reputation is to be carried through, she must conceal the fact that she has a chMd. She refuses, not through love for the child, but because she has worked for him successfully. The thing she won’t do is to give up her vocation. It may kill her father, disgrace her sister, deprive herself of the last shred of respectability, but she takes the risk. All agree that In appearance Mrs. Campbell fits the play perfectly, that her art Is very finished and polished, but her “Magda” does not touch the heart nor sting the eyes with tears. Her "Magda” is a~brlUiant, self-willed and beautiful singer, who can not live without the excitement and triumphs of the stage. That is all. Of the company not so much good is said—with the exception of Herbert Waring, who played Von Keller exceptionally well. But for him the scene might Just as well have been laid In the outskirts of London, so English was the atmosphere. A cur lain raiser, so uncommon as to merit special mention, has been put on to precede “Sweet and Twenty," at the ! Madison Square Theater. It is described on the program as an act of “The Romanesques.” by Edmond Rostand—one of his earlier works—and it has been made into a clever little one-act play by George Fleming. It Is written In verse, and is a mild little burlesque of the "Romeo and Juliet" idea. The parents of the youthful pair of lovers are bent on making a match between them, and so make the courtship as difficult as possible, even going to the extent of building a wall between their respective estates to keep the boy and girl apart. The parents believe that to have this romantic incident attached to the courtship would more sincerely and deeply cement the sweethearts’ love. There is an abduction of the girl and a rescue by the boyall planned secretly by the fathers, which brings about the desired result with mathematical precision. Miss Elizabeth Tyree, who gave a sprightly and fascinating performance of the boy lover, scored the principal hit. She read M. Rostand’s lines delightfully. Miss Isabel Irving as the girl made a lovely picture and played with simplicity and girlishness. Miss Tyree in knickerbockers was very fetching,

indeed.

W. H. Thompson, Ellis N. Harris and

Stanley Dare completed the cast.

Richard Mansfield Is going to give the Actors’ Home a benefit before he takes "Beaucaire" away from the Herald Square Theater. He will do some choice bits of acting from bis previous roles. As soon as the announcement was made checks for money began to pour Into the box office, some paying as high as flOO for a seat and 1250 for a box. Mr. Mansfield Is the first

star to give such a benefit.

R. J. R.

imaginatively, too, as if for him. as well as for its oompoaer, it pictured a long train of Polish nobles and ladies; as if for him, as for the native Pole, this polonaise were “the symbol of war and love, a vivid pageant of martial splendor, a weaving,

cadenced, voluptuous dance,”

In spite of his somewhat dry tone, he

A well-filled house, musically and socially representative, at English’s last night, heard Lehmann the great singer, saw Lehmann the greater actress. That Madame Lehmann’s voice Is all that It

once was, none will contend, but It is such tu Btnix _ w umo «.««»*=, a wonderful voice yet, that on the sheer invested this number with festive glitter vocal side it still commands for itself a ® n 0 d st p ®“ p rlc1o ^f y( ^fch^ls doubritss j”«1 first place. It Is chiefly in transitions the W£ y author, the prince of caprices, from tone to tone that the ravages of rendered it. His own little tone poem, time reveal themselves In diminished P wL* 1 , »I, i _ »-»t.. the Chopin and Liszt numbers, possesses liquidity and fullness. Allowing amply a C harmlng melody matUhely thought out,

and held Its own in the very choice company in which It found place. Summing up Mr. Hofmann's accomplishments, it appears that in his art development something of the prodigy yet survives, limiting his interpretations of Beethoven

Jap Ros

and fullness.

*or these tosses, however, this voice still outranks the little voices, younger and fresher though they be, as a star outshines a candle. But with Madame Lehmann. the voice side, pure and simple, is and always was, a second consideration. First, with her come art and feeling. And as she has mastered the on$, and is rarely dowered with the other, she is able at an age when with many women active life has become a memory, to hold and thrill her audiences. Her program madJ enormous demands, vocally and dramatically, and so marvelously did she meet them that for the younger generation at least, she set standards by which later artiste for many a day will be measured. Her delivery of that most noble of all Wagnerian arias, “Dich Theure Halle,” was triumphant and unrivaled, in recent years here, * unequa'ed. The sumptuous voice, the prodigality and power with which it was used, and the intensity of sympathy which burned in it, brought to life again all the splendid pageantry of that mediaeval scene like to

the one

In the great minster transept Where lights like glories fall.

And the sweet choir sings, and the organ rings.

Along the emblazond hall.

The "llebestod” was sung in the same exalted styled the style by which Lehmann long ago proved herself to the Wagnerian manAer born. But not only in the grand aria, but in the small song did she excel. On the ballad by Clayton Johns, "Where Blooms the Rose,” she spent herself and her art quite as lavishly. The test imposed by the steadily ascending octaves in the Franz song, “Die Haide 1st Braun,” she met bravely, and

the passionate exclamation ^t its close Kubelik was eneasref] for nrwMj*nt she delivered as though transfigured with .*?****? f ° r hI f P" 8 *,"* grief. In the “Waldesgesprtech” her teur-hls first.visit to America-by Daniel breathing was an object lesson In its Frohman, and with some difficulty. There ease and control, and how dainty and ten- were important engagements ahead for d Afre“aTthS UM e b x a bSng list, there e8 K pe( l ia, L 1, l f RU,, * ,a ’ yet came the “Erlkcenig," which with this ,.had to be abandoned. Moreover, the young singer was no simple narrative, but a man was not easily released from his al-

and like compoeere in profundity of feeling and in intellectual bights: he reveals there neither the master mind nor a grand passion. However, his gifts are many and his attainments so unusual that he readily belongs among the world's best

pianists.

Jan Kubelik’s Recital.

Jan Kubelik, the young Bohemian violinist, will play at English’s Thursday, January 30. Boone MeKee is bringing him. The event will be of great interest, as Kubelik is the most remarkable figure of the season in the eye of the concert going public in this country. His success since his arrival, less than two months ago, has been of the phenomenal order. The secret of Kubelik’s hold upon his hearers wherever he plays lies in the breadth of his appeal. Nothing about him is more remarkable than the fact that he is a favorite of the fashionable set in London and New York, and at the same time distinctly a player for the masses. In New York he was quickly taken up by society folk, but not before h<* had made an enormous popular success. He owes little of this success to the musical critics, for they have not failed to point out faults in his playing, nor does he owe it chiefly to the musically cultured among his hearers. His appeal includes these and the critics, but does not stop there. Anyone, be be musician or not. can enjoy Kubelik's music.

one-sixth pure glycerin, is perfectly transparent and contains no impurities. The delicate perfume of natural flowers. It is a toilet pleasure. The pride of the makers is to sustain its purity and high quality.

JAMES S. KIRK * COMPANY

drama, with its three personages of father, son and Erlkcenig each distinct and real. And still this was not all. With a graciousness not to be expected under all the circumstances, Madame Lehmann returned to the stage and courteously announcing a dance-song by Grieg, fairly tripped it off with tne coquetry of sixteen. From "Dich Theure Halle” to this blithesome dance was touching the antipodes. Madame Lehmann's reception on her first appearance has been puralr leled here on few occasions, and th* same was true of the applause at the close of every number, especially the last. Respect, admiration, gratitude, even affection mingled in it, and manifestiy, these were for the woman as well as the

artist.

Josef Hofmann, who was associated with Madame Lehmann in the recital, is an astonishing player. He can do all sorts of difficult and surprising things in finger-heroics, and is not averse to showing it. He plays a Liszt rhapsody as effortlessly as a Chopin berceuse Heavy chord masses fail from his fingers easily and crisply. The ceierity of his runs is nOt remarkable in this generation of pianists that literally run races with each other. Mr. Hofmann is not a strlver after impossible tempos, and for this relief the really musical portions of hds audiences, will exclaim, “Much thanks!" He is well schooled in this regard, better than in dynamics. Thr "Sonata Appassionata” elicited admiration at every point, yet left the impresslon that here and there Beethoven had been retouched In order to hlghten the dynamic contrasts. To the slow m’ovement he did not entirely unbend, but the final allegro, with its stinging shower of floriture, started all hands clapping and several voices to shouting "Bravo.” Schumann's “Nachtstueck” he played beautifully, romantically. The “Caprice Esnagnole” was eotable chiefly for the delicacy with which its embellishments were rendered, spun as fine as a spider's weh» Moreover, Mr. Hofmann is versatile, as far as one may judge from a program which was of tolerably wide range, though in nothing unconventional. He played the A-flat major polonaise of Chopin with the “grip” that Huneker pleads for. and yet elegantly, played it

jotted military service, for which the time had come. This matter was arranged with the Hungarian government through the good offices of King Edward of England, who has shown the violinist favor in other ways. Kubelik’s party on Ms present tour consists of his European manager, Hugo Gorlitz; his secretary, Mr. Scrivan, and Mrs. Scrivan; his accompanist. Rudolf Friml. and his valet. The name is pronounced KoO-be-Uck, accenting the first syllable. He played Thursday evening at the Auditorium, in Chicago, and plays there again this afternoon. In New York and Brooklyn, in eleven concerts, 26,000 people heard Kubelik play. He is at his best in the compositions of Paganini. The greatest success has been made In Paganini’s concerto in D major. The Wagner Lecture Recitals. The Wagner lecture recitals to be given here by Carl Ambruster and Miss Pauline Cramer, offer the best opportunity which has been afforded In Indianapolis, to hear the works of the Bayreuth master expounds^. The original dates for the lectures have been changed to Saturday, January 25, and Wednesday, January 29. The sale will open January 23 at the Starr piano store. *- MacDowell’s Recital Postponed. Edward A. MacDowell, who was engaged by the Matinee Musicale to give a recital here February 5, is ill, and has been obliged to cancel his engagements for February. He will play here In March, however, at a date yet to be fixed. What Bauer will Play. Mr. Harold Bauer, the delightful pianist, who will be heard here, January 27, wkh the Symphony Orchestra, will play the Beethoven concerto In E flat. This will be the second symphony concert of the season.

Groa, the Incidental music is by William Furst and the play has been staged per-

sonally by Mr. Rose.

The Grand—Vaudeville.

XHE vaudeville bill at the Grand next 1 week will have KatHerine Bloodgood as the "headliner." Mrs. Bloodgood, prior to her entrance Into the vaudeville field, was a society woman of Brooklyn. She has a voice of much sweetness, depth and flexibility and her songs are all high class. The next strongest feature of the bill Is the Kauffmans, a troupe of eight bicycle riders. Six of them make their appearance at first and go through the usual evolutions and do some remarkable riding tricks; then the other two riders appear and the eight ride about the stage In solid formation. Jules and Ella Garrison are billed as "burlesque tragedy stars”: they do an act entitled “A Bit of Nonsense.” A. L. Gruelle. formerly tenor with the Metropolitan opera company, is also on the bill for a singing turn. Frank Gardner and Lottie Vincent appear in a musi- j cal farce entitled - .a Shattered Idol,” mads up of mualc and dancing. Johnson, j Davenport and Lorella are acrobatic comedians who Mo a brisk and lively act. The show will cloae with ten new views

bv the biograph.

It „

Ernest j King,' is writing another play for me which l will produce. I Intend to play ‘Hamlet* again and also ‘Romeo and Juliet’; my great trouble about the latter play is to find a Juliet I am anxious for a good one, as a suitable Juliet is rather a necessary factor In the production. Then I shall have a revised version of ‘Lovelace,’

The Career of E. M. Holland. M. HOLLAND, who plays the lead ing role in the dramatization o'

"Eben Holden,” is a son of George Holland, of the old Wallack company, and was born in New York in 1848. When fifteen years old he became call boy at Mrs. John Wood's Olympic Theater m lower Broadway, near Blencker street, which was soon given over to George Fox and the phenomenal run of “Humpty Dumpty.” Three years later Mr. Holland joined the company at Barnum’s Museum as a player of small parts. From 1867 to 1880 he was identified with Lester Wallack and afterward became a member of A. M. Palmer’s Union Square stock company, making his first appearance m “French Flats,” a farce. Later he went with McKee Rankin on a prolonged tour covering both England and America, playing the judge in “The Danites.” After Palmer moved up to the Madlsen Square Theater Mr. Holland rejoined the company and scored a hit in “Jim the Penman,” which drama ran steadily through the season of 1886-1887. In 1835, when Richard Mansfield took over Harrigan’s Theater and renamed It the Garrick, he brought together the Holland brothers, E.

M. and Joseph, as Joint stars.

Under his management, while he himself was on the road, the Hollands appeared in a drama which Mansfield had been reserving for his own use—‘‘A Social Highwayman." In this Joseph was a gentleman moving in good society, who lived by preying on the valuables of his friends, and E. M. Holland was his valet, whose devotion to his rascally master was one of the most touching things seen in any of the modern plays. The play made a hit, and It was largely due to the senior Holland’s acting of the man-serv-ant. After this tour E. M. Holland went Into the Frohman camp and appeared in

numerous farces from .the French, such as “On and Off,”’ “Never Again.” “The Husbands of Leontine" and “The Lash of a Whip.” He also played the villain In the Drury Lane melodrama, “Hearts Ar* Trumps,” and achieved one of the hits of the performance. He won strong praise for his portrayal of the hero of Irving Bacheller’s story during its recently completed run at the New Savoy Theater, New York. This is the first rural character he has played in years. Dramatization of Lazarre. [New York Telegraph.] a MONO the recent successful novels making ready for the stage Is “Lazarre,” written by Mrs. Mary Hartwell Catherwood. The report, however, that It will be presented this season Is Incorrect. From its Inception it has had a peculiar connection with the player who will in all probability present it. Four years ago a Milwaukee friend of Otis Skinner called his attention to the theatrical possibilities in the career of Eleazar Williams, known as the “American Dauphin." Mr. Skinner placed himself In communication with the Rev. Mr. Merrill, for many years a missionary at the Green Bay reservation of the Oneida Indians. From him he obtained much unpublished information concerning the career in this country of the claimant to the throne of the Bourbons, and the traditions retained among the Oneidas. The dramatic contrast that lay in the transfer of a backwoodsman, a veritable leatherstocking, to the scenes of brilliant civilization at the court of France appealed strongly to the actor, but other plans prevented his using the material. Among his friends is Mrs. Catherwood, for whose ability as a novelist he has the highest admiration. During a conversation with her he suggested the ftory of this American king as an attractive theme for a novel and submitted his data. "Lazarre” is the result. Notes of the Stage. Among the attractions billed for early appearance at the Grand are Lucille Saunders. Willis P. Sweetman, Laman and Gabriel, and Stella Lee. Mildred Holland has a new play written by Carina Jordan entitled "The Lily and ” she will produce it in Buffa-

ENDoaakD an© nag© by Mm*. 1*11*1*1 LEHMANN, &DUA.RD ZKLDENKYJST. the great Dutch pianist now touring the United States, and many other noted artists.

* Manufacttarwd and Sold by d d D. H .BALDWIN <& CO., z...bM.h.d tags: 145-149 N. Penn. St.

AMUSEMENTS.

ENGLISH’S MAT^EANDNCnT J AN> 2 2 Charles Frohman Presents THE LAUGHING PLAY OF THE SEASON X. X. Bom's Dramatization of Irving Becheller’s Famous Novel, ^EBEN HOLDEN.* T * With the same east and effects aa seen for more than 100 nights at the new Savoy Theater. New York. Prlcea—Night, W, 7#e, 80c, *Sc; Matinee. llTvOc, 60e, He. Seats ready Monday.

The Lilliputians and "The Last Sentence” will be the Park Theater’s attractions the week after next. "The Dairy Farm" and “A Poor Relation” are underlined for early appearance. M. Clemenceau’s Chinese play. “Le Voile du Bonheur.” just produced in Paris, shows how a blind man. suddenly restored to sight, is deprived of all his happy Illusions and prays to become blind again. J. H. Stoddard in “The Bonnie Briar Bush.” will be at English’s. January 28 and 23. WlllUun A. Brady and Joseph R. Grismer will produce Edward W. Townsend's play. “A Daughter of the Tenements.” next season. It is founded on the dram atist’s novel of that name.

discussion so frequently it has been the custom to refer to Us presentation by Lawrence Barrett as its first production. This Is an error, “Francesca da Rimini” was staged at the old Broadway Theater, in New York, by Ethelbert A. Marshall, in 1856. The cast Included Edward L. Davenport, as Lanciotto; Charles Fisher, as the Jester, and Madame Ponisl in the title role. Later in the year Julia Dean appeared as Francesca in support of Davenport, and there is a tradition that Mra. John Drew was also seen In the title role. Mrs. Leslie Carter says she never forgets that her first and stanchest friends were the “gallery gods." Peter F. Daily has made a Joke. Since he has gone into continuous vaudeville he says he has dropped the Peter F. and may be know as Twice Daily. Billy Emerson, the old-time minstrel, is in want in San Francisco, and a benefit performance will be given for him. It is stated that In the island of Heligoland, where Richard Mansfield was bom, no person under sixteen years of age Is permitted to enter a theater. At the last meeting of the Dramatic Society of Rome ninety original works were sent In. Charles Frohman has decided upon the play In which Virginia Harned next will be seen. He will give her the opportunity to be the original in this country of the title role In A. W. Pinero’s “Iris”—a com-edy-drama which has been running for twenty weeks at the London Garrick The part is acted abroad by that Boston girl who made her London debut at the St. James’s Theater—Fay Davts. The Result. [Puck.] Bronco Bill—Yes: three cowboys lost deir lives here yesterday in a railroad accident. Hurricane Bob—How did it happen? Bronco Bill—Why, a handsome lady accidentally lost her ticket and the three galoots all volunteered ter find it, and they all found it at once!

/■vmro WJPP1T •aJINiI WEEK** Commencing Monday Matings

GRAND

Jan. 20

GRAND

PLACE

Katherine Bloodgood NEW YORK’S FAMOUS SOCIETY LEADER.

HIGH-CLASS BUBLBSQUB TBAGBDY ST ABA Jule*—GARRISON—Efla FBESBBTING A BIT OF NONSENSE

A L. GUILLE FAMOUS OPXXATIO TEWOB, LATB OF XKTBOPOLITAB OFBBA OOMFANY

Frank—Gardner & Vincent—Lotto In a Muslenl Farce, entitled

JOHNSON, DAVENPORT and LORELLO ▲OBOBATIO COMEDIANS

A Jl AXAhJLA

All New View. BIOGRAPH All New View.

MATINEE DAILY—Prices JOe and 25c. Eventa*-10c, 25c, 50c

Hooked. [Puck.] Mrs. Newlywed—The night you proposed you acted like a fish out of water. Mr. Newlywed—I was—and very cleverly landed, too!

TO-NIGHT WINCHESTER ”

MONDAY—THREE DAYS ONLY

PARK

The Blondells IN “The Kateenjammer Kids” UTJBIOAX MXXAXOE OF LAUGHABUC SITUATION8, FUN AN© OONTINUALA1XXNIMXNT. NEW AN© OATPHT SPKOIALTIBS, okaoxfitl ©anobbs ab© chabkikg PRICES 10c, 20c, 30c. DAILY MATINEE, Everybody goes to tha PARK Thursday— 44 A HOMESPUN HEART,” by Hal Reid A COMPANION PLAY TO ‘‘HUMAN HEABTH.* 1

AMUSEMENTS.

EMPIRE THEATER

WAXA.H ANB OECAWARC.

ONE WEEK ONLY CosneBCiBf MONDAY MATINS, IAN. I3ti

Matin— Daily.

Every Night.

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GRAND CONCERT AND DANCE m Ctkfcr.Ho, !b» 1434 Birtfc4»y <4 ROBERT BURNS

IN MASONIC HALL, FRIDAY EVENING. JAN. J4, EIGHT O'CLOCK

SCOTCH SONGS, SCOTCH SINGERS. SCOTCH DANCEBS.

ADMISSION... 25c

in hla Newest Magical Success.^ j ^M»*Oy«a Mar* .I Nu o* c** MM