Evening Republican, Volume 14, Number 187, Rensselaer, Jasper County, 8 August 1910 — Fought Catarrh for 20 Years. [ARTICLE]

Fought Catarrh for 20 Years.

Here is a letter that we sincerely ask every reader of the Republican to read. If you suffer from catarrh or any nose, throat or lung ailment, read it over twice, and then consider if you can afford to ignore a prescription with the healing virtue of Hyomel (pronounce it Hy-o-me): Booth’s Hyomei Co., Buffalo, N. Y. Gentlemen—“l suffered terribly with catarrh in the head for twenty years, and I tried many prescriptions, but never found relief. I have used Hyomei for two weeks and find it the best preparation I have ever used for catarrh. Every cold I would catch seemed to go to my throat, and I had to use gargles for days at a time. Now when I catch a cold in the throat I use the Hyomei inhaler and this soreness disappears over night. Hyomei has put me on the good road to getting rid of my catarrh, and if you want to use this letter to publish in your advertising, do so. Perhapß it will help some other sufferer.”—W. K. Engle, 703 Walnut St., Reading, Pa., Oct. 5, 1909. Complete outfit 21-00; extra bottle 60 cents at druggists everywhere and at Fendig’s Drug Store. Hal Reid, the author of "The CowPuncher,” which comes to the Ellis Theatre on Monday, August Bth, for a one night’s engagement, said recently that this play was the result of a life’s work at playwrigfiting. “Where,” said Mr. Reid, “could a man find a broader or a better character to write about than the American cowboy? He is a true friend, a generous enemy. He is slow to pick a quarrel, but quick to defend the weak. Willing to lay down his life for his country or friends. The cow-puncher from the West, made up the Rough Riders, and the whole world knows their reebrd at San Juan.” Mr. Reid has surrounded him with a powerful heart story and developed him Into a play that will live for years. W. V. Mann, the producer, has made the author's ideal possible by giving “The Cow-Puncher” an excellent cast, a lavish scenic production, and to see this play makes one forget they are in a theatre. One only sees that which is good in life and for one evening we feel that we really live and breathe the fresh air of those cow-punchers we see before us on the stage.